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Accessories

Maker Stories

Ali Bennaim and Ximena Chouza: Out-of-this World Fashion

March 17, 2015

Inspired and entranced by the breathtaking splendor of outer space, Ali Bennaim and Ximena Chouza bring the marvels of the universe down to Earth in the form of interstellar accessories. The makers met while attending Parsons the New School for Design in New York and bonded over their captivation with the cosmos and their passion for fashion. Although Ali is from Caracas, Venezuela, and Ximena is from Mexico City, after graduating they set up shop in Brooklyn where they design unique textiles that take their cues from the majesty and mystery of the universe.

Ali Bennaim and Ximena Chouza | UncommonGoods

The self-proclaimed “space-crazed” duo explore the vast archive of images captured by NASA’s Hubble Space Telescope. This invaluable astronomical tool orbits outside the distortion of Earth’s atmosphere, capturing high-resolution photographs that have led to many breakthroughs in astrophysics. Some of these luminous shots, such as the phases of the moon, were snapped close to home, while others that capture stellar celestial bodies and vast networks of gas clouds thousands of light years away offer us a deep view into space and time.

Hubble Telescope Milky Way Scarf | UncommonGoods

 Hubble Telescope Milky Way Scarf

 

Ali and Ximena say that working with these incredible views of space is the most rewarding part of their process. “These are very special and beautiful images and we are grateful to be able to work with them,” they say. After preparing the photographs digitally for printing, the designers apply the imagery to feather-light wool gauze scarves that are cut and finished by hand.

The starry-eyed pair is committed to sourcing their materials and producing everything in their home base of the Big Apple. “We always make sure that our materials are of the best quality we can get,” they say. “Most people are very impressed by the quality and vibrancy of our prints.”

Designing the Milkyway Scarf

Though they may have lofty ambitions, they also say that they’ll never forget their earthly beginnings and aim to remain environmentally conscious. They employ a waste-saving technique, carefully designing every accessory to make the most of every inch of fabric, leaving next to nothing for the landfill.

Maker Stories

Wrapped Up in a Good Book: Tori Tissell’s Literary Scarves

October 20, 2014

Tori Tissell | UncommonGoods

It doesn’t take much exposition to connect literature and art. Artist Tori Tissell fuses both with fashionable flair in her literary scarves. Full of storybook charm, they harken back to Tori’s days as a budding artist. “Some of my earliest memories are from the age of three years old when I was painting in watercolors,” says Tori, “there’s a video recording of me being asked what I want to be when I grow up–my answer was an artist.”

This passion continued into adulthood, landing Tori as a drawing and painting major before deciding to move to New York City to study fashion design. “I thought that outlet would allow for a wider audience and quicker reception of my work and ideas.” Tori was right, and after being stumped for Christmas gift ideas during the 2011 holiday season, she decided to use her education and passion for screen printing, fashion, and literature to create something memorable for family and friends. “Since those closest to me also have an affinity towards reading, [book-inspired scarves] seemed like the perfect solution for gifts and possibly more.”

Literary Scarves | UncommonGoods

Tori sourced some fabric for the scarves and found a rich cream-colored knit. With this new material, she was inspired to print the scarves to resemble the page of a book. After the scarves were a hit, Tori began selecting other book texts to be screen-printed. “Initially books and passages were picked by what I favor and some of that will always hold true but lately we’ve been getting a lot of additional input,” says Tori. From Alice in Wonderland to Jane Eyre, each scarf showcases a window into a world of storybook magic.

Tori working on a Literary Scarf

Tori’s husband Chris became a part of the project when they got married in 2012. The scarves had really started taking off, and he began helping with screen printing, sourcing, and streamlining production. “By the end of that year, he was practically a full time employee on top of his other job as a computer programmer.”

Tori and Chris work out of a few spaces in Portland. “My workspace is a bit of a joke,” says Tori, “Chris is the one with a beautifully painted office, complete with overflowing bookshelves, leather furniture, and artifacts from past travels. My office is continually on the move. I either print pieces within our rented studio space in downtown Portland, or I cut and sew fabric on our dining room table.”

Tori and Chris

Wherever she happens to be working, Tori keeps pieces of inspiration handy. One such piece is the print cover art for Harry Potter and the Deathly Hallows, signed by the artist. This is one of many hints at her love of reading, a passion that perfectly enhances her art. Another source of inspiration can be found within. “I think it’s really important for an artist to surround oneself with his or her own work because taking on new illustrations is terrifying. It’s comforting to see what’s already been overcome and to be reminded that you can do this.”

Literary Scarves | UncommonGoods

Design

How the Bike Tote was Born

April 30, 2014

When developing a product from scratch, we need to think through all of the details. We think about functionality and ask ourselves basic questions. When we created our Bike Tote those questions were: How will the bag hold objects? How much will it hold? How will it be secured? How will it be carried? What materials do we use to make sure the job gets done?

Here’s how we answered some of those questions.

Bike Tote | UncommonGoods

The tricky thing about this project was making sure the bag would fit the needs of a bike rider. Safety is integral. First, the bag needed to be well-secured to a bike’s handlebars without interfering with the front wheel.

How we made it happen: Sourcing the right buckles.

Bike Tote Buckles

This was our greatest sourcing challenge. We recognize that depending on the style of the bike or gears you have, strapping the bag on or off could be a challenge, so we made sure to source components that would work for as many bike styles as possible.

The buckles needed to open up so that we could completely detach the straps and fasten to any bike. They also needed to firmly and securely support the weight of the bag, without breaking, loosening, or slipping on the bike. After evaluating several different buckle and strap options, we chose these cam buckles.

In addition to securing the bag to the bike, we had to refine the cotton shoulder strap, making sure it made sense for a bike rider. We wanted to develop a true tote bag with a longer shoulder strap, but we didn’t want the strap to fly around in the wind or interfere with the bike in any way.

How we made it happen: A floating zipper.

Bike Tote Zippers

The zipper is isolated from the rest of the bag, which means the bag can be opened fully. It allows a bike rider to place the entire shoulder strap into the bag, with the zipper closed on top of it. The strap is securely tucked inside the bag, instead of hanging loose.

We know that when you’re on the road, dirt and gravel fly up, and things get pretty dirty pretty fast. We wanted to make sure the bike tote would stay as nice as possible, despite being an active bag.

How we made it happen: Black bottom panel.

Bike Totes| UncommonGoods

We lined the bottom of the bag with black fabric to hide any smudges. Remember – because of the buckles, the bike tote can’t be machine washed or dried, so hand-washing and line-drying are your best bets for keeping it in top shape.

As a final design touch, we wanted to help bike riders increase their visibility both from a distance and in the dark.

How we made it happen: Reflective tape around the bag. The strip of reflective tape allows for more visibility of riders as they cruise along and show off their very cool bike tote.

Safety first--reflective tape!

Testing the Bike Tote

Once the product met all of the criteria we outlined, we we needed to make sure it was truly road ready. To test it, one of our team members gave it a try on her road bike to make sure our claims were holding up. “I’m basically going to try and break it,” she informed us.

Weighs

In her words:

“I filled it with as much heavy stuff as I could. I started with books and when that didn’t break the bag, I tried weights (two 5 lb. weights) and large bottles (3 wine-sized bottles). The bag was a bit too big for the bike handlebars on the bike I was testing it on, so for the actual weight test I attached it to the bike cross bar and left it hanging overnight.”

The tote successfully held the weight, and we were pleased to find out that it is capable of transporting a lot of wine. (You never know when you might need to to perform just that function!)

Overall, creating the Bike Tote was fun, we got to work with awesome artists Jason Snyder and Briana Feola (who created the art featured on the tote’s fabric), and we can be proud that we developed a product that’s stylish, high-quality, and super functional.

Maker Stories

Rachel’s Celestial Bracelet Takes the Win!

December 11, 2013

Rachel is one of my favorite artist stories to boast about when the topic of ongoing Jewelry Design Challenges arises. She’s the perfect example of the saying: “If at first you don’t succeed, try, try again.” Cliché? Most definitely. Overused? Perhaps. True? Without a doubt. Rachel first submitted her original Celestial Bracelet with a bit of a twist, she had her favorite quote etched onto the bracelet with diamonds embedded on top. We were fond of the piece and our jewelry buyers were impressed by the bracelet alone, but didn’t think that the embellishments would speak to our customers. They preferred a clean look that just focused on the unusual shape–inspired by celestial bodies orbiting planets–and design of the bangle. I reached out to Rachel to let her know exactly why that month she wasn’t a finalist, and wasn’t so sure if I would hear from her again. The next month, as I was checking all the jewelry submissions, I recognized Rachel’s familiar bracelet–but this time with our tips taken into consideration. The judges were surprised to see the beautiful, enhanced design again, and fell in love with the sleek yet unconventional bangle. Meet Rachel Vanatta, our latest jewelry design winner and an artist who wasn’t scared to develop her vision with ours.


Rachel Vanatta

What’s an Uncommon fact about you and your hometown?
I consider my hometown to be Chagrin Falls, Ohio. But since relocating to Savannah, GA at 18 to attend Savannah College of Art and Design, I have considered Savannah very dear to me.  The longest portion of my career was experienced on a small 7 mile Gulf Coast island called Anna Maria Island, from 2003 to 2012.  This is where the Nectar Jewelry line was inspired and birthed. Towards the end of 2012 we relocated to Atlanta, GA.  Atlanta is new-ish to me but so far the friends and people I have met have been nothing but wonderful. An Uncommon Fact: I actually attended SCAD specifically for jewelry design, I was always interested in the craft and fine art, and SCAD’s jewelry programs are a perfect mix of both. I knew from age 16 on that the jewelry profession was the one I needed to be in.

Rachel Vanatta

Your bracelet is one of the most unique bangles we’ve seen come through at UncommonGoods, how did you come up with this specific design?
I am inspired by celestial and natural shapes, designs focused on forms that are present on a day-to-day basis, but that we may overlook without small reminders.  I aim to remind the wearers of my jewelry to pay homage to natural phenomenon.  Many take these wonders for granted in our everyday lives, but when reminded of, realize what a gift every being and object can truly be. The celestial bracelet’s shape is reminiscent of a planet’s orbiting moons and rings.  The construction of the piece itself also offers a great surface area to express additional designs, quotes, stones, and patina.

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Where do you find inspiration within your work space?
I have kept and added to inspirational sketchbooks and scrapbooks for about 15 years, and refer to these regularly.  I was sparked to do this by a past professor of mine.  Through some group discussion, I was shared that I had too many ideas all at once, and could not fathom creating them all.  She responded that I should always record every idea and design in these sketchbooks, because there will be a time in the future where I will be searching ideas and inspiration and these books will be my solutions and a look into my past. On a day-to-day basis, I also love to use Pinterest boards, attend American Craft Council and judged craft shows, and art museums.  Any promotional or inspirational ads/cards/artwork I come across I either save or post on my studio walls.

Rachel Vanatta

Where does down time fit into a day of being productive?
I have very little down time, as I am mother of a 2-year-old daughter, Cozette, who is my number one priority, of course.  We have so much fun together, but my downtime is when she naps, is in preschool or asleep at night. This is when I work on my craft.  I love what I do so down time for me is equivalent to designing and creating jewelry.

How did you celebrate when you learned you were our Design Challenge winner for the Jewelry Design Challenge?
I was at the park with my daughter when I received the call, excitedly I gave her a big hug!  I then proceeded to call select family and friends, and celebrated with my husband over a dinner he made later that night.

Rachel Vanatta

How do you recharge your creativity?
Though it may sound cliché, I am ever interested in the human condition and what we all have in common.  I would love to create a series at some point focused on a specific aspect related to this subject with the creation of conceptual jewelry pieces.  As for now, I mainly listen to Ted Talks and listen/watch documentary pieces relating to people in their environment and their specific situations.

Other than being an artist, what are your other passions in life?
Becoming a mother has been such an amazing experience, and now that our daughter is a toddler, it has been wonderful meeting other families with children the same age, watching our kids play, interact, and learn from each other, while enjoying “parent/adult” time as well!  My husband is also an artist in illustration and graphic arts, so we have a lot in common as far as what we enjoy doing together.  He and I met in Savannah, GA our freshman year at art school and have been together ever since. In addition, I have a love of animals, most recently horses and riding.  I grew up riding English and have recently reignited my passion for it by introducing my daughter to horses, which she has taken on whole-heartedly.

Rachel Vanatta

Do you have any special projects or events that are in the works or that’s floating in your brain right now?
I do have one particular project which have been gradually working on and designing, and hope to “unveil” it this upcoming year!

What are your most essential tools that you must have by your side while you design?
 My bench, where I execute most all designing and work, contain all the tools, torches, etc that I use regularly. Ironic it is mentioned; I must have my water bottles nearby…yes multiple bottles of water, and depending on the time of day, a cup of coffee or a glass of wine.  As I mentioned before, having a thought provoking discussion or inspirational talk to listen to is ideal as well.  Having my dog Holly decide to lay at my feet while I work is extra special, and on a nice day, the windows open for fresh air.

Rachel Vanatta

What was the toughest lesson you learned as a freelance jewelry artist?
Contracts come and go, sometimes the work rolls in and other times it doesn’t.  As difficult as it may be during the slower times, a positive attitude and embracing the “personal time” to recreate yourself, your work, and finally finish those pieces you have been meaning to are priceless. Take the days as they come, the busy and the quiet, for there is something to be gained from both.

What quote keeps you motivated? What does that quote mean to you?
“Let go and let God.”
Rachel Vanatta

Which artists do you look up to? 
Todd Reed’s work is inspirational to me, his choice and use of materials, and the way he joins traditional and contemporary stone settings.  In addition, he is self-taught, which is motivational for me to learn new techniques on my own.

What advice would you offer the you of 5 years ago?
In hindsight, I would advise myself to reach out for the purpose of bettering yourself and building relationships, but also for the reasoning that you never know where it will take you.  There is nothing to lose by opening yourself up in a fun and professional way.

Rachel Vanatta

What are some new skills you are trying to acquire to perfect your craft?
I would love to become more proficient in particular stone settings as they would add to my current designs.  I would also love to learn more about grading diamonds and colored gems by attending GIA courses.  I have some knowledge of CAD, and would also like to further my education in computer aided rendering and 3-D printing.

What advice can you offer anyone who is submitting their work to our Jewelry Design Challenge?
I recommend that any contestants state that they are open to critiques and suggestions on their designs, if they truly are.  UncommonGoods has been a complete pleasure to work with, and they know their customer and what they want, so be open and enjoy the feedback!

Design

How To Make a Vegan Dream Catcher

October 30, 2013

I am pleased as punch to share my DIY dream catcher tutorial on UncommonGoods! I work for a public relations firm called Small Girls PR, and we recently threw a party for our client, She and Reverie. At the event we had a dream catcher craft station and provided the guests supplies and tips on how to make their own whimsical piece during the party! I’m a big fan of UncommonGoods, and wanted to share with their design community how easy it is to make one with just a few supplies. And just to add a cherry on top, knowing that UncommonGoods’ is very animal friendly, I created a fun vegan dream catcher tutorial! Below are photos and step-by-step directions for you to start making your own right at home!

Supplies

 

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Remember, you can substitute the supplies with any other arts and crafts you may have lying around at home. For example, if you don’t have felt feathers, perhaps you can use tassels or jewelry pendents. And if you don’t have faux suede you can switch it out with bright ribbons or earthy hemp cords. Have fun with this project and be creative! Below are a few snap shots from the She and Reverie event with the guests having a little bit too much fun making these dream catchers. SheRev082413_PiOv_090 SheRev082413_PiOv_057 SheRev082413_PiOv_055 SheRev082413_PiOv_053 SheRev082413_PiOv_020

Inspired, but don’t quite have the time to build your own dream catcher? Check out UncommonGoods’ Dream Catcher Necklace.

Design

3 Easy Steps to Make A Necklace Display

October 17, 2013

Hey you jewelry lovers, I’m Christina from Tales From The Thrift. I’m so used to showing off all my thrift shop finds that sometimes I forget to blog about the projects I conquer when I’m not vintage hunting! Naturally, my projects usually have something to do with actually organizing all of my random finds. Like a lot of other jewelry hoarders, I’m shockingly bad at storing my treasures, almost to the point of embarrassment. Every piece I own — from the fancy gems gifted by loved ones, to my huge collection of thrifted trinkets — gets stuffed into old jewelry boxes and dusty pouches or tossed haphazardly onto my nightstand before bed. Obviously, this strategy leads to plenty of tangles, tarnishing, tears, and loss. But finally, after one missing earring too many and some minor soul-searching, I realized it was time to become a responsible jewelry-owning adult and embark on my first-ever DIY storage project.

Tales From the Thrift

I kicked off my mission with a plan to create a simple display for some of my favorite necklaces. I began scouring a few local thrift stores and stumbled across some wood-framed, canvas art pieces–one black with silver handwriting, and the other with an abstract floral print–at Goodwill. (I ended up abandoning the floral canvas, and sticking with the black/silver piece, which features a poem by Elizabeth Bishop. If you’re curious, you can read it in full here!) I scored both items for around $4.

Tales From the Thrift
What you need: Other than some old wood-and-canvas artwork, just some nails and a hammer.

Tales From the Thrift
Step 1: Hammer your first nail at the top/center on the front of the wooden frame. Make sure you keep the nail exposed by at least a half-inch.

Tales From the Thrift

Step 2: Hammer a few more nails in a similar fashion, evenly spaced on either side of the middle nail, so you end up with a nice, balanced row.

Tales From the Thrift

Step 3: Put the display on your dresser or hang it on the wall, and arrange your necklaces. Enjoy a life free of tangled jewelry.

Tales From the Thrift

For rings, earrings and bracelets, I supplemented my DIY display with a few handmade jewelry stands and holders from UncommonGoods. UG’s gorgeous Hand Of Buddha Stand is perfect for my “real”  jewelry that I wear daily, and I added a light blue Pedestal Holder and pewter Labyrinth Bowl to hold my other assorted baubles.

buddhahand

 

Tales From the Thrift

Tales From the Thrift

Of course, I still have plenty of jewelry stowed away and out of sight, but my DIY display definitely helps me keep my most-loved necklaces organized and easy to find. And best of all, my new set-up is as pretty as it is practical!

Tales From the Thrift

Maker Stories

Judi’s “A Tree Grows” Necklace is in Full Bloom

September 26, 2013

WorkingOnTreeGrowsx

Haven’t we all daydreamed about quitting a job to pursue a creative passion full-time? Some of us only take it as far as that, simply daydreaming, while others actually take that deep plunge into the scary, unknown abyss of no longer being on payroll. Judi Powers was one of those people. She says, “After September 11th I, like so many people, realized that life is too short not to live each day as fully as possible.” Judi had the courage to leave her stable career in publishing, yet she still had no idea where she was going in terms of making a living. She decided to dip her toes into different fields she felt like she’d be passionate about until she finally met her dream career match: jewelry making. “I love the stories individual pieces tell about specific moments in our lives. I still have my first piece of jewelry.” When Judi realized that designing jewelry was her new calling, not once did she look back and regret her choice of leaving her first career.

Inspired by the combination of nature and art history, Judi’s stunning “A Tree Grow” necklace branched out to become our latest jewelry winning design. Read about what Judi did when she first heard the great news, her process of literally making her pieces stronger, and her advice for winning one of UncommonGoods’ design challenges.

What’s an Uncommon fact about yourself and your jewelry?

An Uncommon fact about my jewelry is that much of it is inspired by the paintings, sculptures, and architecture I studied as an art history student. For example, I’m currently working on a series of midi rings inspired by Rogier van der Weyden’s “Portrait of Isabella of Portugal”. And my “A Tree Grows” necklace is informed by nature as much as it is by Whistler’s “Portrait of Mrs. Frederick R. Leyland”. An Uncommon fact about me is that the first time I saw Van Eyck’s “Arnolfini Wedding Portrait”, about nine years ago, I burst into tears. I was overwhelmed by the intricate detail, the vivid color, and the rich texture. I’d only ever seen it in books or presentations and it’s even more spectacular in person. Totally geeky, yet totally true!

atreegrows

What were you doing before you decided to become a jewelry designer and what drove you into the jewelry field?

I had a wonderful first career in book publishing. I handled marketing and publicity for countless amazingly talented authors and illustrators. It was a great proving ground for learning about business, and it was also an incredible environment in which to forge lasting friendships.

After September 11th I, like so many people, realized that life is too short not to live each day as fully as possible. So I started spending more time with friends and taking a variety of classes. We tried dancing (disaster!), flower arranging (wonderful, but too depressing once the flowers wilted), cooking (fabulous but fattening), and lastly, jewelry making.

From my first class at 92Y I was immediately hooked, though initially I took it slowly and took one class a semester or so over 10 years at the Y, SVA, and Jewelry Arts Institute. Once I decided that I wanted to become a professional jewelry maker I quit my publishing career and I attended FIT’s one-year jewelry design program. What drew me to jewelry were the materials, especially metal. I love its malleability, how it can have a huge variety of textures, the way it feels, and that it’s durable!

I have always loved jewelry.  I love the stories individual pieces tell about specific moments in our lives. I still have my first piece of jewelry—a monogrammed silver locket my grandmother gave me for my fifth birthday. It’s my hope that my jewelry will tell special stories for those who wear it. In this way my publishing and jewelry careers truly intersect.

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 What’s the first thing you did after you found out you were the winner of the Jewelry Design Challenge?

I jumped around my apartment, hugged my dog, and then called my mother. My mom has been my biggest champion in pursuing a career as a jewelry maker, and there are no words to express how meaningful her encouragement and belief in me has been.  She and I had endless conversations about whether I should follow my heart and pursue a jewelry career, or whether I should stay in a career that I liked but was emotionally outgrowing. I had a real crisis of conscience while trying to decide. So many people I knew were unemployed and looking for jobs, while I had a good, stable one. I felt both guilty for wanting to walk away from security and terrified to try something new and unstable.  It was during that period that one of the characters on Mad Men said something like, “Stable is that step backwards between successful and failing.” That really resonated with me. Soon after, I knew I would pursue a new career as a jewelry designer, risks and all.

Judi-Mother

It’s unanimous here at UncommonGoods that your “A Tree Grows” necklace is stunning. How did you come up with the idea to design such a realistic branch design for jewelry wear?

Thank you! I’ve always loved trees and branches: their lines are so graceful and elegant and they’re also a bit wild. In my second semester at FIT I took an amazing casting class. I learned that you can cast almost anything only if you can truly envision the outcome in metal and only if you can make the object thick enough to be sturdy.  Years ago, I had tried to model a tree branch in wax but it didn’t have the level of detail that an actual branch has. It just didn’t work. So when I took the casting class, I told my professor that I really wanted to cast a small tree branch and she said: “Go for it! Just be sure you reinforce it and make it durable.” I took her advice, found a small branch in my Brooklyn neighborhood, reinforced it with Mod-Podge, and took it to my caster. When I picked up the piece I was completely amazed!  All of the detail from nature was perfectly preserved. I had this delicate sterling silver branch that looked like the real thing. I actually choked up when I saw it.
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You actually submitted your jewelry into one of our past jewelry design challenges and didn’t make it into the semi-finalist round. You decided to not be discouraged, and submitted an entry again after joining one of our design events. Do you believe winning the challenge the second try was much more satisfying than if you were to win the first time?

The first time I submitted I was hoping to be selected but I didn’t expect it. The design challenge was the first competition outside of school that I’d entered, and I knew there’d be serious competition, both from my FIT classmates and  from countless talented designers whose work I’m still getting to know. After attending the design event, I learned the single-most valuable lesson: submit an image of someone wearing your piece! Winning the challenge was really satisfying, of course, but also really humbling because I was getting both positive and constructive feedback during the voting. I was competing against some extraordinarily beautiful pieces, all of which were so different and so special.

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What’s the biggest advice you can give to our future design contestants after that specific experience?

Attend UncommonGoods’ design events. If you can’t get to them, attend any local events where you can meet professionals and peers. Take notes on what the speakers are saying because their advice will come in handy. Don’t be shy and ask questions! Be open to feedback because it’s all helpful. Take photos of your pieces on a person. Follow up, even if it’s just to say a very simple thank you. Always, and I really mean always, wear a piece of jewelry you’ve made. If you don’t want to wear your work, I think it’s a little unreasonable to expect someone else to want to wear it.

Lulu

Do you have any silly trick or habits you do to keep yourself motivated? 

When I’m struggling to focus, I know it’s time to step away from what I’m doing. Literally. I get up and take my puppy for a nice long walk around my Brooklyn neighborhood and clear my head. In the warmer months, I stop and look at plants and trees for design ideas and in the cooler months I look at architecture and snowflakes for inspiration. I’ve learned the hard way that whenever I try to force something that it just doesn’t work, and jewelry really has to work. I also drink lots of water!

Can you describe the process of what you do to make your necklaces better, stronger, and more wearable. 

I’m so glad you asked this question! Some of the comments I received during the voting were concerns that my necklace looked like it might scratch the skin or bend. I’m glad people brought that up.  For every “A Tree Grows” necklace  I cast, I actually break off the more fragile parts and re-attach them onto the central line of the branch. By doing this I reinforce the structure of the necklace and build on it with a bit of additional solder.  After the branch is reassembled I tumble it first with stainless steel shot. Then I use soft pumice pellets to harden the metal and soften the edges of the leaves and branch ends. I believe jewelry has to be pleasing to wear and I personally road test every piece to make sure it’s both comfortable and has structural integrity. There is a bit of springiness to the metal in the finished piece, which enhances the organic nature of the necklace.

BKMW

 Do you mind describing your studio to us and the materials that you use?

I work out of Brooklyn Metal Works, a wonderful, collaborative creative space for jewelers and metal smiths.  The owners, Erin Daley and Brian Weissman, are building a fantastic community there. They have regular exhibits, artists’ lectures, and classes. My personal jewelry education continues to grow there. I love being around other jewelers and artists because we bounce ideas off of one another, brainstorm about construction,  share new tricks and techniques we’ve learned, and we all respect each other. And there’s always great music in the background!

When I’m sketching and designing, I work from home at my father’s antique drafting table. It’s scarred with hundreds of pin holes where old blueprints had once been tacked. I’ve added a few more holes to it, as well as some paint splotches and ink stains! I love that it’s a piece that he, I, and others have used as a tool to support creativity. And he’s really proud that I’m using it, too.

In terms of materials, I use recycled metals in all my cast pieces and I source as much recycled material as possible for the pieces I fabricate.  I’m happy that I’m a professional jeweler now because I have ready access to recycled material. Ten years ago when I was first starting, that just wasn’t the case.  I save every shaving, filing, and sprue and recycle all of my scrap metals.

DadsDraftingTable

What’s one of your all-time favorite inspirational quotes? 

I have so many of them! It’s too difficult to pick only one, so here are two:

“There is only one thing that makes a dream impossible to achieve: the fear of failure.” -Paulo Coehlo

And this one by Rabindranath Tagore always resonates with me: “You can’t cross the sea merely by standing and staring at the water.”

coelho

 What does your jewelry illustrate about yourself?

My jewelry mirrors my two great loves: art and nature. I don’t have a specific philosophy per se, but I do want every piece to be wearable and beautiful. And because my own jewelry stories give me such joy, I sincerely hope that my customers will have their own happy stories to tell about my pieces for years, even decades, to come!

 

Design

Upcycling Design Challenge

September 5, 2013

UPCYCLING Design Challenge

Reuse! Reclaim! Upcycle! Sustainability is certainly value of ours, and we believe it’s an important value of our customers and community as well. We’ve all heard the popular saying “One man’s trash is another man’s treasure.” And we absolutely stand by that quote here at UncommonGoods because we  love all of our upcycled products we feature on our site!  We’re a fan of old things turned anew, from old records to bicycle tubes to recycled glass made into framed art, purses, or jewelry. Even though we already have a great selection of upcycled products, we are still searching for more fun and interesting items to feature!

If you have a special upcycled product design that you would like UncommonGoods to take a look at, enter into this month’s featured contest! You’ll have a chance to win $500 and a vendor contract with us.

To submit your upcycling designs and for the complete contest rules visit our Upcycling Design Challenge page.

 

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