Browsing Category

Design

Design

Ceramics Design Challenge Winner Announced!

May 29, 2014

In the past, the judging of our design challenges have occurred behind closed doors, either discussed through a conference call or in a room with our buyers and guest judges. Last night, we decided to take quite a different spin with our judging: to make it live for the public and contestants to watch via Google Hangout! (Yes, even including the critiques!) We’re a company that values transparency and we want all of our finalists to benefit from our judging as much as possible. Sure, we can jot down a few notes, and send the comments in an email the next day — but I think we all can agree that nothing beats hearing what the judges have to say in real time.

Below is our very first Google Hangout judging session for the Ceramics Design Challenge. The judges we invited to spill their expertise onto the table about each individual piece were Joanna Hawley, a designer and the voice behind the blog Jojotastic, and our Assistant Buyer, Hannah Weber. (Gaby and I joined in on the fun by moderating the conversation and putting in our two cents when we felt it was needed.)  Be sure to watch and see who our Ceramics Design Challenge winner is!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Congrats, Ronald and Jeni! Your ceramic piece is beautiful!

Design

An Easy Answer to Olive Pit Etiquette

May 15, 2014

Enjoying olives discreetly isn’t always easy. Where do you ditch the pit? In a crumpled napkin? On the side of your hors d’oeuvre plate for everyone to see? The usual options aren’t exactly attractive. With that in mind, we created the Olive Server.

Olive Server | UncommonGoods

This innovative dish solves the pit problem, holds your picks, and displays those tangy, salty treats in style. To design the Olive Server, our Product Development Team partnered with Paul Brothe, a ceramicist who conceptualized the piece based on his love of nature-inspired ceramics, a modern, lead-free take on traditional Majolica pottery, and the goal of keeping pits unseen.

Sketches

When Brothe first presented his prototype, we loved that it was made of sturdy earthenware painted a natural green color, and provided a way to both serve olives and hide pits. From there, we made a few adjustments to make the Olive Server even more appealing to our customers who want practical serveware with a fun twist.

Original Prototype

While the original design featured a porcine, two-holed opening for depositing pits, we decided to give the pit cavern an oval shape and one larger hole. We wanted to make the piece really pop, but we didn’t want to detract from the realistic olive form, so we chose four colors to accentuate the incorporated shapes.

Process

The fruit-shaped basin is actually two parts. The bowl holds the pits, keeping them in one place for easy cleanup, while the lid keeps them under cover. We chose to line the bowl with a pimento-inspired burnt orange and give the exterior an olive green color. We also added a shade of green to the “leaf” where the olives sit and a branch-hued brown to the pick holder. Now each individually-functional element of the server is uniquely eye-catching, enhancing the look of the all-in-one display.

Olive Server | UncommonGoods

To create the finished servers, each piece is cast from a mold, inspected and trimmed, thoroughly dried, and then fired overnight at a temperature of 2000 degrees Fahrenheit.

trimming_sqfired_sq

Two techniques are used to glaze these bisque fired pieces—dipping and brushing. The glazing is done by hand using special glazes formulated in-house at Brothe’s Jersey City, NJ studio, so the colors are truly unique. The colored servers are then fired overnight one more time, allowing the glazes to fuse together and create a smooth, glassy surface.

Glazing

The result is a high-quality dish that provides an attractive way to serve olives, keeps pesky pits out of sight, and is uncommon enough to stir conversation at any cocktail or dinner party.

Buy the Olive Dish | UncommonGoods

Design

May 6, 2014

No great artist ever sees things as they really are. If he did, he would cease to be an artist.

Design

How the Bike Tote was Born

April 30, 2014

When developing a product from scratch, we need to think through all of the details. We think about functionality and ask ourselves basic questions. When we created our Bike Tote those questions were: How will the bag hold objects? How much will it hold? How will it be secured? How will it be carried? What materials do we use to make sure the job gets done?

Here’s how we answered some of those questions.

Bike Tote | UncommonGoods

The tricky thing about this project was making sure the bag would fit the needs of a bike rider. Safety is integral. First, the bag needed to be well-secured to a bike’s handlebars without interfering with the front wheel.

How we made it happen: Sourcing the right buckles.

Bike Tote Buckles

This was our greatest sourcing challenge. We recognize that depending on the style of the bike or gears you have, strapping the bag on or off could be a challenge, so we made sure to source components that would work for as many bike styles as possible.

The buckles needed to open up so that we could completely detach the straps and fasten to any bike. They also needed to firmly and securely support the weight of the bag, without breaking, loosening, or slipping on the bike. After evaluating several different buckle and strap options, we chose these cam buckles.

In addition to securing the bag to the bike, we had to refine the cotton shoulder strap, making sure it made sense for a bike rider. We wanted to develop a true tote bag with a longer shoulder strap, but we didn’t want the strap to fly around in the wind or interfere with the bike in any way.

How we made it happen: A floating zipper.

Bike Tote Zippers

The zipper is isolated from the rest of the bag, which means the bag can be opened fully. It allows a bike rider to place the entire shoulder strap into the bag, with the zipper closed on top of it. The strap is securely tucked inside the bag, instead of hanging loose.

We know that when you’re on the road, dirt and gravel fly up, and things get pretty dirty pretty fast. We wanted to make sure the bike tote would stay as nice as possible, despite being an active bag.

How we made it happen: Black bottom panel.

Bike Totes| UncommonGoods

We lined the bottom of the bag with black fabric to hide any smudges. Remember – because of the buckles, the bike tote can’t be machine washed or dried, so hand-washing and line-drying are your best bets for keeping it in top shape.

As a final design touch, we wanted to help bike riders increase their visibility both from a distance and in the dark.

How we made it happen: Reflective tape around the bag. The strip of reflective tape allows for more visibility of riders as they cruise along and show off their very cool bike tote.

Safety first--reflective tape!

Testing the Bike Tote

Once the product met all of the criteria we outlined, we we needed to make sure it was truly road ready. To test it, one of our team members gave it a try on her road bike to make sure our claims were holding up. “I’m basically going to try and break it,” she informed us.

Weighs

In her words:

“I filled it with as much heavy stuff as I could. I started with books and when that didn’t break the bag, I tried weights (two 5 lb. weights) and large bottles (3 wine-sized bottles). The bag was a bit too big for the bike handlebars on the bike I was testing it on, so for the actual weight test I attached it to the bike cross bar and left it hanging overnight.”

The tote successfully held the weight, and we were pleased to find out that it is capable of transporting a lot of wine. (You never know when you might need to to perform just that function!)

Overall, creating the Bike Tote was fun, we got to work with awesome artists Jason Snyder and Briana Feola (who created the art featured on the tote’s fabric), and we can be proud that we developed a product that’s stylish, high-quality, and super functional.

Design

Meet the Bloggers from our Spring Jewelry Lookbook

April 17, 2014

This spring we wanted to highlight four of our newest jewelry collections by makers inspired by nature in a digital lookbook. Instead of styling the pieces ourselves, we relied on the skills of two talented bloggers, Jessa and Holly, who brought these botanical designs to life in their own personal way.

Before you check out the lookbook, discover the inspiration behind the looks they created for us!

Meet Jessa of Caked Vintage | Spring Jewelry Lookbook | UncommonGoodsMeet Jessa of Caked Vintage | Spring Jewelry Lookbook | UncommonGoods
Jessa of Caked Vintage

What makes handmade jewelry special in your opinion?
Handmade jewelry tells a story, a journey from concept to creation, you can hold in your grasp. It is intricate, intimate, and inspirational.

How do you like to spend a warm spring day?
Spring picnics are perfection! A blanket lunch amidst a faint floral breeze, paired with a sun-kissed nap, has to be one of spring’s simplest pleasures.

What inspires your spring wardrobe?
I am inspired by color; spring is the perfect palette of hues and patterns for designing and pairing your wardrobe.

What was your favorite piece to style? What do you love about it?
I am in love with the Shattered Glass Bib Necklace. It’s the perfect example of how something once broken can become something beautiful.



Meet Holly of Holly Dolly | Spring Jewelry Lookbook | UncommonGoodsMeet Holly of Holly Dolly | Spring Jewelry Lookbook | UncommonGoods
Holly of Holly Dolly

What makes handmade jewelry special in your opinion?
I know how much time and effort and love and passion goes into each and every piece. When it means that much to the designer, it means just as much to me.

How do you like to spend a warm spring day?
There is nothing better than spending a warm spring day by the water, watching the boats and snacking on a cannoli.

What inspires your spring wardrobe?
Color! I tend to hide in a neutrals and darker colors during the winter. The fresh, renewed feeling of spring makes me want to break out every single bright color in my wardrobe.

What was your favorite piece to style? What do you love about it?
The Golden Sunflower Necklace reminds me of this huge field of sunflowers that my husband I stumbled upon last summer. Just bright yellow as far as the eye could see against a bright blue sky. It was breathtaking.

Design

Developed from Photography: Pop Top Six Pack

March 13, 2014

A few months ago, we learned that photographer Barry Rosenthal creates his extraordinary images of everyday objects right here in the Brooklyn Army Terminal—in a studio just a short jaunt from our very own door. As fans of his work, we couldn’t wait to collaborate with him. Then we saw his thought-provoking “Found in Nature” collection, and we knew that we’d found the perfect art for our latest in-house design, the Pop Top Six Pack glasses.

Pop Top Six Pack | UncommonGoods

“I really admire Barry’s work, so it was fun to work with his photo to translate it into a design for glassware. What I love most about this photo is the composition—the way he artfully arranged the pop tops to create a pattern.” —Sarah Stenseng, Senior Product Development Associate

We’re fascinated with Rosenthal’s photographs of found collections, because even though the objects he shoots were once discarded, he presents them as uniquely beautiful treasures. The photos tell stories through their subject matter and composition. By taking bits of the past and bringing them into the present, Rosenthal creates something timeless. Our goal was to translate this timeless quality to a product that can be used every day, but also stands out as something special.

Barry Rosenthal, Pop Tops

The original photograph, Pop Tops, captures an arrangement of meticulously placed pop tabs the artist collected from the parking lot of Orchard Beach in Bronx, NY. It tells the story of the approximately 475 billion aluminum cans produced worldwide each year—cans that don’t easily break down in nature, and can take centuries to decompose.

Some of the tabs pictured date back to the ‘60s and ‘70s, so their unique shapes add unexpected variation to the composition. The tabs also show their age through weathering in Rosenthal’s unaltered piece.

Pop Tops Design Process | UncommonGoods

With Pop Art in mind, our Product Development Team collaborated with Rosenthal to transform Pop Tops into a new design that celebrates his photography and is infused with a bit of our personality. We started by editing the original photo to remove the natural color and accentuate the silhouettes of the tabs. Next, we carefully extended the pattern to fit completely around the can-shaped glass without interfering with the layout as it was intended.

Pantone

After perfecting the pattern, bright colors were added to play up the Pop Art aspect of the design. Each glass in the set of six is a Pantone color chosen to stand out and show off the pop tab print. As a finishing touch, each glass is complete with Barry Rosenthal’s signature.

Barry Rosenthal

We love the way the final product turned out, and we think you’ll love it too. The Pop Art Six Pack is available now, and we’re looking forward to more exciting collaborative projects to come!

 

Design

Creative Design to the Rescue! (Of Homeless Cats)

March 7, 2014

eddie

My cat Eddie thinking about cats who lack a nice warm bed like his

If you love cats–as we do–it’s painful to think of them having to brave the elements on their own during a freezing northern winter, especially this year. But here in New York City, tens if not hundreds of thousands of cats have no shelter. So, if you also love creative design, and believe in its potential as a force for good–as we do–it’s nice to learn about Architects for Animals’ “Giving Shelter,” a yearly funds-and awareness-raising initiative founded by animal lover Leslie Farrell.

CatHaus

“CatHaus” by Francis Cauffman Architects was voted the favorite of the 2014 attendees

Since 2010, every year, Farrell, Director of Client Development at architecture firm Francis Cauffman, has convinced a handful of top-notch architectural design firms to design, build and donate innovative outdoor winter shelters for homeless cats. Their creations are put on public display as a one-night benefit event for the Mayor’s Alliance for NewYork City’s Animals. Attendees vote for their favorite, then all the shelters are donated to caregivers who work with needy animals.

CatHive

“Cat Hive” by Incorporated Architecture & Design

Carlton

by Carlton Architecture PC

timemachine

“Time Machine for Kittens,” by Two One Two Design

Hairball

“Hairball,” by M Moser Associates

The creative designs of these shelters help the cause architecturally (they generate good ideas for future shelters) and in other ways, too, as Michael Phillips, Community Outreach Coordinator of the New York City Feral Cat Initiative, a program of the Mayor’s Alliance, points out. “The media coverage with pictures of the flashy shelters is an eye-catcher that many people examine with interest, whereas they will skip over an article about the plight of cats abandoned to the streets through no fault of their own.”

petunia

Homeless cat in Brooklyn (rescued and adopted a few days after this photo was taken)

Nobody knows how many homeless cats there are in NYC, but estimates range from tens of thousands up to a million. Most of them are scared of us, so they keep out of sight, which makes counting them difficult. While people often think of cats as natural loners, they actually tend to form colonies near food sources such as garbage bins near apartment buildings. Some feral moms could very well be teaching their kittens to scrounge your leftovers as you sleep. (I’ve witnessed this, a sight both adorable and sad.)

wildcat

African Wild Cat at the Johannesburg Zoo, South Africa. Photo: Sonelle

These felines are all trying to survive in what, for them, is an unnatural habitat. It’s not just that it’s so urban and industrial, but also that they’re not native to this part of the world. All of the world’s domestic cats are descended from a type of wildcat that lives in the deserts of the Near East. These cats are not designed to live in the NYC climate; those pretty fur coats are not enough protection during the winter, no matter how thick they get.

They need our help, especially as it’s humans’ fault that they’re out there in the first place. This population is made up of of strays, who are lost or abandoned tame pet cats (some of whom have regressed to a not-so-tame state), and ferals, the essentially wild (that is, not socialized to humans) offspring and descendants of non-neutered strays and pets who were allowed to roam. They have neither a consistent and healthy food source, nor shelter from the elements, nor protection from urban dangers such as cars, rat and other poisons, and cruel humans.

NYFeralCatInitiative

New York Feral Cat Initiative logo

Fortunately, there are many (though never enough) animal-lovers all over NYC who work hard to rescue tame, adoptable cats and kittens, and feed and protect the ferals. The New York City Feral Cat Initiative is a coalition of more than 150 animal rescue groups and shelters whose joint mission is “to raise awareness about the thousands of… community cats living outdoors throughout NYC’s five boroughs, to offer solutions to prevent the number of homeless cats from increasing, and to successfully manage existing colonies.”

outdoorshelter

Standard outdoor cat winter shelter design by Ashot Karamian

Building shelters that enable these critters to avoid freezing misery or death during inclement weather is part of the last part, managing colonies. (To read about solutions to prevent increases in the number of homeless cats, start here.) Of course, it’s not really necessary to build shelters that are more than just functional. As far as we know, cats aren’t offended by a styrofoam-and-duct-tape aesthetic. Phillips described the minimal structural guidelines as follows: “No heavier than two people can lift easily. Inner space should be no higher than 16 inches to retain the body heat of the cats with room for straw bedding.Waterproof. Constructed with weatherproof construction materials.” He added, “Water is the most destructive force. Snow does not normally damage shelters or enter shelters in comparison to driving rain or flooding.”

rubbershelter

Rubbermaid container cat shelter by by Ashot Karamian (photo by Ashot Karmanian used with permission)

“You could use a basic Rubbermaid container for a cat shelter, which is quite common and perfectly fine because it works,” says architect Sofia Zimmerman, who, along with her husband and business partner, Adam, has participated in Architects for Animals: Giving Shelter three years in a row. “But as designers,”she continues, “we love the idea of someone walking down the street and coming across something that is artful, unusual, or even beautiful. Cat shelters are often found in alleyways, parking lots, and other places where finding something delightful is rare. But here’s a chance to do something nice looking–for the cats, their caregivers, and the people that might catch a glimpse.”

zimmerman

by Zimmerman Workshop Architecture + Design

“This third one, that we did this year, is perhaps the simplest, but in many ways our favorite. It was all about upcycling. We re-used a cardboard box and sealed it with duct tape. Inside, we lined it with styrofoam that came as packaging material for a lamp. And then we had to add another layer of insulation. This was the chance to do something delightful! We collected nine pairs of old jeans, cut them into long strips, and created a very very long braid. We wrapped it around and around the box, using as inspiration braided rag rugs–the ones you see in storybooks all the time with cats curled up on them!”

She adds that “During that process, we actually learned about the environmental impact associated with creating a pair of jeans….don’t get us started!”

fiberglasspod

“Fiberglass Pod,” by Elham Valipay and Haleh Atabaki, co-founders of MishMish, an example of a structure built with camouflage in mind

Different situations may call for specific architectural strategies. Phillips describes varying and “colony needs,” such as “camouflage; difficult specific dimensions to fit an exact spot; or fitting in visually with the design of a building nearby to please a particular property owner willing but not thrilled to have shelters placed on his property.”

If you want to help feral cats where you live, Phillips says, “Offering of your time to assist a local caretaker in your neighborhood is the best way to contribute to the long-term welfare of a community cat colony. The more widespread the support in a neighborhood the more likely the cats will accepted. Volunteering to feed the colony one or more days a week is a great help, when so often only one or two people shoulder the care for an entire colony.“

Or, if you’re crafty and love the idea of experimenting with small-scale architectural design that will actually be used, here’s your chance to do it, fur real! (sorry…)

vernacular1vernacular2vernacular3

Above three photos: “Feral Vernacular” by deSoto studio architecture + design

All photos copyright Marisa Bowe, unless otherwise indicated.

Design

What To Do When Your Design Isn’t Accepted

February 28, 2014

What To Do When Your Design Isn't Accepted | UncommonGoods

Was your design not accepted by a buyer? Or were you not the winner for an UncommonGoods Design Challenge that you thought was in the bag? Yeah it sucks, but it happens to the best of us. Being rejected is part of growing as a designer. I once heard a story about a salesman who got excited every time he was rejected because he had figured out that for every 9 no’s he would get one yes. So how can you use the no’s as an opportunity to get more yes’s? And how do you know whether to move on and contact different companies rather than pushing your designs to the same seller?  Here are a few tips to use post-rejection to become a better designer.

Don’t take it personally. The most important thing you can do for yourself is to not take anything personally. You really don’t know why they said no unless they tell you.It could be a variety of factors, even that it’s just not the right time, that they have strong relationships with the ties they already carry or they don’t have the budget to pick up a new line. If you lost a competition, it just may have been that there were a lot of entries or similar submissions to yours. This gives you an opportunity to become more individualized in your design and your style!

Do something nice for yourself. Post rejection, it’s really important to keep your energy level up. Go for a walk, buy yourself a treat or do something else that makes you happy and feel good.The key to keeping your energy up and staying on track is to stay positive. Treating yourself well always helps.

Ask for and listen to feedback. You may or may not get the opportunity for feedback, but it’s a great idea to ask for it. Even if it makes you feel uncomfortable, understanding why a buyer said no is a great way to improve your brand. Try to listen to the feedback from an objective manner. Think: “How can I become a better designer?” Remember a no may not be a no forever, but just a no for right now.

Send a thank you note. An unexpected touch for a buyer is to receive a thank you note when they have turned down your line. This is key to staying top of mind even if they didn’t buy. It also opens you up to referrals and creates opportunity for potential down the road.

Keep in touch. Keeping in touch is important! If your assortment changes or something changes in the store assortment, you may have a chance to work together down the road. There is a statistic that it can take up to 7 times before a buyer notices and actually purchases a line. Keep that in mind.

Consider: Am I right for this store? Buyers and curators consider many factors when looking for designers. They are looking at budgets, current product assortments, price points, and their clients as well as many other factors. If they passed on your design, take an honest look at your collection as it is now. Is it really right for this account/store/contest/person? Sometimes, your energy is freed up if you aren’t wasting time barking up the wrong tree. Invest your time on the right types of stores where your dream clients are hanging out and shopping. Rejection isn’t always a bad thing. When you can use the information you receive to improve your line and grow, you are always in the right place.

It’s your turn! We want to hear from you! In the comments below, tell us the following:

1. What have you done in the past when you have been rejected?

2. How have you overcome rejection and turned an awkward situation into an awesome situation?

This post was written by the creators of Flourish & Thrive Academy, Robin Kramer and Tracy Matthews. For specific sales & marketing advice to get your jewelry into the hands of your dream clients, head on over to Flourish & Thrive Academy.

TracyRobin-about

Pin It on Pinterest