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Design Challenge Winners

Maker Stories

Glass Winner Heather Trimlett Melts Our Hearts With Her Vibrant Design

January 16, 2015

Heather Trimlett | Glass Design Challenge Winner

I remember the first time that I watched a glass artist use a torch. I was sitting in a glassblowing demonstration at an art fair, surrounded by a big crowd waiting to witness what would happen when molten glass meets high heat. The crowd’s silence gave way to an entrancing performance. Watching the artist manipulate red and orange glass was like getting hypnotized by a campfire. I couldn’t imagine the patience and precision required to work hand-in-hand with an alluring, deadly element.

One glance at Heather Trimlett’s Spiro Earrings instantly takes me back to that day. I can tell that Heather’s ability to twist glass into a freely flowing pattern requires an eye for enchantment. As I got to know Heather during this interview, it doesn’t surprise me that she found her niche in jewelry making. Her personality is just as warm, friendly, and colorful as her beautiful pieces. Her color palette is a perfect match for our assortment! Meet Glass Design Challenge Winner Heather Trimlett, and learn about the process behind her winning design, her first experiences at the torch, and how she views the world in multicolored glasses.

Spiro Earrings | Glass Design Challenge Winner | UncommonGoods

 

How did you come up with the concept of your winning design?
For years I have played, practiced and experimented with carefully layering different colors of glass on top of each other and creating twists made of these different colors of glass. When I realized that adding a rod of clear glass to my twists would magnify the colors and allow them to appear to float freely in the clear glass, I had my magic. This combination of layering and precise twisting came together for the Spiro Earring design.

Heather Trimlett | Glass Design Challenge Winner

How did you celebrate when you found out that you won our Glass Design Challenge?
My first wave of euphoria came when I found out I had been accepted into the UncommonGoods Glass Challenge! I sent an email to all my clients, students and supporters, and asked them to please vote for my earrings! I was thrilled by their enthusiastic response.

Then I won, but couldn’t tell anyone! During the “period of secrecy,” I told a few close friends and toasted with a few glasses of wine. My insides were jumping up and down yelling “YEA!”

Once it was OK to tell, I sent an email to EVERYONE I knew to tell them I had won!

Heather Trimlett | Glass Design Challenge Winner

Can you tell us 3 fun, random facts about yourself?
1. I’m an avid gardener. Propagating my Staghorn ferns then sharing the babies with friends ranks high on the list of fun things about the garden. Spending all day Sunday in the garden is the definition of a perfect day for me. My fingers are perpetually crossed that one day my Proteas will decide to bloom. My newest venture is growing things we can actually eat.

2. I have become a collector of Lego figures. Probably the influence of a 4-year-old grandson. Or is it all those bright colors?

3. While I sit at my torch making beads, I watch bees drinking at my fountain. It’s amazing; there are hundreds of bees every day in the summer! The bees at the fountain, conversations with my students who are beekeepers and my concern for the declining bee population have led me to start studying beekeeping and trying to work up the courage to keep my own hives.

Heather Trimlett | Glass Design Challenge Winner

Describe your workspace.
I have two workspaces with garden views. The studio is my space for glass work and includes torches, tools, and all things related to fire. Living in southern California has allowed me to comfortably work “outside” in my garage for 20+ years. I like to say I park my car in my studio. From my torch, I have a beautiful view of my front garden.

Heather Trimlett | Glass Design Challenge Winner

My beautiful, bright new office is the second workspace. It’s done in my favorite color combo: lime and turquoise accented with black and white. A large glass door opens onto my garden at one end. I sort beads, make jewelry and take care of paperwork in this space.

Heather Trimlett | Glass Design Challenge Winner

Who or what are your design influences?
1. Color! This is the #1 driver for me. Sometimes I feel like a magpie chasing shiny things. I am constantly aware of the color around me, checking for combinations that might work well with my glass work. I love how bright colors can be in the California sunshine!

2. Order. I love orderly things, mechanical things, symmetry and repetition of line and shape. The fine mechanics and shine of a well-made tool truly inspires me.

Heather Trimlett | Glass Design Challenge Winner

Describe your first jewelry designing experience.
I was born to be a maker of things. I have always sewed, crocheted, built stained glass windows and many other things.

Playing with pop beads as a child was probably my first jewelry making experience. I still think they are a hoot and use them as design inspiration with my students.

Once I found flameworking (making beads at a torch), my career was set. I backed into jewelry making out of a need to do something with the plethora of beads I was making. My jewelry is simple and clean, as well as a nod to my love of symmetry and color. Clean, repetitive simple shapes are my favorite.

Heather Trimlett | Glass Design Challenge Winner

Can you walk us through the set by step process of creating the Spiro Earrings?
The first step in making my Lime Spiro earring is to make the twist that will be the spiral pattern within the earring. I start with one rod of clear glass and three rods of color. I heat the four rods and melt them together. The colors are placed around the clear like the stripes in toothpaste coming out of a tube. While the glass is molten, I carefully twist and stretch it out until it is about the diameter of a pencil and then let it cool. This is my twisted cane.

Next, I begin to create the bead itself. I heat a stainless steel mandrel and a rod of lime glass simultaneously. The size of the mandrel determines the size of the hole in my bead. I carefully wrap one layer of lime green glass around the mandrel as my base layer. Next, I heat the twisted cane gently and carefully, wrapping it around the lime green layer. Lastly, I apply a very thin layer of turquoise glass. I continue to head the bead gently to bring it to its final smooth shape.

I place each finished bead into the kiln to anneal (cool gradually) overnight. For me, the next morning is like Christmas when I open the kiln to see all that I accomplished the day before. I remove the beads from the mandrel, clean & polish them and then assemble them into the Lime Spiro earrings.

Heather Trimlett | Glass Design Challenge Winner

Are there any interesting future projects you would like to pursue?
When I am not on the road teaching or home making beads, my 10+ year goal is to learn battuto, an Italian glass engraving technique.

Creative people all have those days (or weeks!) when we feel lost, unmotivated, or stuck.  How do you keep yourself inspired?
1. I am always charged up after teaching a class. My students give me energy, support and inspiration!  Their questions create new puzzles for me to solve all the time!

2. Glass Bead Yoga. Production work gets me back into the groove. The repetition it requires is calming, feels good and safe, like an old friend. My mind has the space to settle down and regroup, ready for the next design idea.

Heather Trimlett | Glass Design Challenge Winner

Maker Stories

Jewelry Winner Kristin Schwartz Stops To Mold The Roses

November 4, 2014

Design Challenge Winner | Jewelry Design Challenge | UncommonGoods

As you may have learned in our recent Uncommon Book Club Picks, I’m currently reading Elizabeth Gilbert’s “The Signature of All Things,” a novel about a female botanist who seeks to discover and explain the inner workings of the world during Darwin’s era. Alma, the story’s protagonist, is raised in her father’s renowned botanical estate, and spends much of her adulthood studying and admiring the estate’s plant collection. After further examination of the Buds Necklace, Kristin Schwartz’s winning Jewelry Design Challenge entry, I’m convinced that Kristin and Alma are kindred spirits. Like a trained taxonomist, Kristin appears to have studied every curve of the Lapsana flower before delicately molding it to metal clay. I can imagine Kristin with Alma’s microscope, calculating precisely how to add a subtle blue-green patina to her winning pendant. 

Here at UncommonGoods, our buyers love anything that has an exciting story. When Kristin’s story entered our radar, we didn’t hesitate to introduce her handmade collection into our assortment. Kristin’s fascination with her natural surroundings is beautifully illustrated in both her designs and her workspace. Meet Jewelry Design Challenge Winner Kristin Schwartz, and learn about her transition from the corporate world, why she keeps Champagne in her fridge, and how nature inspires her tiny pieces of art.

Design Challenge Winner | Jewelry Design Challenge | Buds Necklace | UncommonGoods

How did you come up with the concept for your winning design?
I take molds of plants for a lot of my work, so I am always on the hunt for tiny plants and flowers that might translate well to jewelry. I knew as soon as I saw this tiny yellow flower it was going to be good. Most of my plant-based pieces have an organic (random) shape, but I thought a round pendant would appeal to more people.

How did you celebrate when you found out that you won the first Jewelry Design Challenge of 2014?
I was inspired by a friend a couple years ago to keep a bottle of champagne in the refrigerator in the event of an unexpected victory or celebration, big or small. Of course I popped it open! And then got back to work.

How did you discover our Jewelry Design Challenge?
I have received the UncommonGoods catalog for a very long time and one day I received an email from the people at Jewelry Design Manager (Bejeweled Software) that said UG was looking for entries for the challenge.

Design Challenge Winner | Jewelry Design Challenge | UncommonGoods

Can you tell us 3 fun, random facts about yourself?
1. Iʼm in my 40s and I love that my Dad still calls me Kiddo.

2. I am not athletically inclined, but I did play soccer when I was six years old. The only goal I ever made was for the other team. It did happen right after half time, so I have to give my kid-self a break.

3. I love collecting shoes, but would rather be barefoot.

What different techniques do you use when creating your designs?
My designs usually start with one question: is it plant-based or is it done completely by hand? Sometimes I have a very specific piece in mind and I just have to figure out how to make it happen. For the most recent series, the image was in my head for YEARS while I mentally worked out the details. It actually turned out better than I had imagined with a combination of hand work and a plant mold. Other times, I see a plant that just needs to be featured on a piece of jewelry. It usually turns out pretty well, but I do have a pile of molds that have never turned into anything. I rarely draw ideas out on paper unless there are multiple elements that require serious problem solving and test runs.

Design Challenge Winner | Jewelry Design Challenge | UncommonGoods

Describe your workspace.
I love my workspace! It was the number one reason for buying my house. Itʼs in my basement, but full of natural light. Through all the windows I am surrounded by trees. And I have a ringside seat to the wrestling matches between my two boxers, Lumen and Kisa (pictured below).

Design Challenge Winner | Jewelry Design Challenge | UncommonGoods

Who or what are your design influences?
All my work is about growth, change and connection. It may not be totally obvious in all my work, but those are the seeds of my ideas. So, of course, nature plays a huge influential role, as do relationships.

Describe your first jewelry designing experience.
It was definitely unintentional. When I was still in the corporate world, I took a four hour metal clay class only because I had never heard of it. I made several pieces of unrelated…somethings, just to get a feel for the process. Jewelry eventually became my focus when I got great feedback on experimental pieces.

Design Challenge Winner | Jewelry Design Challenge | UncommonGoods

Can you walk us through the step by step process of creating the Buds Necklace?
I work solely in Precious Metal Clay (PMC). For those who are not familiar, metal clay is made up of microscopic particles of recycled silver [or bronze or copper]. All those particles are held together with an organic binder. It looks and acts much like modeling clay.

For this piece I took a mold of the tiny Lapsana flowers. Once the mold has cured, I roll a piece of metal clay onto it. I remove the piece of clay and turn it over onto a flat surface. While the clay is still wet I cut out individual pieces (in this case, circles) and let them dry overnight. I then try to get them as perfect as possible by sanding edges and smoothing surfaces that need it. It is much easier and less time consuming to do this with dry clay than it is with metal. When the pieces are ready, they get fired in a kiln. When the temperature reaches 1,650 [degrees Fahrenheit], the binder has burned out and all the silver particles melt together. There is an 8 to 12 percent shrink rate and the result is a fully metallic, pure silver piece. I drill a hole in it for the jump ring. When it comes out of the kiln, there is some fire scale on the surface. That is scratched or sanded off before I put the whole piece into a patina to get the green color. It is then sanded again, leaving minimal color behind. I think the color brings out the texture and design a little more. I wire-wrap a clasp onto a piece of hand-painted silk cord and add the pendant. Tah-da!

Design Challenge Winner | Jewelry Design Challenge | UncommonGoods

Whatʼs your favorite thing that someone has said about something you made?
There was a woman who recently came to my table while I was selling at Pike Place Market in Seattle. I asked how the day had been treating her so far. She sighed and said, “I am so happy to be on front of such a peaceful space with pieces of art I relate to.” She didnʼt buy anything but the compliment was worth so much more.

How do you keep yourself inspired?
Living in the Northwest is great for natural inspiration. I am still amazed at all the different plants that bloom in the spring. I sell my work where 10 million people visit every year. I get to hear a lot of stories. Talking and connecting with people is also great inspiration for me.

Design Challenge Winner | Jewelry Design Challenge | UncommonGoods

What are your hobbies outside of jewelry design and running your own business?
I donʼt really have much time for a whole lot, but I love to cook and work on my house and in my yard. Essentially, my hands are always dirty.

(Photos by Lauren Williams)

Maker Stories

Woodworking Winner: Glenn Goes Against The Grain

October 7, 2014

Design Challenge Winner | Woodworing Design Challenge | UncommonGoods  
It’s no secret that we love wood designs here at UncommonGoods, and so do our customers. And because our first Woodworking Design Challenge was such a success with over 100 entries, we decided to host another one earlier this year! Once again, we weren’t disappointed with the heavy amount of amazing entries we received, Glenn Heimgartner’s submission being one of them.

When sifting through the woodworking entries, I knew that Glenn’s Wooden Wrap Lamp (at the time named the Audrey Lamp) would make it as one the semifinalists. Through just a single photo, I recognized Glenn’s solid craftmanship and fell in love with the lamp’s beautiful and simple design. When we finally saw the lamp in person, from the maple veneers to the black walnut base, my prediction of a well-designed, handmade product was proven correct. I secretly wanted to take the lamp into my own apartment and place it permanently on my bedside table.

Meet Glenn – a sustainable woodworker, soccer coach, father of three (who allegedly runs faster than a cheetah), and our latest Woodworking Design Challenge winner! 

Wooden Wrap Lamp
Can you tell us three fun, random facts about yourself?  
1. I went to 4 different high schools in 4 years – including one in Japan.

2. I completed a 30-day expedition in the Yukon – no showers, no laundry for 30 days –undoubtedly one of the most amazing experiences of my life.

3. According to my 6-year-old son and his buddies, I run faster than a cheetah.

How did you come up with the concept of your Wooden Wrap Lamp design? 
I had just finished a long stretch of building large, rather in-depth custom furniture pieces and was interested in changing gears and making something of a smaller scale that was more of a functional accent piece.  Also, I had a large amount of walnut scraps that I wanted to upcycle instead of discard. I had been thinking about the idea of a lamp for a while and figured this was the perfect time, as I needed a holiday gift for a family member.

I had seen other lamps with the general construction of a solid wood base, 4 posts, and a top and always liked the look and feel of light shining through wood veneer shades.  What resulted was the first version of the wooden wrap lamp, which is a blend of modern, arts and crafts, and Japanese design details with a natural, handcrafted feel.

Design Challenge Winner | UncommonGoods

How did you discover our Woodworking Design Challenge? 
We’ve been getting the UncommonGoods catalog for years and my wife showed me the announcement for the challenge in the Winter Catalog – A WEEK BEFORE THE SUBMISSION WAS DUE.  She urged me to submit and I figured since I just made a wooden lamp as a gift for a family member that it would be a good fit for UncommonGoods.  Luckily I was able to set other work aside and get a refined version designed, built, and shipped on time.

How did you celebrate when you found out that you won our Woodworking Design Challenge?
Can’t say I did anything too crazy.  I think I might have given my wife a high-five and then enjoyed a good beer.  Was just honored and excited to know that others out there believed I created something of value.

Design Challenge Winner | Woodworking Design Challenge | UncommonGoods

What different techniques do you use when creating your designs?
For me it’s simple, I start with an idea that needs to meet an aesthetic need and perform a function.  I do most of my design in my head – from the initial concept through fabrication – never stopping the internal struggle until the piece is complete.  I sketch on paper and draft in 3D to explore proportions and details and to solidify my focus.  I usually have a 3D plan to take to the shop and start fabrication.

Once I start to create actual parts, I trust my eye and will deviate from the plan, tweaking various details – thicknesses, proportions, radii of curves, etc. – to arrive at a more finished product.  The piece is completed and sometimes it hits that comfortable balance between form and function – sometimes it doesn’t.  If multiples will be made, I refine and rebuild.  If it is ‘one-off’ custom piece, it is what it is at that point.

Design Challenge Winner | Woodworking Design Challenge | UncommonGoods

Can you walk us through the step-by-step process of creating your lamp?
I go through current inventory of walnut and purchase additional if need be.  I ‘upcycle’ scraps from larger projects when possible.  The selected walnut is milled into various pieces that make up the solid wood frame (2 base pieces, 4 posts, and 2 top pieces per lamp).  Details on the ends of these base and top pieces are shaped via the router and by hand.  Joinery is cut via basic machines and cleaned up via hand tools (base and top pieces are joined via lap joints; posts are joined to the base via mortise and tenons and to the top via bridle joint).

Pieces are glued to make the base and top respectively.  Posts are glued to the base.  Maple veneer is cut and glued in ring shapes to make the shades.  All pieces are sanded and finished.  Rings are glued to posts.  Top is glued to the posts.  Final quality control and touch up finishing is completed.  Nickel hardware and electrical components are installed and light bulb is tested.  Product is packaged.

Are there any major projects, collaborations, or ideas you’re working on now that you want to talk about?
First and foremost, I’m in full production mode in the shop handcrafting multiple lamps to meet UncommonGoods demands for the Winter Catalog!  On the custom furniture front, I’m working with a few private clients designing various unique, functional pieces for residential settings (dining room table, library table, bench for a foyer, etc.).  I’m also in the process of designing and prototyping two more home accent pieces for retail that will be of the same style and materials as the wrap lamp.

Design Challenge Winner | UncommonGoods
Other than making and promoting your woodwork, what other hobbies are you into?
With three amazing small children (ages 6, 4, and 1), I don’t have too much free time for hobbies.  Luckily, my passion of woodworking satisfies most of my self-centered needs.  When I do get a free second, I love the outdoors and exploring the nearby mountains on my own or with others. (I usually do a great one-hour hike right from my shop a few days a week.)  I coach my oldest son’s soccer team and help my parents with their small farm.  I’m fortunate to live in a town that has a great music scene and I see live acts whenever possible.

Design Challenge Winner | Woodworking Design Challenge | UncommonGoods

Where do you get your wood from and is it sustainable?
I have a professional background in sustainable forestry and sustainable wood products, so I am well versed on the land management techniques and supply chain logistics of such material and goods.  I take pride in sourcing responsibly harvested wood from local forests and I purchase from local mills and small sawyers whenever possible.  I mainly work in walnut, cherry, and maple, which readily grow in the forests of my area.

I also have worked in reclaimed chestnut, pine, and oak, which are usually recycled from demolished buildings.  I work to minimize waste in project planning and ‘upcycle’ scraps from larger projects like tables into smaller projects like the wrap lamp.  Shavings are spread on tree/shrub beds that surround the shop and are also composted.

Design Challenge Winner | UncommonGoods

What makes wood products special?
Wood is always alive, whether it is upright in the form of a tree or milled as a beautifully wide-planked tabletop.  I am constantly fascinated by the idea that a tree can function as part of a forest (cleaning the air and water, providing wildlife habitat, and providing an amazing backdrop for outdoor recreation) and then be sustainably harvested to continue its life in functional and beautiful items such as furniture and home goods.

I love that a log can be milled in different ways (rift sawn, flat sawn, quartersawn) to result in different grain patterns and that every piece is different, exhibiting unique details like curly grain, pronounced figure, knots or worm holes.  I always get excited to finish mill a rough piece to see what amazing grain is exposed.  It never gets old smelling and handling this material on a daily basis.

Maker Stories

Over The Moon With Natasha’s Winning Design

September 17, 2014

Natasha Justice | UncommonGoods

I immediately knew Natasha’s design of the Crescent Necklace would be a semi-finalist for the Jewelry Design Challenge the moment I opened up her entry. The charming piece matched perfectly with the UncommonGoods brand – not only was it a beautiful ceramic piece, but it was handmade with a unique mosaic design. The only problem we ran into, since Natasha offered multiple hues for her designs, was deciding on which color to feature!  The judges were unanimous when deciding on the winner and I was happy to make that phone call to the very excited and humbled Natasha. We wanted to bring a necklace into our assortment that was a classy statement piece, a pendant that would be hard for anyone not to notice, but not overwhelming or too showy. The Crescent Necklace was a perfect match. And because we couldn’t resist ourselves, we also threw in her matching earrings. Meet Natasha Justice, our latest Jewelry Design Challenge winner, and learn about her step-by-step process of making her Crescent Necklaces.

Natasha Justice | UncommonGoods

How did you come up with the concept of your design for your Crescent Necklace?
I love to mix different shapes and textures.  I had some pieces from a broken necklace that sparked my curiosity.  I pushed each of the pieces into my rolled out slab of clay and really liked what I saw.  I was wanting  a bold piece, so I used my large oval to sort of frame the textured design I just created.  And the shape and design jumped out at me.  I made another cut to create the crescent shape and loved the completed piece.

Natasha Justice | UncommonGoods

How did you celebrate when you found out that you won our jewelry design challenge?
I immediately called my husband, I couldn’t believe it!  I was so excited!  And we went to dinner that night to celebrate.

How did you discover our jewelry design challenge?
I heard about it through another artist and looked into it on UncommonGoods. I always tell myself to just go for it, you never know, you could win.

Can you tell us 3 fun facts about yourself?
1. I am seriously addicted to crime shows and movies.  I love Criminal Minds and any type of crime thriller movie.

2. I started making jewelry when I was 10 and then [again] after getting laid off. When I found out I was pregnant with my first son (I have 3) I decided I needed a hobby to keep myself busy. So I started making more jewelry and my hobby became my business.

3. I can’t sew but I would absolutely love to learn how.

Natasha Justice | UncommonGoods

What different techniques do you use when creating your designs?
I mostly use hand-building techniques to create my clay pieces.

What’s one piece of jewelry you own that you would never want to lose?
One of my very first ceramic pendants I made.  It reminds me why I started making ceramic pendants and my love for clay.

Natasha Justice | UncommonGoods
Natasha’s hometown, Cincinnati.

Can you walk us through the step by step process of creating your necklace?
I take a clump of clay and roll it out flat with a rolling pin.  I then take the broken necklace pieces and stamp out the design.  I cut the design out with my large oval cutter and then I use a small circle to complete the crescent shape.  I smooth all of the edges, make the holes in the top and sign each ceramic piece on the back.  Then each piece has to dry out completely between two weighted pieces of wood to ensure the clay pieces do not curl.  Once they are dry I put them through the first firing, which is the bisque firing.  My kiln reaches 1,940 degrees.  I let the pieces cool and then they are ready to be glazed.  I hand-glaze each piece with a paint brush.  I load my kiln again and let the kiln reach 1,830 degrees.  After the pieces cool they are ready to be made into jewelry.  I buy my chain, jump rings, and lobster claw clasps in bulk so I have to measure each piece of chain to the appropriate length and hand cut each one.  I then assemble the necklace into a completed piece.

Natasha Justice | UncommonGoods

Other than making and promoting your jewelry, what other hobbies are you into?
I love watching movies and I recently got back into working out consistently. [These hobbies] seem to help me wind down.

Natasha Justice | UncommonGoods

Natasha Justice | UncommonGoods

Do you think jewelry pieces should be fashionable or timeless?
I think a girl needs a little bit of both.  I love timeless pieces, but I always have to have some fashionable ones as well.  The fashionable ones are my go-to when I go on dates with my husband or out with the girls. I also love to mix them both with layering.

Necklace up close

Maker Stories

Eric’s Hallucinogenic Design Wins Art Contest!

July 18, 2014

Eric Tonzola | Art Contest Winner | UncommonGoods

It’s no secret that Eric Tonzola, our latest Art Contest winner, creates some prettytrippy designs. While observing his futuristic artwork, I feel like I’m jumping into a fantasy world where unicorns probably exist, the world wide web (fortunately) does not, and the sweet moments that we usually don’t notice are slowed down and captured. Here at UncommonGoods we want to add artwork into our assortment that will not only sit pretty in your new renovated bathroom, but will help paint a specific atmosphere that tinkers with your creative imagination. In this case, the atmosphere that Eric exudes is euphoria and reverie — a theme I wouldn’t mind welcoming into my home. Meet Eric Tonzola and find out about his “hallucinogenic” techniques, where he finds inspiration when it’s lost, and what his biggest vice is when it comes to focusing on his artwork.
Hallucinogenic Landscape | Art Contest Winner | UncommonGoodsWhat’s an Uncommon fact about your hometown?
I live in Lancaster City, PA and although it is a small town and small city it is chockfull of incredible artist and musicians. Lancaster is such a beautiful place and there is always some new small business opening up and new artists popping up all the time. The music scene has been blowing up and has really been putting its self on the creative map. Our fresh produce, indoor market has been rated one of 10 in the world. It’s a very amazing town and uncommon in its own way.

How did you come up with your Hallucinogenic Landscape design for our Art Contest?
Whenever I start working on one of my digital pieces I usually start off by thinking of a out of worldly landscape. An ocean on a moon of a far off world or a thick foggy forest from another dimension. Something along those lines but for the piece I entered for the contest my concept was based on a serene mountain pass that looks almost heavenly. A futuristic landscape with radiant colors that takes you to a place that you could only dream of.

Tell us about your journey into becoming an artist.
Ever since I was young I always loved to draw. I would get into trouble a lot in school and church when I was young because I would sit and draw on everything. So I guess it was just natural that I would start to create more and more as I grew up. After high school I went to college to become a graphic artist. While in college I fell in love with illustrating and designing. Ever since then I have been fine tuning my different styles and techniques.

Eric Tonzola | Art Contest Winner | UncommonGoods

Other than being an artist, is there anything else that you do?
Oh, Yes, Totally. I do love music… a lot. I play guitar (not the best) but it is something I really enjoy. The best is when I can get together with friends and jam. My younger brother is a really great drummer and I think him and I may start playing more together which is exciting. I also do have a full time job as a graphic designer. Working for a home décor company never seemed like something I would enjoy, considering the style of my personal work, but I have grown to love it. I create stuff your mom or aunt might have in hanging on her wall.

What different techniques do you use when creating your designs?
Over the years my different styles have really developed right down the middle. Creating designs digitally and illustrating things by hand. When creating illustrations or paintings I use mostly inks. I love using ink. It has such a richness to it and I feel like its very versatile. At times I also  like to use acrylics and honestly when painting, depending on the mood, I will use any material at my disposal. So I guess that half is mix media. My digital work I use mostly Photoshop and it is a combinations of over layering and blending a multitude of different images together to create the final design.

Eric Tonzola | Art Contest Winner | UncommonGoods

Are there any major projects, collaborations, or ideas you’re working on now?
I honestly don’t have a lot of projects going on right now. Some ideas I have are brewing but nothing has solidified yet, but keep your eyes peeled.

What was the toughest lesson you learned while being an artist?
Not to beat yourself up too much when you have a block.  Being an artist is exciting but its also almost a privilege, I feel. I have come into this world with abilities and talents that not everyone has and although exciting it can also be stressful. Whenever I am in a block I try to just enjoy everything else in life. If I try to force new ideas or new work it usually ends up worse and more frustrating. When I step away and just enjoy every moment of life, the next thing you know I find myself six hours into an illustration, a whole new concept for a project, and planning on shows and what to do. It comes naturally.

Where do you picture yourself 5 years from now?
5 years older. Haha. No, I’m not too sure. I have a lot of ideas of what I want to do with my art but the skys the limit so I just need to pursue everything that comes my way and hopefully in 5 years I will just be that much more successfully and develop my work even further.

Hallucinogenic Waterfall | UncommonGoodsAre there any particular graphic designers or bloggers you look up to when it comes to your area of design?
Recently there is no one person I specifically look too. I see a lot of amazing work out there and pull a little from everything I see that grabs me. One blog site I love to check out is butdoesitfloat.com. Very cool, eclectic work comes through there.

Eric Tonzola | Art Contest Winner | UncommonGoods
Where do you go or what do you do when your inspiration is completely lost?
I like to go hiking and just be outside. I will sometimes walk to the park and just lay in the grass on a hill and look up at the sky and try to clear my mind. Maybe go see a movie but, like I had said earlier, when I am uninspired I try to just enjoy life and it comes to me naturally.

Do you have any secret vices that causes immense procrastination? How do you monitor this vice?
Well, honestly just laziness, sometimes. Well, maybe not laziness, but when you work all day as a designer (which I do love and I design everyday) it gets hard to get yourself to sit down and keep working. Some of my work can take hours and I don’t always have the time. So I guess its more or less just keeping organized and focused on my work that can be difficult. I also spend a lot of time just hanging out with my friends. Love them to death, but they can be a distraction. Although, I wouldn’t change that for anything..

What advice can you offer anyone who is submitting their work into our next design challenge?
Just have confidence in your work. Never hurts to try, and try, and try again.