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Accessories

Design

How To Make a Vegan Dream Catcher

October 30, 2013

I am pleased as punch to share my DIY dream catcher tutorial on UncommonGoods! I work for a public relations firm called Small Girls PR, and we recently threw a party for our client, She and Reverie. At the event we had a dream catcher craft station and provided the guests supplies and tips on how to make their own whimsical piece during the party! I’m a big fan of UncommonGoods, and wanted to share with their design community how easy it is to make one with just a few supplies. And just to add a cherry on top, knowing that UncommonGoods’ is very animal friendly, I created a fun vegan dream catcher tutorial! Below are photos and step-by-step directions for you to start making your own right at home!

Supplies

 

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Remember, you can substitute the supplies with any other arts and crafts you may have lying around at home. For example, if you don’t have felt feathers, perhaps you can use tassels or jewelry pendents. And if you don’t have faux suede you can switch it out with bright ribbons or earthy hemp cords. Have fun with this project and be creative! Below are a few snap shots from the She and Reverie event with the guests having a little bit too much fun making these dream catchers. SheRev082413_PiOv_090 SheRev082413_PiOv_057 SheRev082413_PiOv_055 SheRev082413_PiOv_053 SheRev082413_PiOv_020

Inspired, but don’t quite have the time to build your own dream catcher? Check out UncommonGoods’ Dream Catcher Necklace.

Design

3 Easy Steps to Make A Necklace Display

October 17, 2013

Hey you jewelry lovers, I’m Christina from Tales From The Thrift. I’m so used to showing off all my thrift shop finds that sometimes I forget to blog about the projects I conquer when I’m not vintage hunting! Naturally, my projects usually have something to do with actually organizing all of my random finds. Like a lot of other jewelry hoarders, I’m shockingly bad at storing my treasures, almost to the point of embarrassment. Every piece I own — from the fancy gems gifted by loved ones, to my huge collection of thrifted trinkets — gets stuffed into old jewelry boxes and dusty pouches or tossed haphazardly onto my nightstand before bed. Obviously, this strategy leads to plenty of tangles, tarnishing, tears, and loss. But finally, after one missing earring too many and some minor soul-searching, I realized it was time to become a responsible jewelry-owning adult and embark on my first-ever DIY storage project.

Tales From the Thrift

I kicked off my mission with a plan to create a simple display for some of my favorite necklaces. I began scouring a few local thrift stores and stumbled across some wood-framed, canvas art pieces–one black with silver handwriting, and the other with an abstract floral print–at Goodwill. (I ended up abandoning the floral canvas, and sticking with the black/silver piece, which features a poem by Elizabeth Bishop. If you’re curious, you can read it in full here!) I scored both items for around $4.

Tales From the Thrift
What you need: Other than some old wood-and-canvas artwork, just some nails and a hammer.

Tales From the Thrift
Step 1: Hammer your first nail at the top/center on the front of the wooden frame. Make sure you keep the nail exposed by at least a half-inch.

Tales From the Thrift

Step 2: Hammer a few more nails in a similar fashion, evenly spaced on either side of the middle nail, so you end up with a nice, balanced row.

Tales From the Thrift

Step 3: Put the display on your dresser or hang it on the wall, and arrange your necklaces. Enjoy a life free of tangled jewelry.

Tales From the Thrift

For rings, earrings and bracelets, I supplemented my DIY display with a few handmade jewelry stands and holders from UncommonGoods. UG’s gorgeous Hand Of Buddha Stand is perfect for my “real”  jewelry that I wear daily, and I added a light blue Pedestal Holder and pewter Labyrinth Bowl to hold my other assorted baubles.

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Tales From the Thrift

Tales From the Thrift

Of course, I still have plenty of jewelry stowed away and out of sight, but my DIY display definitely helps me keep my most-loved necklaces organized and easy to find. And best of all, my new set-up is as pretty as it is practical!

Tales From the Thrift

Maker Stories

Judi’s “A Tree Grows” Necklace is in Full Bloom

September 26, 2013

WorkingOnTreeGrowsx

Haven’t we all daydreamed about quitting a job to pursue a creative passion full-time? Some of us only take it as far as that, simply daydreaming, while others actually take that deep plunge into the scary, unknown abyss of no longer being on payroll. Judi Powers was one of those people. She says, “After September 11th I, like so many people, realized that life is too short not to live each day as fully as possible.” Judi had the courage to leave her stable career in publishing, yet she still had no idea where she was going in terms of making a living. She decided to dip her toes into different fields she felt like she’d be passionate about until she finally met her dream career match: jewelry making. “I love the stories individual pieces tell about specific moments in our lives. I still have my first piece of jewelry.” When Judi realized that designing jewelry was her new calling, not once did she look back and regret her choice of leaving her first career.

Inspired by the combination of nature and art history, Judi’s stunning “A Tree Grow” necklace branched out to become our latest jewelry winning design. Read about what Judi did when she first heard the great news, her process of literally making her pieces stronger, and her advice for winning one of UncommonGoods’ design challenges.

What’s an Uncommon fact about yourself and your jewelry?

An Uncommon fact about my jewelry is that much of it is inspired by the paintings, sculptures, and architecture I studied as an art history student. For example, I’m currently working on a series of midi rings inspired by Rogier van der Weyden’s “Portrait of Isabella of Portugal”. And my “A Tree Grows” necklace is informed by nature as much as it is by Whistler’s “Portrait of Mrs. Frederick R. Leyland”. An Uncommon fact about me is that the first time I saw Van Eyck’s “Arnolfini Wedding Portrait”, about nine years ago, I burst into tears. I was overwhelmed by the intricate detail, the vivid color, and the rich texture. I’d only ever seen it in books or presentations and it’s even more spectacular in person. Totally geeky, yet totally true!

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What were you doing before you decided to become a jewelry designer and what drove you into the jewelry field?

I had a wonderful first career in book publishing. I handled marketing and publicity for countless amazingly talented authors and illustrators. It was a great proving ground for learning about business, and it was also an incredible environment in which to forge lasting friendships.

After September 11th I, like so many people, realized that life is too short not to live each day as fully as possible. So I started spending more time with friends and taking a variety of classes. We tried dancing (disaster!), flower arranging (wonderful, but too depressing once the flowers wilted), cooking (fabulous but fattening), and lastly, jewelry making.

From my first class at 92Y I was immediately hooked, though initially I took it slowly and took one class a semester or so over 10 years at the Y, SVA, and Jewelry Arts Institute. Once I decided that I wanted to become a professional jewelry maker I quit my publishing career and I attended FIT’s one-year jewelry design program. What drew me to jewelry were the materials, especially metal. I love its malleability, how it can have a huge variety of textures, the way it feels, and that it’s durable!

I have always loved jewelry.  I love the stories individual pieces tell about specific moments in our lives. I still have my first piece of jewelry—a monogrammed silver locket my grandmother gave me for my fifth birthday. It’s my hope that my jewelry will tell special stories for those who wear it. In this way my publishing and jewelry careers truly intersect.

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 What’s the first thing you did after you found out you were the winner of the Jewelry Design Challenge?

I jumped around my apartment, hugged my dog, and then called my mother. My mom has been my biggest champion in pursuing a career as a jewelry maker, and there are no words to express how meaningful her encouragement and belief in me has been.  She and I had endless conversations about whether I should follow my heart and pursue a jewelry career, or whether I should stay in a career that I liked but was emotionally outgrowing. I had a real crisis of conscience while trying to decide. So many people I knew were unemployed and looking for jobs, while I had a good, stable one. I felt both guilty for wanting to walk away from security and terrified to try something new and unstable.  It was during that period that one of the characters on Mad Men said something like, “Stable is that step backwards between successful and failing.” That really resonated with me. Soon after, I knew I would pursue a new career as a jewelry designer, risks and all.

Judi-Mother

It’s unanimous here at UncommonGoods that your “A Tree Grows” necklace is stunning. How did you come up with the idea to design such a realistic branch design for jewelry wear?

Thank you! I’ve always loved trees and branches: their lines are so graceful and elegant and they’re also a bit wild. In my second semester at FIT I took an amazing casting class. I learned that you can cast almost anything only if you can truly envision the outcome in metal and only if you can make the object thick enough to be sturdy.  Years ago, I had tried to model a tree branch in wax but it didn’t have the level of detail that an actual branch has. It just didn’t work. So when I took the casting class, I told my professor that I really wanted to cast a small tree branch and she said: “Go for it! Just be sure you reinforce it and make it durable.” I took her advice, found a small branch in my Brooklyn neighborhood, reinforced it with Mod-Podge, and took it to my caster. When I picked up the piece I was completely amazed!  All of the detail from nature was perfectly preserved. I had this delicate sterling silver branch that looked like the real thing. I actually choked up when I saw it.
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You actually submitted your jewelry into one of our past jewelry design challenges and didn’t make it into the semi-finalist round. You decided to not be discouraged, and submitted an entry again after joining one of our design events. Do you believe winning the challenge the second try was much more satisfying than if you were to win the first time?

The first time I submitted I was hoping to be selected but I didn’t expect it. The design challenge was the first competition outside of school that I’d entered, and I knew there’d be serious competition, both from my FIT classmates and  from countless talented designers whose work I’m still getting to know. After attending the design event, I learned the single-most valuable lesson: submit an image of someone wearing your piece! Winning the challenge was really satisfying, of course, but also really humbling because I was getting both positive and constructive feedback during the voting. I was competing against some extraordinarily beautiful pieces, all of which were so different and so special.

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What’s the biggest advice you can give to our future design contestants after that specific experience?

Attend UncommonGoods’ design events. If you can’t get to them, attend any local events where you can meet professionals and peers. Take notes on what the speakers are saying because their advice will come in handy. Don’t be shy and ask questions! Be open to feedback because it’s all helpful. Take photos of your pieces on a person. Follow up, even if it’s just to say a very simple thank you. Always, and I really mean always, wear a piece of jewelry you’ve made. If you don’t want to wear your work, I think it’s a little unreasonable to expect someone else to want to wear it.

Lulu

Do you have any silly trick or habits you do to keep yourself motivated? 

When I’m struggling to focus, I know it’s time to step away from what I’m doing. Literally. I get up and take my puppy for a nice long walk around my Brooklyn neighborhood and clear my head. In the warmer months, I stop and look at plants and trees for design ideas and in the cooler months I look at architecture and snowflakes for inspiration. I’ve learned the hard way that whenever I try to force something that it just doesn’t work, and jewelry really has to work. I also drink lots of water!

Can you describe the process of what you do to make your necklaces better, stronger, and more wearable. 

I’m so glad you asked this question! Some of the comments I received during the voting were concerns that my necklace looked like it might scratch the skin or bend. I’m glad people brought that up.  For every “A Tree Grows” necklace  I cast, I actually break off the more fragile parts and re-attach them onto the central line of the branch. By doing this I reinforce the structure of the necklace and build on it with a bit of additional solder.  After the branch is reassembled I tumble it first with stainless steel shot. Then I use soft pumice pellets to harden the metal and soften the edges of the leaves and branch ends. I believe jewelry has to be pleasing to wear and I personally road test every piece to make sure it’s both comfortable and has structural integrity. There is a bit of springiness to the metal in the finished piece, which enhances the organic nature of the necklace.

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 Do you mind describing your studio to us and the materials that you use?

I work out of Brooklyn Metal Works, a wonderful, collaborative creative space for jewelers and metal smiths.  The owners, Erin Daley and Brian Weissman, are building a fantastic community there. They have regular exhibits, artists’ lectures, and classes. My personal jewelry education continues to grow there. I love being around other jewelers and artists because we bounce ideas off of one another, brainstorm about construction,  share new tricks and techniques we’ve learned, and we all respect each other. And there’s always great music in the background!

When I’m sketching and designing, I work from home at my father’s antique drafting table. It’s scarred with hundreds of pin holes where old blueprints had once been tacked. I’ve added a few more holes to it, as well as some paint splotches and ink stains! I love that it’s a piece that he, I, and others have used as a tool to support creativity. And he’s really proud that I’m using it, too.

In terms of materials, I use recycled metals in all my cast pieces and I source as much recycled material as possible for the pieces I fabricate.  I’m happy that I’m a professional jeweler now because I have ready access to recycled material. Ten years ago when I was first starting, that just wasn’t the case.  I save every shaving, filing, and sprue and recycle all of my scrap metals.

DadsDraftingTable

What’s one of your all-time favorite inspirational quotes? 

I have so many of them! It’s too difficult to pick only one, so here are two:

“There is only one thing that makes a dream impossible to achieve: the fear of failure.” -Paulo Coehlo

And this one by Rabindranath Tagore always resonates with me: “You can’t cross the sea merely by standing and staring at the water.”

coelho

 What does your jewelry illustrate about yourself?

My jewelry mirrors my two great loves: art and nature. I don’t have a specific philosophy per se, but I do want every piece to be wearable and beautiful. And because my own jewelry stories give me such joy, I sincerely hope that my customers will have their own happy stories to tell about my pieces for years, even decades, to come!

 

Design

Upcycling Design Challenge

September 5, 2013

UPCYCLING Design Challenge

Reuse! Reclaim! Upcycle! Sustainability is certainly value of ours, and we believe it’s an important value of our customers and community as well. We’ve all heard the popular saying “One man’s trash is another man’s treasure.” And we absolutely stand by that quote here at UncommonGoods because we  love all of our upcycled products we feature on our site!  We’re a fan of old things turned anew, from old records to bicycle tubes to recycled glass made into framed art, purses, or jewelry. Even though we already have a great selection of upcycled products, we are still searching for more fun and interesting items to feature!

If you have a special upcycled product design that you would like UncommonGoods to take a look at, enter into this month’s featured contest! You’ll have a chance to win $500 and a vendor contract with us.

To submit your upcycling designs and for the complete contest rules visit our Upcycling Design Challenge page.

 

Gift Guides

Gift Lab: How to Get the Perfect Shave

August 27, 2013

Jeff | UncommonGoods Customer Service

Research
I shave every other day, occasionally back to back days, and end up spending $40.00 to $50.00 using disposable blades such as Mach3 and Proglide. Usually after two shaves the blade does not give a close shave at all. I heard the Razor Pit Sharpener will solve this problem and save me lots of $$$$.
Razor Pit Razor Sharpener

Hypothesis
I am curious to see if there truly is some way to extend the life of my disposables; everything I have heard and read about the Razor Pit Sharpener makes me hopeful this is the tool to use.
Sharpen your Razor

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Experiment
Pretty simple stuff here, you can use a squirt of shaving cream or soap to lather up the surface of the Pit. You then push your razor FORWARD–five or six times will do. I found that pushing it once, then rubbing the shaving cream around so it covers the entire surface again, then doing my second push and so on to the fifth or sixth push. Then I ran the blade under COLD water for a few seconds (cold contracts the metal, which is good. My own tip). Then you shave!!!
Jeff Shaving | UncommonGoods

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Conclusion
No kidding, this is incredible! The four (very old, perhaps a few months) blades I tested on each gave me a shave that is just about the same as a brand new blade. I used it for two weeks, then shaved once more with a brand new blade. I found no difference between the Razor-Pitted blades and the brand new one. While I suppose that I will eventually have to buy new blades, I can certainly see my costs being at least half, so I will have paid for my pit within two months.
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