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Creativity

Design

How To Make a Vegan Dream Catcher

October 30, 2013

I am pleased as punch to share my DIY dream catcher tutorial on UncommonGoods! I work for a public relations firm called Small Girls PR, and we recently threw a party for our client, She and Reverie. At the event we had a dream catcher craft station and provided the guests supplies and tips on how to make their own whimsical piece during the party! I’m a big fan of UncommonGoods, and wanted to share with their design community how easy it is to make one with just a few supplies. And just to add a cherry on top, knowing that UncommonGoods’ is very animal friendly, I created a fun vegan dream catcher tutorial! Below are photos and step-by-step directions for you to start making your own right at home!

Supplies

 

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Remember, you can substitute the supplies with any other arts and crafts you may have lying around at home. For example, if you don’t have felt feathers, perhaps you can use tassels or jewelry pendents. And if you don’t have faux suede you can switch it out with bright ribbons or earthy hemp cords. Have fun with this project and be creative! Below are a few snap shots from the She and Reverie event with the guests having a little bit too much fun making these dream catchers. SheRev082413_PiOv_090 SheRev082413_PiOv_057 SheRev082413_PiOv_055 SheRev082413_PiOv_053 SheRev082413_PiOv_020

Inspired, but don’t quite have the time to build your own dream catcher? Check out UncommonGoods’ Dream Catcher Necklace.

Design

3 Easy Steps to Make A Necklace Display

October 17, 2013

Hey you jewelry lovers, I’m Christina from Tales From The Thrift. I’m so used to showing off all my thrift shop finds that sometimes I forget to blog about the projects I conquer when I’m not vintage hunting! Naturally, my projects usually have something to do with actually organizing all of my random finds. Like a lot of other jewelry hoarders, I’m shockingly bad at storing my treasures, almost to the point of embarrassment. Every piece I own — from the fancy gems gifted by loved ones, to my huge collection of thrifted trinkets — gets stuffed into old jewelry boxes and dusty pouches or tossed haphazardly onto my nightstand before bed. Obviously, this strategy leads to plenty of tangles, tarnishing, tears, and loss. But finally, after one missing earring too many and some minor soul-searching, I realized it was time to become a responsible jewelry-owning adult and embark on my first-ever DIY storage project.

Tales From the Thrift

I kicked off my mission with a plan to create a simple display for some of my favorite necklaces. I began scouring a few local thrift stores and stumbled across some wood-framed, canvas art pieces–one black with silver handwriting, and the other with an abstract floral print–at Goodwill. (I ended up abandoning the floral canvas, and sticking with the black/silver piece, which features a poem by Elizabeth Bishop. If you’re curious, you can read it in full here!) I scored both items for around $4.

Tales From the Thrift
What you need: Other than some old wood-and-canvas artwork, just some nails and a hammer.

Tales From the Thrift
Step 1: Hammer your first nail at the top/center on the front of the wooden frame. Make sure you keep the nail exposed by at least a half-inch.

Tales From the Thrift

Step 2: Hammer a few more nails in a similar fashion, evenly spaced on either side of the middle nail, so you end up with a nice, balanced row.

Tales From the Thrift

Step 3: Put the display on your dresser or hang it on the wall, and arrange your necklaces. Enjoy a life free of tangled jewelry.

Tales From the Thrift

For rings, earrings and bracelets, I supplemented my DIY display with a few handmade jewelry stands and holders from UncommonGoods. UG’s gorgeous Hand Of Buddha Stand is perfect for my “real”  jewelry that I wear daily, and I added a light blue Pedestal Holder and pewter Labyrinth Bowl to hold my other assorted baubles.

buddhahand

 

Tales From the Thrift

Tales From the Thrift

Of course, I still have plenty of jewelry stowed away and out of sight, but my DIY display definitely helps me keep my most-loved necklaces organized and easy to find. And best of all, my new set-up is as pretty as it is practical!

Tales From the Thrift

Design

Get Ready for Our Graphic Design Challenges!

October 10, 2013

gdbabysuit_sq_1000x1000

Calling all talented graphic designers, typographists, and artists ! We are officially launching our Graphic Design Challenges! Each time we have a featured Graphic Design Challenge, there will be a different product the winner’s graphics will be printed on, and of course,  later sold on our site!

For this month’s challenge, the special product will be babysuits! In your entry, please be sure to incorporate our phrase, “Dream big. Start small.” into your preexisting typography design or send us something brand new, including the phrase. The winner will receive $500 and a chance to see their own designs on the babysuits!

The deadline is November 10, 2013 at 11:59 PM. If you’re interested in submitting an entry please enter here.

Ready. Set. DESIGN!

 

Maker Stories

Allison’s “Babe” Takes the Win!

September 17, 2013

 

Allison and Canine Inspiration

If you follow us closely, most of you know that this summer we proudly launched our Ongoing Art Contest. This means instead of just awarding a winner once a year, we are crowning an independent artist winner and awarding $500 smack-a-roos and a chance to sign a vendor contract to join our UncommonGoods family every single month. The first winner from our Ongoing Art Contest was appointed to Caribbean resident, Allison Gray. We received amazing entries from through out the nation, yet it was Allison’s lovely “Babe” that caught our art judges’ attention. Allison’s eye for detail, use of mixed media, and sweet, creative design of her very own pup landed her into the winning spot.  In her interview, Allison mentions that “it wasn’t until I began expanding my media usage that I started veering away from strict realism and started redefining my limitations.” We’re more than ecstatic that Allison experimented out of her comfort zone, because as a result “Babe” was created and now will be officially a part of our artist gallery!

Meet Allison Gray, a fellow animal lover and our latest Art Contest winner.

Babe submit-a

Tell us an uncommon fact about yourself.

I have very vivid dreams.  They actually inspire a lot of my work.  I may not necessarily dream about a scene and then wake up and paint it, but the images and emotions that are remnants of my dreams can serve as the stepping stones or foundation of my craft.

I don’t know if the vividness of my dreams is a factor in my sleep pattern, but about 75% of the time, I start sleeping by violently waking up.  It’s called a myoclonic jerk  and of course everyone’s familiar with it—that sudden waking burst of panic preceded by a falling sensation.  What’s uncommon in this case is that it’s become routine.  I drift off, spasm awake and think, “Oh good, that’s done.  Now I can really get started on sleeping.”  And, without fail, I have these brilliant dreams, saturated with emotion and light.

(I hope I haven’t confused uncommon with odd.)

What different techniques do you use when creating your art?

I hate to pigeonhole myself when it comes to craft media.  For a long time, I only worked with oil paints and I only recreated realistic images.  With the difficulty of transporting necessary oils and thinners to continue my oil painting in Grenada, I opted to instead try a different medium.  So I began working with watercolors and from there, branched out further.  I began using charcoal, India ink, pen and pencil, and masking techniques.  I use bleach, salt and even coffee grounds for different textures and effects.

It wasn’t until I began expanding my media usage that I started veering away from strict realism and started redefining my limitations.  One of the first paintings I did in Grenada was of a local boy.  The painting was from a photograph I’d taken of him.  I already had the picture, so I knew I wanted something more than the photo could offer me.  So I filled my palette and painted him with every color that was missing from the photo.  When I finished, I knew I’d moved somewhere in my capacity as an artist.  And I’ve been moving in that same direction since.

In summary, I have and will continue to use whatever techniques I can to perpetually evolve my artwork and myself as an artist.

Colorful Boy Painting

Describe your daily life in Grenada.

Without an actual career, that varies from day to day.  I always try to allot myself a few hours a day to devote to a craft (painting, writing, knitting, photography, etc.).  The rest of the time is spread out over responsibilities and recreation.

Of course I’ve got domestic responsibilities.  With a medical student for a husband, all household chores sort of fall on me.  I’m not totally won over by the cleaning part of the duties, but I love to cook almost as much as I love to eat.  It’s hard to complain about having absolute control over the menu.

I run in the mornings.  Sometimes I go to the beach during the day and play Frisbee in the sea.  I might walk a couple miles to our favorite fruit stand and get our produce for the week from “Fireman,” our fruit vendor.  On Saturdays, we go on hashes.  (A hash is an all-terrain [mostly off-road] hike, followed by food and drinks and music, that draws hundreds of participants per week and takes place anywhere on the 132-square-mile island.)  Occasionally I’ll take a local bus into town and pick up fresh fish from the fish market.  I am an executive board member for St. George’s University Photography Club and perform duties as liaison for the organization.  On special occasions, we tour the island, go snorkeling, visit the forts or the cocoa plantation.  I spend a lot of time experimenting with my photography and looking for ways to intertwine it with my painting and other crafts.

Of course, sometimes, I just lounge around with my husband and watch movies with a little popcorn and wine.

Allison and Ivan beachside

It’s probably every artist’s dream to travel and live abroad, but does living in the Caribbean have its downfalls?

Absolutely it does, but most people don’t want to hear about it.  I live in the Caribbean; what business do I have complaining?  Even so, this life comes with its own set of difficulties and to reinforce that argument, I actually posted an essay on my blog about the pros and cons of being a married couple in the Caribbean, living on student loans, and following the twisted path to our goals.

In short, yes, life in the Caribbean has its downfalls, but the benefits—measured in memories and experiences—far outweigh the comparatively insignificant drawbacks.  (I’m writing this from the sandy shore of one of the most beautiful beaches in the world: La Sagesse.)

Grenada is A-OK2

Where exactly do you go to catch inspiration? 

I love running.  I run almost every day.  I’m not remarkably good at it.  The only records I have or ever will break are my own.  But that’s not particularly discouraging to me because it’s the act itself that I enjoy and the reward that I get. Specifically, I like going for longer runs (one hour plus).  And while I’m running, I have no obligations to pay attention to anything other than my own wandering mind (except perhaps not tripping).  That’s a golden time for me to come up with all sorts of ideas for my art.  And the only distractions I have are my mind’s own erratic imaginings.

I could probably have a similar experience if I just sat quietly in my apartment, but then I’m usually surrounded by reminders of all my obligations and responsibilities.  When I’m running, I’m both metaphorically and literally getting away from “it all” and with that sense of freedom comes a euphoric rush of creativity.

Studio Desk w Light

 What’s your all-time favorite quote that keeps you going?

Not including about everything Dr. Seuss ever said (how many genius simple truths did he make catchy with a little rhyme?), I’m quite fond of William Faulkner’s “You cannot swim for new horizons until you have courage to lose sight of the shore.”  Besides its apropos metaphor, Faulkner’s wisdom rings true in light of our ever-changing future.  Without the courage to leave everything behind, we never would have found ourselves living a surreal life in the Caribbean.

Faulkner Quote

When exactly did you discover your talent?

I can’t help but feel at least marginally narcissistic going on and on about my talent and my history leading up to the showcasing of my creations!  For a very long time, people have been commending me for my talent and while I can and have admitted (does that imply guilt?) that I have an artistic ability that not everyone has, it’s still humbling to come right out and say, “Well, hello, my name is Allison and I am a talented artist.”  No matter if I say that out loud or in my head, I always wind up finishing it in a snooty accent.

A popular quote by Pablo Picasso is “Every child is an artist.  The problem is how to remain an artist once he grows up.”  Children have this perishable fearlessness to create anything and then share it with everyone.  But at some point the fear of judgment and criticism makes an unwelcome and permanent guest of itself and we hide our creativity.

Maybe it was my peculiar creative courage that gave me the boldness to keep on drawing and painting and creating despite the crushing potential of failure.  Or maybe it was because I just didn’t like math class.  The truth is, I find solace in artistic expression and am bemusedly stunned every time someone comments on my apparent talent.  And when someone does, I think the most appropriate response is to give credit where credit is due.  (I never would have submitted my art to this contest if it weren’t for my friend, Cat.  I never would have thought to create a paper collage of my beloved dog if it weren’t for my friend, Patty.  I wouldn’t have had the heart to create this piece if Babe hadn’t had a foster home while we’re abroad, Lisa.

My direct response to this question—when exactly did you discover your talent: every time someone reminds me.

Grenada is A-OK3

Do you have any major projects you are working on now? 

I’m afraid I’m going to seem a little boring here, but no, I really don’t.  We live as minimalists for the most part and are living in a studio apartment.  Working within my means involves smaller projects that are inexpensive and can be tucked away at a moment’s notice.  I dream of someday when I can really plan larger-than-life projects.

Beas Submitx

Are there any particular artists you look up to?  What is it about their work that you like?

At the risk of sounding trite, I’m going to go ahead and say Bob Ross.  I know my work doesn’t exactly radiate the spirit of the amazingly gifted painter, but he did inspire me to pursue painting and to do so with an almost absurd amount of cheerfulness.  He’s part of the reason I began painting with oils and stuck with it for so long. It would be a blatant lie to suggest Bob Ross is the only artist who has inspired me and influenced my work.  Modern art, with its shifting genres and techniques, influences the decisions I make when searching for a new approach to a usual subject.  I don’t have a secret list of artists whose techniques I use as a paradigm when creating my own pieces, but draw from methods I’ve seen and admire.

What’s one thing you use/see every day that you couldn’t live without?

Well, if I’m being materialistic, it’d probably be a draw between the air conditioning or my morning coffee.  Probably the coffee, though. If I’m being crass, it would be sarcasm. If I’m being poetic, it would be love.  If I’m being optimistic, it would be humor. But if I’m being honest, it would be Supporter Extraordinaire and Husband, Ivan.  (Cue collective aw.)  There’s plenty I can go without, but I haven’t been without him for seventeen years and I don’t intend to start anytime soon.

Allison and Ivan climbing Grenada Mt.

What’s one piece of advice you could give to aspiring design challenge contestants, particularly our Art Contest?

Have the confidence in yourself that all of your supporting friends have.  Chances are, they’re right.

Babe the Pig Dog

Maker Stories

MG Stout on Moving, Staying Motivated & Making Art

June 24, 2013

Artist Mary Gallagher Stout (Also known as MG Stout) not only captures animals’ unique personalities though her stylized pet portraits, but also conveys a bit of her own personality though each of these soulful pieces, which seem to be dripping with warmth and emotion.

Mary admits that she’s faced some challenges on her way to becoming a professional artist, and she graciously spoke candidly with me about discovering her passion for art, using her work to promote social change, and making the decision to transition to a new studio space in order to put her paintings in prime public view.

You mentioned in your UncommonGoods artist bio that you studied philosophy in school. How did a philosophy degree turn into a career in art?
Here are the cliff notes-I never felt like I was good at anything. I doodled privately and I studied philosophy because I wanted to learn how to think. My ambition was to become a professor. University life seemed to suit me. After I received my BA, I applied to a few graduate programs and moved to RI with my fiance. The following year brought a wedding, a new baby and a severe case of postpartum depression. The love of my family and ART saved me.

What the what? Art saved you? How so? Among the laundry list of psychological issues from which I suffered, and there were many, I became agoraphobic. I was terrified to leave my house, and heaven forbid it should rain–I’d cry all day. *I was a delight to be around.

Meanwhile, my mother-in-law knew that I wanted to paint the sanitarium white walls of my home and suggested that I grab a brush. I painted practically every surface in the house. I did murals, faux finishes and furniture. I think I even painted a few shades! To my surprise, people were really impressed with my work. When my faculties returned and the anxiety passed I started a decorative painting business and have been painting ever since.

*My company actually was the opposite of delightful.


What lead you to start painting animals? How did the custom aspect come into play?
I used animal imagery as an analogy to raise awareness of the vulnerability of the arts and art programming. Endangered species, the environment, and the arts need community support to thrive and flourish. The National Endowment for the Arts budget is the first to be cut when funding is being dispersed. I wanted to demonstrate how art impacts and enriches our lives and so I co-produced a free community event at the Workhouse Arts Center called ART OUT LOUD- a fusion of art and music.

I painted my first pet portrait in honor of my cousin’s dog, Mattie, who passed away unexpectedly. She was old, but seemingly healthy. The whole family was so upset and I wanted to celebrate the life of an amazing dog. I worked on the piece in my studio, which is a public space, and started getting orders and requests from visitors. I knew then that I was onto something.

How many pets do you own? Do they spend much time in your studio?
I had two dogs. Champ died of bone cancer last year and nearly broke my heart. Scottie is 15 years young and while his skin is much looser, he is a sweetie pie. Neither spent time in my studio because they like to misbehave when they are not home.

Would you consider your studio an extension of your home, or do you prefer to keep work and your personal space separate?
My husband prefers that I keep my studio work separate as I seem to get paint everywhere!

How did you know it was time to transition to a new studio space?
I set professional goals for myself and made a 5 year plan. I juried into the Workhouse Arts Center and became a full-time studio artist. I spent the months before I moved into my studio in VCU’s [Virginia Commonwealth University] Summer Studio Graduate Residency Program there. It was intense and kicked my ass into gear. I signed a 3 year lease and dedicated that time to finding my voice. I gave myself permission to paint a lot of crap. As a decorative painter, lacking a fine art degree, I felt like a big phony baloney. So I painted a bunch of introspective stuff and experimented with various media. I had my aha moment when I started my *REAL Life Drawing series. Pastel on newspaper! Drawing my observations of the city. I found my groove.

Year 4 was about making sellable artwork. Yikes! Did I just speak of money? Heck yeah I did. Artists have bills that need to be paid too. As a professional artist you need to have work that pays the bills so that you can afford a studio to make art just for art’s sake. The problem with my old studio was that I was making decent work, but nobody was seeing it. Truth be told, most of my sales happened off site. It just seemed logical to move.

*Sunbury Press published my DC inspired artworks in a book titled REAL Life Drawing, My Eye on Washington DC, by Mary Gallagher Stout

What do you look for in a studio space?
The first concern is location. Is it metro accessible? My atelier needs to be in a place that people can get to by hopping on a bus, train, trolley, or bike. The studio also needs to have good lighting, and enough space for to be divided into a workroom and gallery. Finally I need to be able to have 24-hour access. One can’t ever be certain when a thunder-bolt of creativity may strike!


What was the last thing you packed? What was the first thing you unpacked when you got to your new space?

It was the same thing- my paint palette.

How far is your new studio from your old? Did you have to move all of your supplies and works in progress a great distance?
I’ve added about 20 miles to my drive so it is a bit of a hike, but completely worth it. Old Town Alexandria is a destination. This town is buzzing with art enthusiasts, and animal lovers! The marina is literally one block from my new spot and there are dozens of local eateries and shops.

I’m in heaven. I share this space with two other prolific professional artists, John Gascot and Gina Cochran. We make a great team. We inspire and support each other and are eager to produce community-centric exhibitions and creative workshops.