Browsing Tag



Meet the Bloggers from our Spring Jewelry Lookbook

April 17, 2014

This spring we wanted to highlight four of our newest jewelry collections by makers inspired by nature in a digital lookbook. Instead of styling the pieces ourselves, we relied on the skills of two talented bloggers, Jessa and Holly, who brought these botanical designs to life in their own personal way.

Before you check out the lookbook, discover the inspiration behind the looks they created for us!

Meet Jessa of Caked Vintage | Spring Jewelry Lookbook | UncommonGoodsMeet Jessa of Caked Vintage | Spring Jewelry Lookbook | UncommonGoods
Jessa of Caked Vintage

What makes handmade jewelry special in your opinion?
Handmade jewelry tells a story, a journey from concept to creation, you can hold in your grasp. It is intricate, intimate, and inspirational.

How do you like to spend a warm spring day?
Spring picnics are perfection! A blanket lunch amidst a faint floral breeze, paired with a sun-kissed nap, has to be one of spring’s simplest pleasures.

What inspires your spring wardrobe?
I am inspired by color; spring is the perfect palette of hues and patterns for designing and pairing your wardrobe.

What was your favorite piece to style? What do you love about it?
I am in love with the Shattered Glass Bib Necklace. It’s the perfect example of how something once broken can become something beautiful.

Meet Holly of Holly Dolly | Spring Jewelry Lookbook | UncommonGoodsMeet Holly of Holly Dolly | Spring Jewelry Lookbook | UncommonGoods
Holly of Holly Dolly

What makes handmade jewelry special in your opinion?
I know how much time and effort and love and passion goes into each and every piece. When it means that much to the designer, it means just as much to me.

How do you like to spend a warm spring day?
There is nothing better than spending a warm spring day by the water, watching the boats and snacking on a cannoli.

What inspires your spring wardrobe?
Color! I tend to hide in a neutrals and darker colors during the winter. The fresh, renewed feeling of spring makes me want to break out every single bright color in my wardrobe.

What was your favorite piece to style? What do you love about it?
The Golden Sunflower Necklace reminds me of this huge field of sunflowers that my husband I stumbled upon last summer. Just bright yellow as far as the eye could see against a bright blue sky. It was breathtaking.

Maker Stories

Ricky Giacco’s Eco-Conscious Concrete Creations

April 4, 2014

An avid container gardener and all-around horticulture-lover, Ricky Giacco founded NativeCast in 2010 to create and sell his handcrafted concrete “functional sculpture” while following environmentally responsible business practices. His “green concrete” is amazingly light, yet strong, and made mostly of recycled materials.

Ricky Giacco | UncommonGoods

Giacco’s uniquely creative planters come from an illustrious family tree. The Roman Colosseum, the Hoover Dam, the Panama Canal, and this adorable Cupcake Planter are all made of concrete, the most widely-used building material in the world.

DIY Cupcake Planter

The production of concrete uses much less energy than other building materials, such as steel, aluminum, glass and wood. But it’s not carbon-neutral, and we Earthlings use 19 billion tons of it a year. That adds up. In fact, about 7 percent of human carbon emissions comes from concrete manufacture. So at UncommonGoods, we’re big fans of Ricky’s innovative, ecologically sound concrete, which he makes from scratch in Chadds Ford, PA.

The Mix | UncommonGoods
You could call Giacco a concrete mixologist. He concocts new recipes using ingredients native to his region. But unless you enjoy the taste of seashells, pine cones, and crushed, reclaimed roadway rock, you won’t want to drink these cocktails. Your plants will love drinking from them, though; concrete makes a great planting environment. Because it’s porous, it allows air and moisture to move into plants’ root structure; and it maintains a more stable soil temperature throughout the year, compared to plastic or metals.

NativeCast is a family affair: Giacco is its creative head, his father handles most of the business end, his wife works on trade shows, his mother works in the production studio once a week, and Giacco says each member of his “rather large” family “helps out in one way or another.”

We wanted to know more about every aspect of his business, and he graciously allowed us to indulge our curiosity.

Ricky's Studio

You “design” not only your objects, but the material they’re made of. Does that give you a special satisfaction?
Designing the material I work with is very cool, and I am happy with the results I am getting. There is satisfaction in knowing that my customers also enjoy what I’m doing. I do know the material’s limitations, so as I look to design new pieces and expand the business, I am exploring some new material ideas.

The most important breakthroughs have been in the mixing process. We have successfully replaced the typical heavy aggregates with lighter and more eco-friendly options while maintaining a good strength. This process is much easier said than done.

Ricky's workbench


Tell us a bit about the process of making your concrete.
Our green concrete is made by hand and is a fairly complicated process to mix. It is made of Portland cement, sand, lime, recycled concrete, post consumer plastic, shells and pine mulch. The ingredients are always the same, but the ratios tend to vary. This is due to a number of different factors; the biggest ones are air temperature and the technique being used to craft the pieces. We use different application processes depending on the individual product. This forces us to hand mix many small batches of concrete.

Is it a form of hypertufa?
It is not exactly hypertufa, but the concept of modifying the concrete mix for planters is the same.

Where and how do you get the recycled material you use? Is it pre-crushed? Do you treat it? Does it affect the color of the stone?
Our recycled content is all locally sourced. The reclaimed concrete is cleaned and crushed into very small pieces so we can properly incorporate into our mix. We do not treat the recycled content any further. The recycled content does not affect the color of the stone. It acts as filler so it is really contained within the concrete walls.

What factors come into play when making these decisions about materials and their suitability for a given piece?
The things I am trying to do with any given piece are fairly straightforward. The first is to make the container as strong as possible while using the smallest amount of concrete material. Then I look for the most efficient way to apply the concrete. And the last part is mostly using the best concrete mix to achieve the surface texture for the container. This process does take a bit of experimentation to get production rolling.

Ricky Giacco

MaterialsDo you actually hand cast every piece yourself? How do you do it quickly enough to fill the demand?
I do cast every piece myself and it is time consuming. I have the experience which allows me to move fast, but efficiency really comes down to making good molds and have a quick system to fill each one.

Your family helps a lot; that sounds lovely… depending! Do they all have a lot of these planters and other items in their homes?
Yes my family helps quite a bit and yes they all have planters in their homes. This is how we test out the product and improve others. I think working with family is a very special thing, if you can find a way to be productive. I’m sure it is not for most people. However, I am constantly surprised how much I like it.

Your materials are sustainably smart. Do you think construction or other types of companies, governments, etc. could use this kind of material on a large scale?
I certainly think it’s a good concept for an eco-friendly building material. However there is a lot of science involved in engineering concrete. What we make is intended for a craft application. I know there are plenty of scientist, engineers and universities working on the construction grade eco-concrete.

Concrete is alkaline, and very porous. Are your planters best used for alkaline-loving plants that don’t need a lot of water?
Yes, concrete is made from limestone, which is an alkaline rock, and therefore alkaline plants will do best in our containers. If you wish to put an acid loving plant in concrete, a liner is recommended. And it is porous, and is better for plants that don’t need a lot of water. In my opinion, porous is good all around; potted plants die because of over-watering.

How should one take care of these pots?
The concrete containers are fairly easy to care for. What I tell most people is to avoid standing water. It can stain over time and in freezing temperatures can crack concrete. Other than that, they are pretty easy to use.

Apple Bark Planter

Your Apple Bark Planter was cast from a crab apple tree that got sick and had to be removed. It sounds like you’re very sentimental about plants! What are your favorite things to grow?
I did know this tree for many years and was disappointed to see it go. I had this idea to make the planter, and I think it turned out pretty well. My favorite plants are cactus and succulents. They seem so exotic to me. I love how rugged and nearly indestructible they are. I wish I lived in a warmer climate to grow them beyond my containers.

Maker Stories

Natha’s Eight Pointed Star Necklace Shines Bright

January 15, 2014

Natha Perkins

Natha’s Eight Pointed Star Necklace design is obviously beautiful, but I would have to say the message behind it shines a little brighter, just giving me more incentive to add the charming pendant into my very own jewelry box. The message that stands behind the design is all about finding clarity, direction, and seeking one’s path. When wearing it, it should remind you to trust your internal guidance, reassure yourself that you know your own answers and that you, indeed, know exactly where you want to go. As someone who has been bitten pretty hard by the travel bug and tends to live life a bit off the beaten path, I’m in love with the fact that the eight pointed star symbol was the first known compass in the history of humanity. Natha’s necklace is the first winning jewelry design I’ve come across with a resonating message that touches on both my personal hopes and fears. I hope to stay on the (very loopy and sometimes off-the-cliff) path that I’m currently still paving out for myself. I fear losing sight of that direction and hopping onto someone else’s already-made yellow brick road. The Eight Pointed Star Necklace is a pretty reminder to keep going and to never doubt oneself. Meet Natha Perkins, someone who definitely knew how to pave her way into becoming our latest Jewelry Design Challenge Winner.

Natha Perkins

What’s an Uncommon fact about you and your jewelry?
I don’t  journal much, or keep a diary, but I have 30 rings that I’ve made through the years for myself.  Each ring has a specific story behind it and each design is totally relevant to something that was happening in my life when I made the ring.  (I’ve been metalsmithing for 13 years, so for those of you counting that’s approx. 2.3 rings a year)

I love that your necklace has a lot of meaning behind it, do you mind explaining it?
I love the symbolism behind this piece!  I wrote a blog post about it here, but in a nutshell, the Eight Pointed Star is an ancient and universal symbol, as well as the first compass in the history of humanity. It guides your way to a new life, giving you clarity of vision to see the future through a lens of hope, healing and beauty. It also bestows nurturing energies. A symbol of optimism, an eight pointed star assures you that unexpected help is coming and serves to help bring about a renewal of good fortune in the material world. Like with any of our pieces, wearing  this piece will help bring you clarity simply by providing you with a reminder that you are indeed supported.

How did you celebrate when you learned you were our Design Challenge winner for the Jewelry Design Challenge?
We did a lot of jumping up and down and screaming!

Where do you find inspiration within your work space?
The studio itself is full of tools and stones and lots of different working areas but we have the most beautiful garden just outside with grape vines and a gurgling rock fountain and roses.  We’re also basically at the foot of a great big gorgeous mountain (Boulder is surrounded to the West entirely by mountains) so when we walk out of the studio, we’re surrounded by all of this natural beauty.  We can walk 2 blocks and hit a hiking trail that weaves its way up to an amazing vista of the cities of Boulder and Denver.  It really is heavenly and I feel very lucky. studio gardensWhere do you go/ what do you do to find inspiration when you find yourself in a creative rut?
This might sound strange, but when I’m not feeling creative, I go to see my acupuncturist.  In Chinese medicine, blocked creativity means some sort of imbalance in the qi and yin department.  If I’m feeling blah or feeling uninspired, I figure I need a body tune up.  (Did I mention I live in Boulder?  We’re kind of alternative here.)

If you have a great idea for a design and want to pursue it, what’s your first step?
When I was in art school, our professor required us to have 40 sketches of a single design before we could finalize our idea and start on a piece.  Thank God I’m not designing my pieces in art school any more!  I honestly just dive in.  I have an idea, I gather the metal, the tracing paper, some saw blades and I get going.  This has led to many an end result that was really different from the original idea but like any medium, the materials co-create with the artist and it’s fun to see what comes through. Natha PerkinsOther than being an artist, what else do you do?
I’m a mama, I’m a life and entrepreneurial business coach, I teach art and jewelry classes.  I went and got certified to coach because I wanted to teach people how to make intentional art.  Art is such a beautiful way to get in touch with who you are on a deep level.  Talk therapy is great but its heady.  We all have our old stories that we tell over and over and it’s hard to see past them to the truth.  Art and intentional making incorporates head, heart and hand and opens you up to new types of insights and understanding about yourself and your process.  I feel really called to help guide people to this place.

When (and how) did you realize you wanted to be a jewelry designer?
When I was 20, I searched high and low for  a juicy red, heart shaped ring and I couldn’t find what I was looking for anywhere.  I don’t know why, but I felt such a  longing for this red heart shaped ring.  I dreamed about it.  Fast forward 2 years and I took a small class in a strange warehouse next to a strip club (which isn’t relevant to the story at all but it’s an interesting fact nonetheless).  The teacher was this eccentric man who  taught me the basics of metalsmithing.  I was hooked in the first class because I realized that I could actually make my heart ring.  It  took me 5 years to get good enough to make my ring but I still treasure it because it was the inspiration that started my jewelry career before I even understood it to be that. Natha PerkinsDo you have any special projects or events that are in the works or that are floating around in your brain right now?
I’m actually knee deep in a handful of  projects right now that I’m really excited about.  Like I mentioned earlier, I’ve been coaching and working on some art classes that involve intentional making.  Myself and two other women; a life coach and a photographer, are formulating a curriculum that we’re planning to take into local high schools.  The idea involves working with young women and teaching them empowerment tools through a combination of intentional making, student led photo documentation and teaching of emotional skills.  I’m also working to develop some cool art classes to offer to the participants of  The Boulder Tattoo Project, a large scale community art project involving a”love poem” to the city of Boulder and 200+ residents (including me) who got bits and pieces of the poem tattooed on their bodies.  My friend Chelsea (who spearheaded BTP) and I are collaborating on the classes and they will include making art that centers around the actual words that each person chose to get inked with.   Everyone involved chose words that were particularly meaningful to them in some way and we want to offer a venue for them to explore that on a deeper level. teachingWhat are your most essential tools that you must have by your side while you design? 
I do most of my designing in my head, usually when I’m walking in nature, alone.  I come up with a word or a line from a poem or song and the piece takes shape around that.  I also love to design using stones and stone colors.  I will go through my 15 or so boxes of stones just pulling out shapes and colors, just to see how the colors play against each other.  I’m fascinated with color play and color theory and it shows up often in  my pieces.

Where does down time fit into a day of being productive?
Funny you should use that word productive.  It’s  been on my mind a lot lately because I realized that I have this uncomfortable tendency to feel unproductive if I’m just relaxing.  So to answer your question:  I practice yoga 4 times a week, I walk the dogs, I read lots of articles and books, I cook food for my kids.  All of which sound suspiciously productive, don’t they? Natha PerkinsWhat was the toughest lesson you learned as a freelance jewelry artist?
I hired a press company that cost an absolute fortune.  They promised me more than they were actually able to deliver and they kept about $5,000 in samples too (that were supposed to be be returned).  But I had my part in it as well;  I wasn’t prepared for the experience.   I didn’t have  the fundamentals in place, like line sheets and tight production collections.  Knowing what I know now about editorial coverage, media, wholesale, retail and business in general, I see clearly that my approach was doomed to failure.  I was trying to build a mansion on a slippery foundation.  It was a disaster but I learned so much, I would never make those same mistakes again!  Today in fact, I’m a much stronger and more savvy business woman which is a very different skill set than ‘artist’ but a necessity when you’re trying to sell art. piles of SpellBound RingsWhat advice would you offer the you of 5 years ago?
You create your own reality.  If you can’t learn to relax, the world will meet you with un-relaxing situations.  If you don’t appreciate the things you do and create, the people around you won’t be able to either.  If you’re constantly trying to control the world, you will will exhaust yourself trying to make the impossible possible.  Everything is perfect.  You are loved.  You are amazing and strong and more powerful than you will ever know. (Okay, I’m getting teary now, but it’s all true.  Again, the old stories that we tell ourselves about not being good enough, smart enough, not being enough…such lies.  But I’m getting it now, I’m seeing the truth.)
Natha Perkins
Which artists do you look up to?
I’ll say this: I look up to anyone who has the courage to make their art, to express themselves in that way and to put themselves out there.  Our art, our creations; no matter the medium, comes from the depths of our individual souls and anyone who has the courage to show up like that, to lay themselves open to the appraisal and opinions of others has my respect. Natha Perkins

What does it mean to you being a design challenge winner?
I’m thrilled to be the winner of this challenge!  My studio assistant Whitney and I had so much fun working on our newest collection Divine ~ Align.  We put so much thought into the symbolism and meaning of each piece. So to be recognized in such a prestigious way for one of the pieces in the collection is a huge honor.

What quote keeps you motivated? What does that quote mean to you?
“You set the standard for how you are treated.  People will treat you the same way that you treat yourself.”  It’s lovely and it’s true.  I’m not sure where I found this quote but I came across it during my certification program with The Secret to Life Coaching Company  (with whom I got certified) and I’ve learned to see the world through a new lens.  We really are responsible for everything in our lives, we create everything, which is actually a really empowering notion. quoteWhat are some new skills you are trying to acquire to perfect your craft?
Management tools!  I adore metalsmithing and my business Luscious Metals.   I love to create art but I’m transitioning my business into something that’s bigger than just me and my personal skills.  My amazing studio assistant, Whitney, is ready and willing to take on more responsibility and wants to help me grow the business and this is just the beginning. I know that in order for this to work out, I need to transition from artist and designer to manager and  leader.  I’m ready and excited to see where we go next! Natha PerkinsWhat advice can you offer anyone who is submitting their work into our Jewelry Design Challenge?
Some of the best business advice I’ve ever gotten was from a book called The Science of Getting Rich, by Wallace D. Wattles (great book!). “Act now.  There is never any time but now and there will never be any time but now.  If you are ever to begin to make ready for the reception of what you want, you must begin now.”  In other words, make sure your ducks are in a row (good product, great pictures etc.) and then GO FOR IT!  You can’t win if you don’t enter right?

Find Natha and her business Luscious Metals on Twitter, Pinterest, Facebook and Instagram.

Maker Stories

Rachel’s Celestial Bracelet Takes the Win!

December 11, 2013

Rachel is one of my favorite artist stories to boast about when the topic of ongoing Jewelry Design Challenges arises. She’s the perfect example of the saying: “If at first you don’t succeed, try, try again.” Cliché? Most definitely. Overused? Perhaps. True? Without a doubt. Rachel first submitted her original Celestial Bracelet with a bit of a twist, she had her favorite quote etched onto the bracelet with diamonds embedded on top. We were fond of the piece and our jewelry buyers were impressed by the bracelet alone, but didn’t think that the embellishments would speak to our customers. They preferred a clean look that just focused on the unusual shape–inspired by celestial bodies orbiting planets–and design of the bangle. I reached out to Rachel to let her know exactly why that month she wasn’t a finalist, and wasn’t so sure if I would hear from her again. The next month, as I was checking all the jewelry submissions, I recognized Rachel’s familiar bracelet–but this time with our tips taken into consideration. The judges were surprised to see the beautiful, enhanced design again, and fell in love with the sleek yet unconventional bangle. Meet Rachel Vanatta, our latest jewelry design winner and an artist who wasn’t scared to develop her vision with ours.

Rachel Vanatta

What’s an Uncommon fact about you and your hometown?
I consider my hometown to be Chagrin Falls, Ohio. But since relocating to Savannah, GA at 18 to attend Savannah College of Art and Design, I have considered Savannah very dear to me.  The longest portion of my career was experienced on a small 7 mile Gulf Coast island called Anna Maria Island, from 2003 to 2012.  This is where the Nectar Jewelry line was inspired and birthed. Towards the end of 2012 we relocated to Atlanta, GA.  Atlanta is new-ish to me but so far the friends and people I have met have been nothing but wonderful. An Uncommon Fact: I actually attended SCAD specifically for jewelry design, I was always interested in the craft and fine art, and SCAD’s jewelry programs are a perfect mix of both. I knew from age 16 on that the jewelry profession was the one I needed to be in.

Rachel Vanatta

Your bracelet is one of the most unique bangles we’ve seen come through at UncommonGoods, how did you come up with this specific design?
I am inspired by celestial and natural shapes, designs focused on forms that are present on a day-to-day basis, but that we may overlook without small reminders.  I aim to remind the wearers of my jewelry to pay homage to natural phenomenon.  Many take these wonders for granted in our everyday lives, but when reminded of, realize what a gift every being and object can truly be. The celestial bracelet’s shape is reminiscent of a planet’s orbiting moons and rings.  The construction of the piece itself also offers a great surface area to express additional designs, quotes, stones, and patina.


Where do you find inspiration within your work space?
I have kept and added to inspirational sketchbooks and scrapbooks for about 15 years, and refer to these regularly.  I was sparked to do this by a past professor of mine.  Through some group discussion, I was shared that I had too many ideas all at once, and could not fathom creating them all.  She responded that I should always record every idea and design in these sketchbooks, because there will be a time in the future where I will be searching ideas and inspiration and these books will be my solutions and a look into my past. On a day-to-day basis, I also love to use Pinterest boards, attend American Craft Council and judged craft shows, and art museums.  Any promotional or inspirational ads/cards/artwork I come across I either save or post on my studio walls.

Rachel Vanatta

Where does down time fit into a day of being productive?
I have very little down time, as I am mother of a 2-year-old daughter, Cozette, who is my number one priority, of course.  We have so much fun together, but my downtime is when she naps, is in preschool or asleep at night. This is when I work on my craft.  I love what I do so down time for me is equivalent to designing and creating jewelry.

How did you celebrate when you learned you were our Design Challenge winner for the Jewelry Design Challenge?
I was at the park with my daughter when I received the call, excitedly I gave her a big hug!  I then proceeded to call select family and friends, and celebrated with my husband over a dinner he made later that night.

Rachel Vanatta

How do you recharge your creativity?
Though it may sound cliché, I am ever interested in the human condition and what we all have in common.  I would love to create a series at some point focused on a specific aspect related to this subject with the creation of conceptual jewelry pieces.  As for now, I mainly listen to Ted Talks and listen/watch documentary pieces relating to people in their environment and their specific situations.

Other than being an artist, what are your other passions in life?
Becoming a mother has been such an amazing experience, and now that our daughter is a toddler, it has been wonderful meeting other families with children the same age, watching our kids play, interact, and learn from each other, while enjoying “parent/adult” time as well!  My husband is also an artist in illustration and graphic arts, so we have a lot in common as far as what we enjoy doing together.  He and I met in Savannah, GA our freshman year at art school and have been together ever since. In addition, I have a love of animals, most recently horses and riding.  I grew up riding English and have recently reignited my passion for it by introducing my daughter to horses, which she has taken on whole-heartedly.

Rachel Vanatta

Do you have any special projects or events that are in the works or that’s floating in your brain right now?
I do have one particular project which have been gradually working on and designing, and hope to “unveil” it this upcoming year!

What are your most essential tools that you must have by your side while you design?
 My bench, where I execute most all designing and work, contain all the tools, torches, etc that I use regularly. Ironic it is mentioned; I must have my water bottles nearby…yes multiple bottles of water, and depending on the time of day, a cup of coffee or a glass of wine.  As I mentioned before, having a thought provoking discussion or inspirational talk to listen to is ideal as well.  Having my dog Holly decide to lay at my feet while I work is extra special, and on a nice day, the windows open for fresh air.

Rachel Vanatta

What was the toughest lesson you learned as a freelance jewelry artist?
Contracts come and go, sometimes the work rolls in and other times it doesn’t.  As difficult as it may be during the slower times, a positive attitude and embracing the “personal time” to recreate yourself, your work, and finally finish those pieces you have been meaning to are priceless. Take the days as they come, the busy and the quiet, for there is something to be gained from both.

What quote keeps you motivated? What does that quote mean to you?
“Let go and let God.”
Rachel Vanatta

Which artists do you look up to? 
Todd Reed’s work is inspirational to me, his choice and use of materials, and the way he joins traditional and contemporary stone settings.  In addition, he is self-taught, which is motivational for me to learn new techniques on my own.

What advice would you offer the you of 5 years ago?
In hindsight, I would advise myself to reach out for the purpose of bettering yourself and building relationships, but also for the reasoning that you never know where it will take you.  There is nothing to lose by opening yourself up in a fun and professional way.

Rachel Vanatta

What are some new skills you are trying to acquire to perfect your craft?
I would love to become more proficient in particular stone settings as they would add to my current designs.  I would also love to learn more about grading diamonds and colored gems by attending GIA courses.  I have some knowledge of CAD, and would also like to further my education in computer aided rendering and 3-D printing.

What advice can you offer anyone who is submitting their work to our Jewelry Design Challenge?
I recommend that any contestants state that they are open to critiques and suggestions on their designs, if they truly are.  UncommonGoods has been a complete pleasure to work with, and they know their customer and what they want, so be open and enjoy the feedback!


Winter Jewelry Lookbook Bloggers

November 11, 2013

UncommonGoods Winter Jewelry Lookbook Bloggers | UncommonGoodsThis year we wanted to highlight our handmade jewelry collection like we never have before. So we worked with four bloggers to put together a gallery of images of them styling our pieces to showcase how someone can personally style our necklaces, rings, bracelets, and earrings – something never before seen on our site!

To pick our lucky bloggers, we reached out to some talented ladies that we worked with in the past for product reviews. We loved their style, photography skills, and what they had to say about our jewelry so much that we invited them back to share some more. They recevied some of their favorite pieces from our Artisan Jewelry Gallery and photographed them during their outings and gatherings as the temperatures were dropping. Meet the bloggers here!

UncommonGoods Winter Jewelry Lookbook Bloggers | UncommonGoods

Amy Christie of This Heart of Mine

Amy Christie is a maker herself with a blog about her style, family, and her creative process. She describes her winter style as “Cozy: jeans, thick socks and comfy tops. I like boots and chunky scarves, oh and tailored coats!”

UncommonGoods Winter Jewelry Lookbook Bloggers | UncommonGoods

Katherine of Of Corgis & Cocktails

Katherine blogs about her life in Central Pennsylvania and her lovable corgis. We just love how her personality shines through in her personal style. She loves layering a lot in the winter too. “With the way weather is in my area, there can be frost on the ground in the morning and quite warm during the day. I own lots of tights and scarves. I still wear ‘summer dresses’ too – just with lots of sweaters and scarves on top.”

UncommonGoods Winter Jewelry Lookbook Bloggers

Katrina of The Demure Muse

Katrina is a style and DIY blogger from Seattle who spends her winters “Sitting on the patio of my favorite mom & pop ran restaurants in the crisp fall air and watching the wind blow through all the leaves on the ground is the best way to start off the day. Who can say no to good eats and beautiful scenery?”

UncommonGoods Winter Jewelry Lookbook Bloggers

Nicole of Rose Runs Wild

Last but not least, Nicole is one of the most down-to-earth bloggers you might ever come across. Priding herself on not being a fashionista or foodie, just a full-time mom and real-life lady, she is also a new bride! We asked how she spends her winters with her family: “When the temperatures drop we love to enjoy the fall weather outside as much as possible. It’s time for bundling up in sweaters, scarves and boots. We take lots of walks to enjoy the smell of the leaves and see all of the colors that fall brings with it. We build fires in the backyard and spend our evenings laughing with good company as often as we can. We start having more family dinners, baking as often as possible, the crochet needles and yarn come out. It’s our favorite time of year!”

Check out what they came up with in our first collaboration lookbook!


How To Make a Vegan Dream Catcher

October 30, 2013

I am pleased as punch to share my DIY dream catcher tutorial on UncommonGoods! I work for a public relations firm called Small Girls PR, and we recently threw a party for our client, She and Reverie. At the event we had a dream catcher craft station and provided the guests supplies and tips on how to make their own whimsical piece during the party! I’m a big fan of UncommonGoods, and wanted to share with their design community how easy it is to make one with just a few supplies. And just to add a cherry on top, knowing that UncommonGoods’ is very animal friendly, I created a fun vegan dream catcher tutorial! Below are photos and step-by-step directions for you to start making your own right at home!



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Remember, you can substitute the supplies with any other arts and crafts you may have lying around at home. For example, if you don’t have felt feathers, perhaps you can use tassels or jewelry pendents. And if you don’t have faux suede you can switch it out with bright ribbons or earthy hemp cords. Have fun with this project and be creative! Below are a few snap shots from the She and Reverie event with the guests having a little bit too much fun making these dream catchers. SheRev082413_PiOv_090 SheRev082413_PiOv_057 SheRev082413_PiOv_055 SheRev082413_PiOv_053 SheRev082413_PiOv_020

Inspired, but don’t quite have the time to build your own dream catcher? Check out UncommonGoods’ Dream Catcher Necklace.

Maker Stories

Thomas Both & The Art of Tableless Dining

October 14, 2013

Thomas BothMix and mingling at cocktail parties, couch lounging on movie night, and eating Sunday breakfast in bed just got a whole lot easier with Thomas Both’s Ooma Bowl design. “It struck me that all the plateware we use is designed for tables, yet often we eat without a table.  So my point of view was to design something that is suited for eating without one, and to do it in an elegant way.”

Thomas earned his BS in Engineering at Harvey Mudd College and shortly after worked as a mechanical engineer for three years.  Yet as a person who was a bit more right-minded, Thomas recognized that he held a creative heart, and wanted to finally wear it on his sleeve. He was admitted to Design School at Stanford University, which paved his way to teaching innovative designs at the Hasso Plattner Institute of Design. “Now, I work much more as a designer than an engineer, but both play a part.”

Thomas BothObserving small living spaces was how Thomas’ inspiration behind the Ooma Bowl came about. After speaking to people living in small apartments he was inspired by the idea of tableless dining. Thomas realized that most non-table plateware lacked a level of elegance, such as bad TV dinner trays or strange party plates. Soon, he turned these discussions and observations into a real life design solution.

oomabowl hospitalThomas believes that a strong perspective helps design a unique product.  He didn’t want to just make a cool looking bowl; he wanted the design to be tied in with a direct purpose. In the early stages of designing the bowl, a friend of Thomas’ broke his leg and was stuck in the hospital for a quite a while. Because the Ooma Bowl was “a bowl that’s designed to be held” without the use of a table, Thomas took this opportunity to have his bedridden friend become one of his first experimental guinea pigs. “I called him up. While everyone else was checking if he was okay and visiting him, I asked him if he’d test out my prototypes. He liked the feeling of being locked into the bowl, not holding it but the bowl holding you.”

Thomas brought his designs to the next level of actual production. At first, he had no experience with ceramics. “Except maybe in grade school messing around with clay. It was a dining design project that just so happened to end up in a ceramic piece.” He had to learn about slip casting, working with clay, glazing, and firing all at once. After rough prototype after rough prototype, including failed plastic forming attempts, Thomas finally made the first buck out of REN shape into two pieces. “One side on a lathe, and the other just sort of by eye and feel.” He then glued the sides’ backs together and made adjustments. The next iteration he worked on was stacking and getting a nice feel in the hand, which was much more work than he ever anticipated.


thomasboth3Once the design was perfected into its brilliant form, Thomas found a manufacturer in Los Angeles, but just as it was a difficult process to design the perfect bowl, it was probably an even more nerve racking time to manage the products. “Selling and managing production, storage, sales, and shipping is a lot of work. I had way too many boxes in our living room for a long time. That part wasn’t so much fun for me; it was more of an on-going nuisance.”

Yet, after only a short hiatus, Thomas is proud to see that the Ooma Bowl sought its way back out into the world, licensed, and it’s now an exclusive item on the UncommonGoods site. Sarah Stenseng, our Senior Product Development Associate who attended Stanford with Thomas, worked with him to get the Ooma Bowls back into production. Thomas says, “The Ooma bowl would probably still be sitting on the sidelines if it wasn’t for UncommonGoods.”

thomasboth4 Thomas’ advice for designers who are producing a product from just a simple idea is to “get engaged and excited about how people do things and how they think within a certain domain , and pay attention.  Opportunities will emerge.  Then you have to try things.  Make stuff.  It can be crappy, you’re just working on the concept. Work your way to a product idea that you’re excited about and other people love.  Then you can bring more refinement to it and move toward manufacturing.”

Thomas Both

Maker Stories

Judi’s “A Tree Grows” Necklace is in Full Bloom

September 26, 2013


Haven’t we all daydreamed about quitting a job to pursue a creative passion full-time? Some of us only take it as far as that, simply daydreaming, while others actually take that deep plunge into the scary, unknown abyss of no longer being on payroll. Judi Powers was one of those people. She says, “After September 11th I, like so many people, realized that life is too short not to live each day as fully as possible.” Judi had the courage to leave her stable career in publishing, yet she still had no idea where she was going in terms of making a living. She decided to dip her toes into different fields she felt like she’d be passionate about until she finally met her dream career match: jewelry making. “I love the stories individual pieces tell about specific moments in our lives. I still have my first piece of jewelry.” When Judi realized that designing jewelry was her new calling, not once did she look back and regret her choice of leaving her first career.

Inspired by the combination of nature and art history, Judi’s stunning “A Tree Grow” necklace branched out to become our latest jewelry winning design. Read about what Judi did when she first heard the great news, her process of literally making her pieces stronger, and her advice for winning one of UncommonGoods’ design challenges.

What’s an Uncommon fact about yourself and your jewelry?

An Uncommon fact about my jewelry is that much of it is inspired by the paintings, sculptures, and architecture I studied as an art history student. For example, I’m currently working on a series of midi rings inspired by Rogier van der Weyden’s “Portrait of Isabella of Portugal”. And my “A Tree Grows” necklace is informed by nature as much as it is by Whistler’s “Portrait of Mrs. Frederick R. Leyland”. An Uncommon fact about me is that the first time I saw Van Eyck’s “Arnolfini Wedding Portrait”, about nine years ago, I burst into tears. I was overwhelmed by the intricate detail, the vivid color, and the rich texture. I’d only ever seen it in books or presentations and it’s even more spectacular in person. Totally geeky, yet totally true!


What were you doing before you decided to become a jewelry designer and what drove you into the jewelry field?

I had a wonderful first career in book publishing. I handled marketing and publicity for countless amazingly talented authors and illustrators. It was a great proving ground for learning about business, and it was also an incredible environment in which to forge lasting friendships.

After September 11th I, like so many people, realized that life is too short not to live each day as fully as possible. So I started spending more time with friends and taking a variety of classes. We tried dancing (disaster!), flower arranging (wonderful, but too depressing once the flowers wilted), cooking (fabulous but fattening), and lastly, jewelry making.

From my first class at 92Y I was immediately hooked, though initially I took it slowly and took one class a semester or so over 10 years at the Y, SVA, and Jewelry Arts Institute. Once I decided that I wanted to become a professional jewelry maker I quit my publishing career and I attended FIT’s one-year jewelry design program. What drew me to jewelry were the materials, especially metal. I love its malleability, how it can have a huge variety of textures, the way it feels, and that it’s durable!

I have always loved jewelry.  I love the stories individual pieces tell about specific moments in our lives. I still have my first piece of jewelry—a monogrammed silver locket my grandmother gave me for my fifth birthday. It’s my hope that my jewelry will tell special stories for those who wear it. In this way my publishing and jewelry careers truly intersect.


 What’s the first thing you did after you found out you were the winner of the Jewelry Design Challenge?

I jumped around my apartment, hugged my dog, and then called my mother. My mom has been my biggest champion in pursuing a career as a jewelry maker, and there are no words to express how meaningful her encouragement and belief in me has been.  She and I had endless conversations about whether I should follow my heart and pursue a jewelry career, or whether I should stay in a career that I liked but was emotionally outgrowing. I had a real crisis of conscience while trying to decide. So many people I knew were unemployed and looking for jobs, while I had a good, stable one. I felt both guilty for wanting to walk away from security and terrified to try something new and unstable.  It was during that period that one of the characters on Mad Men said something like, “Stable is that step backwards between successful and failing.” That really resonated with me. Soon after, I knew I would pursue a new career as a jewelry designer, risks and all.


It’s unanimous here at UncommonGoods that your “A Tree Grows” necklace is stunning. How did you come up with the idea to design such a realistic branch design for jewelry wear?

Thank you! I’ve always loved trees and branches: their lines are so graceful and elegant and they’re also a bit wild. In my second semester at FIT I took an amazing casting class. I learned that you can cast almost anything only if you can truly envision the outcome in metal and only if you can make the object thick enough to be sturdy.  Years ago, I had tried to model a tree branch in wax but it didn’t have the level of detail that an actual branch has. It just didn’t work. So when I took the casting class, I told my professor that I really wanted to cast a small tree branch and she said: “Go for it! Just be sure you reinforce it and make it durable.” I took her advice, found a small branch in my Brooklyn neighborhood, reinforced it with Mod-Podge, and took it to my caster. When I picked up the piece I was completely amazed!  All of the detail from nature was perfectly preserved. I had this delicate sterling silver branch that looked like the real thing. I actually choked up when I saw it.
You actually submitted your jewelry into one of our past jewelry design challenges and didn’t make it into the semi-finalist round. You decided to not be discouraged, and submitted an entry again after joining one of our design events. Do you believe winning the challenge the second try was much more satisfying than if you were to win the first time?

The first time I submitted I was hoping to be selected but I didn’t expect it. The design challenge was the first competition outside of school that I’d entered, and I knew there’d be serious competition, both from my FIT classmates and  from countless talented designers whose work I’m still getting to know. After attending the design event, I learned the single-most valuable lesson: submit an image of someone wearing your piece! Winning the challenge was really satisfying, of course, but also really humbling because I was getting both positive and constructive feedback during the voting. I was competing against some extraordinarily beautiful pieces, all of which were so different and so special.


What’s the biggest advice you can give to our future design contestants after that specific experience?

Attend UncommonGoods’ design events. If you can’t get to them, attend any local events where you can meet professionals and peers. Take notes on what the speakers are saying because their advice will come in handy. Don’t be shy and ask questions! Be open to feedback because it’s all helpful. Take photos of your pieces on a person. Follow up, even if it’s just to say a very simple thank you. Always, and I really mean always, wear a piece of jewelry you’ve made. If you don’t want to wear your work, I think it’s a little unreasonable to expect someone else to want to wear it.


Do you have any silly trick or habits you do to keep yourself motivated? 

When I’m struggling to focus, I know it’s time to step away from what I’m doing. Literally. I get up and take my puppy for a nice long walk around my Brooklyn neighborhood and clear my head. In the warmer months, I stop and look at plants and trees for design ideas and in the cooler months I look at architecture and snowflakes for inspiration. I’ve learned the hard way that whenever I try to force something that it just doesn’t work, and jewelry really has to work. I also drink lots of water!

Can you describe the process of what you do to make your necklaces better, stronger, and more wearable. 

I’m so glad you asked this question! Some of the comments I received during the voting were concerns that my necklace looked like it might scratch the skin or bend. I’m glad people brought that up.  For every “A Tree Grows” necklace  I cast, I actually break off the more fragile parts and re-attach them onto the central line of the branch. By doing this I reinforce the structure of the necklace and build on it with a bit of additional solder.  After the branch is reassembled I tumble it first with stainless steel shot. Then I use soft pumice pellets to harden the metal and soften the edges of the leaves and branch ends. I believe jewelry has to be pleasing to wear and I personally road test every piece to make sure it’s both comfortable and has structural integrity. There is a bit of springiness to the metal in the finished piece, which enhances the organic nature of the necklace.


 Do you mind describing your studio to us and the materials that you use?

I work out of Brooklyn Metal Works, a wonderful, collaborative creative space for jewelers and metal smiths.  The owners, Erin Daley and Brian Weissman, are building a fantastic community there. They have regular exhibits, artists’ lectures, and classes. My personal jewelry education continues to grow there. I love being around other jewelers and artists because we bounce ideas off of one another, brainstorm about construction,  share new tricks and techniques we’ve learned, and we all respect each other. And there’s always great music in the background!

When I’m sketching and designing, I work from home at my father’s antique drafting table. It’s scarred with hundreds of pin holes where old blueprints had once been tacked. I’ve added a few more holes to it, as well as some paint splotches and ink stains! I love that it’s a piece that he, I, and others have used as a tool to support creativity. And he’s really proud that I’m using it, too.

In terms of materials, I use recycled metals in all my cast pieces and I source as much recycled material as possible for the pieces I fabricate.  I’m happy that I’m a professional jeweler now because I have ready access to recycled material. Ten years ago when I was first starting, that just wasn’t the case.  I save every shaving, filing, and sprue and recycle all of my scrap metals.


What’s one of your all-time favorite inspirational quotes? 

I have so many of them! It’s too difficult to pick only one, so here are two:

“There is only one thing that makes a dream impossible to achieve: the fear of failure.” -Paulo Coehlo

And this one by Rabindranath Tagore always resonates with me: “You can’t cross the sea merely by standing and staring at the water.”


 What does your jewelry illustrate about yourself?

My jewelry mirrors my two great loves: art and nature. I don’t have a specific philosophy per se, but I do want every piece to be wearable and beautiful. And because my own jewelry stories give me such joy, I sincerely hope that my customers will have their own happy stories to tell about my pieces for years, even decades, to come!


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