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Studio Tours

Maker Stories

Inside the Artist’s Studio with JoAnn Stratakos

July 14, 2014

Inside the Artist's Studio with JoAnn Stratakos | UncommonGoods
At UncommonGoods, we’re always excited when we launch a product that in time reveals itself to be a complete game-changer; an overwhelmingly popular product that sheds new light on what makes something a runaway sensation. But every once in a blue moon, we meet a new product that we know will win hearts as soon as it is placed in This Just In. Elwood the Rainbow Unicorn was the latter. From his goofy blue eyes to his chubby little feet, we were smitten and didn’t have any questions as to whether everyone else would share our love for him.

So we decided to take a trip to Pennsylvania to meet Elwood’s creator. By “we” I mean Senior Buyer Candace, Purchasing Planner Maham, and myself, and by “trip” I mean a car ride outside of cell phone service to a place where the streets had no name. Literally, we had to call when we were close so the artist could give us directions that Google couldn’t help us with. We were warmly greeted by ceramicist JoAnn and her spirited team of Mudworks helpers who were eager to show us how our most beloved new product is born. It was easy to fall in love with people as it was to fall in love with their creations so we are excited to share our visit with you.

Inside the Artist's Studio with JoAnn Stratakos | UncommonGoods
What are your most essential tools?
My hands.

Where do you find inspiration within this space?
My inspiration comes from working the clay, and inside my head… that’s where the designs come from.

Inside the Artist's Studio with JoAnn Stratakos | UncommonGoodsInside the Artist's Studio with JoAnn Stratakos | UncommonGoodsWhere does down time fit into a day in the studio?
Down time??? I am supposed to have down time??? Elwood disagrees! (Though we do have company outings, and frequent lunches where we attempt to take turns making various foods for all to enjoy.)

What was the toughest lesson you learned as a young designer starting a business?
I was never a “young” designer. I started learning to make pottery when I was 40+ years old. The best lesson I learned was the harder you worked, the luckier you got!

Inside the Artist's Studio with JoAnn Stratakos | UncommonGoodsInside the Artist's Studio with JoAnn Stratakos | UncommonGoodsWhat advice would you offer the you of 5 years ago?
Advice to the me of five years ago…learn bookkeeping.

How do you set goals for yourself?
I set goals HIGH… then stretch to reach them.

Inside the Artist's Studio with JoAnn Stratakos | UncommonGoodsWhat quote keeps you motivated?
I don’t have only one quote… there are several: “If you argue for your limitations, then all you get is to keep them.” “Well-behaved women never make history.” “Never teach a pig to sing… it’s a waste of your time and it only annoys the pig.” “Behind every successful woman is a man who’s surprised.” I guess what they all mean to me is that you have to keep going, keep motivated and put your energy where it will do the most good.

What are some new skills you are trying to acquire to perfect your craft?
New skills? Every day is an opportunity to learn something, but I am not attending workshops or classes personally.

Inside the Artist's Studio with JoAnn Stratakos | UncommonGoodsInside the Artist's Studio with JoAnn Stratakos | UncommonGoodsHow do you recharge your creativity?
Vodka, definitely vodka.

Where does collaboration come into play with you craft?
Pottery is one on one, me and the clay. However, when I come up with a new design, I do run it past my crew to see if it will be viable. As an artist, though, I tend to make things I like, things I’d like to have around me.

Inside the Artist's Studio with JoAnn Stratakos | UncommonGoods

Elwood the Rainbow Unicorn | UncommonGoods

Maker Stories

Inside the Artist’s Studio with Barry Rosenthal

June 6, 2014

Barry Rosenthal | UncommonGoods
When our team learned that renowned photographer Barry Rosenthal calls our building, The Brooklyn Army Terminal, home to his studio we couldn’t wait to work with him on a project. Once that project–Pop Top Six Pack Glasses–was ready for our customers’ eyes, I couldn’t wait to tell everyone all about the set. Learning more about Barry’s work and the creative process that lead to the finished product got me, and the blog team, even more excited about having such a talented artist as a neighbor. Knowing that we couldn’t pass up the opportunity to check out his studio space, our own photographer, Emily, and I made the (very) short journey across the BAT atrium to see where Barry assembles his collections of found artifacts and other objects to create captivating photos.

Join us in exploring a new corner of our building by stepping into Barry Rosenthal’s studio, taking a look at some of his unique work, and finding out what goes on behind the scenes when the camera isn’t clicking.

Barry Rosenthal Art | UnommonGoods

What are your most essential tools?
Passion is a tool. My passion to keep exploring. Passion creates more work.

Where do you find inspiration within this space?
I can work anywhere. I started the project by shooting outside. Collecting, sorting and shooting in the field. My current studio is a workspace and acts as a library of my collections. It’s basic and barebones as I look to eliminate distractions.

Inspiration comes from going out into the field and collecting. I need to periodically find new material to work with. Later when working on the set to place the elements into a composition, I find a different kind of energy. When I see how the various components start to play off each other, that positive energy makes me want to continue the discovery process.

Inside Barry Rosenthal's Studio  UncommonGoods
Flowers for Inspiration | UncommonGoods

Where does downtime fit into a day in the studio?
I’m a resident artist at chashama. I have a small studio in a large space with sixty other artists. When I to take a break, there is always another artist to talk to or share ideas with.

What advice would you offer the you of 5 years ago?
Make more pictures. It takes discipline to create.

Photography Tools

How do you set goals for yourself?
Long and short term goals are all based on reaching a new plateau. Whether in my art practice or marketing my work, there are always more opportunities for self improvement and finding openings that lead to new partnerships.

Barry Rosenthal in National Geographic Brazil

Barry Rosenthal’s Photo on the cover of National Geographic Brazil

How and when do you decide to celebrate a victory?
Book a flight to somewhere I’ve never been before.

What quote keeps you motivated? What does that quote mean to you?
“Nothing exists until or unless it is observed. An artist is making something exist by observing it. And his hope for other people is that they will also make it exist by observing it. I call it ‘creative observation.’ Creative viewing.” – William S. Burroughs.

William S. Burroughs quote

I take the term ‘observation’ in this context to mean discovery by curation. I don’t know what I will find in the field, and I may not know what I will do with what I find, but somehow fully formed themes are sparked just by the simple act of ‘seeing’ what is out there. I carefully curate not just what goes into a piece but what I leave out.

There is also a second meaning here. To make the process complete, the audience plays a role by using its power of observation. Someone trained to ‘see’ can bring an audience into a new experience.

Barry's found collectionsBarry's found collection-Gloves

What are some new skills you are trying to acquire to perfect your craft?
Developing my vision. I am constantly tweeking the way I present a new piece. At first I tried the grid then perspective now I am doing new work based on time. What I pick in thirty minutes becomes the next idea.

How do you recharge your creativity?
Every time I return to my hunting grounds new ideas form. Getting out into nature renews this project.

Barry Rosenthal Pop Tops Glass | UncommonGoods

Where does collaboration come into play with your craft?
I like to share my work and ideas. I am involved with several ongoing ‘salons’ where work is shown and ideas are discussed and refined.

Pop Top 6 Pack | UncommonGoods

Barry Rosenthal Glasses | UncommonGoods

Maker Stories

A Tale of Two Studios in London

May 12, 2014

A Tale of Two Studios: London | UncommonGoods_7115

If you knew me well, you would know that my absolutely favorite thing to do in life is to travel. Don’t get me wrong, I adore my beloved Brooklyn. But anytime vacation time rolls around, I’m the first one to hail a taxi straight to JFK –wide eyed, bushy tailed, and passport in hand. There’s nothing better than experiencing a new city,  a new language, new food, and a new culture.  My most recent destination of choice was London. (Okay, I wouldn’t exactly be experiencing a new language in London, but beautiful British accents have to count for something, right?) As I was planning out my itinerary — London Bridge. Get lost in the tube. Brick Lane thrift shopping. Enjoy a cuppa. Big Ben. Borough Market. Run into Kate and William. — I realized I still had a couple of free days to burn. I was traveling alone, so why not take advantage of the situation? I decided to do my second favorite thing ever: meet creative people.

A Tale of Two Studios in London

I sent out an email to our buying team asking if we worked with any interesting artists living in London in hopes of setting up a studio tour. When I received responses, I couldn’t ignore the fact that we worked with two different graphic designers who place their designs on tea towels and lived in London. The blog team brainstormed the idea that I should meet with both versus just meeting with one. One seven hour plane ride, two near-death experiences because I didn’t know which way to look while crossing the street, three “you’re on the wrong bus” moments, and one tightly squeezed tube ride later — I was finally sitting in a cafe with the two designers: Stuart Gardiner of Stuart Gardiner Design and Lahla Smart of The Food Guide.

This was the first time they met each other, and given the fact that they produce similar products, I do have to admit I was a bit nervous about how awkwardly this coffee rendezvous could have unfolded. Yet, with our lovely stroll near Walthamstow Central Station and chatting in-between our sips of coffee inside a quaint cafe, I would have to say it was such a success that I was this close in creating the hashtag #BritishTeaTowelDesignersUnite! A bit after our coffee and chat,  I visited Stuart’s studio first, and then ended my afternoon at Lahla’s. Lucky for me, their studios weren’t too far apart from each other — I promise I only had to ask for directions once.

Read what each artist believes sets their graphic designs apart from the next, their takes on switching roles from a graphic designer to a product developer, and their thoughts about living and running a business in London.  

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

What’s the biggest challenge you had to conquer with your business running in London while UncommonGoods is located in Brooklyn?

Stuart: It’s not been a big challenge at all really, just that there’s larger order volumes (which is great!), and the boxes travel further. I’m not a very numerate person, so fluctuating exchange rates confuse the hell out of me when I’m working out costings. Also the American way of writing the date (month/day/year) as opposed to the UK’s (day/month/year) causes mild confusion on purchase orders. Other than that, it’s no big deal.

Lahla: Working with UncommonGoods has been surprisingly easy, considering we are 4000 miles apart! I guess the hardest thing has been making sure I use the right grammar in my designs. Us Brits eat ‘yoghurt’, whilst Brooklyn folk eat ‘yogurt’.

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

One of my favorite things about Stuart’s studio is that it’s tucked away inside a garden-esque courtyard, only welcoming those who are lucky enough to know about it.

A Tale of Two Studios: London | UncommonGoods

From a designer’s perspective, what are the advantages of living in London?

S: Inspiration is everywhere. It has so much history, culture, and ethnic diversity that just walking around gets ideas flowing. Even though I’ve lived here 15 years, I’m still discovering surprises all the time. If I ever need to recharge creativity, then some of the world’s best galleries and museums are on my doorstep. Not that I ever get time to.

L: In my opinion it’s the best city in the world! (Sorry NY, a close second). London is always changing, areas can morph surprising quickly – which means fresh faces and new ventures are always popping up. It’s an inspiring place for a designer – everything seems accessible, on a very practical level. London is so much smaller than NY, I can cycle to just about everywhere I want to visit.  If there is a new exhibition going on it’s ‘just down the road’ !

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

Are there any other cities that you feel can give you more creative freedom?

S: Having never lived in any other cities I can’t really say, though I love visiting NYC, and would imagine it would be just as inspiring as London.

L: Umm yes, NY would be a great place to live and work for a while. I’ve visited a couple of times over the past few years and love the buzz of the city. Like bits of London, but scaled up! As a self-confessed foodie, I was in complete heaven in Brooklyn. The US has such a love for ‘good’ food and ingredients in a way that you just don’t see so much in the UK. I had a seriously good time at the taco competition at Smorgasburg last month!

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

Stuart, your studio is great! What’s your favorite aspect about it?

S: The fact that it’s a 3 minute walk from my home, it’s light, spacious, airy and has character – it was once a stone mason’s workshop. There’s also some very talented other creatives I share [the space]with, an architect, two silversmiths, and a fine artist.

If there was one thing you could change about it, what would it be?

S: A table tennis table or skate park within. It would be bad for business though.

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoodsA Tale of Two Studios: London | UncommonGoods

Not only are you graphic designers, but you work heavily on placing your designs on everyday, convenient products. Do you mind speaking about switching roles from a graphic designer to a product developer?

S: It’s been a very liberating experience. My background was that of a client-facing graphic designer. In that role you are constantly compromising your work in one way or another to the client’s whim – just ask any graphic designer and they’ll emphatically concur. This is all just part of the job, but can be frustrating as your initial concept gets watered-down, tampered with and often designed by committee. Now I get to design my own products, just as I want them. They either sell well, or not so well, so I learn from my mistakes.

L: Having the freedom to do several roles is what I love most about running my own business. I have always been really interested in the geekier side of business (AKA: spreadsheet queen.) as well as hands on making and the creative process. I’ve spent the last 5 years , since graduating, working with other small businesses, picking up marketing skills, and learning the ins and outs of actually running a business and getting products made. I try to use a different material or manufacturing process in each product I make, this way I learn a little more each time.

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

Stuart, one of your favorite quotes is “Design is thinking made visual.” What does this quote mean to you?

S: It’s by Saul Bass – one of my all-time favorite designers – so that’s reason alone. Also it’s quite a broad and vague statement which is similar to the way I go about my work. I have a very organic unstructured approach to design: the opposite of methodical. I design visually as I think, working with color, type, image, and form in no particular order, until I’m happy with a final design. Or tired of looking at it, and need to move on.

A Tale of Two London Studios | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

Lahla, how did the birth of The Food Guide come about?

L: I still blame (thank) my housemates for the birth of The Food Guide. I love to cook and they would always ask me questions about nutrition so, one day, I put together the Vitamins & Minerals design to hang in our kitchen. After that friends and family asked for copies so I put caution to the wind and ordered 100 printed towels – that was 14 months ago. Last week I sold my 2000th towel. Hurray!

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

Compared to many of the home studios I’m used to seeing in Brooklyn, Lahla’s space was spacious, airy, and very much a creative haven for any artist to walk into and be immediately inspired. 

You’re living in an apartment that is also your studio. What’s the biggest setback about this?

L: Space is the biggest problem. The lounge is usually full of overflowing boxes, especially before Christmas. Luckily my boyfriend is forever understanding (so far)! We live in an old print warehouse so the rooms are large and bright, it’s a nice place to work and there is always tea on tap. We were recently given a rather large and fancy looking coffee machine too – a massive highlight in my day. I have several friends that also run their own businesses, so we often meet to work or chat in a local coffee shop. This holds off the cabin fever!

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

What sets your graphic designs apart from other designs?

L: Am I the right person the answer that!? I hope that my designs inspire people to take an active interest in the foods they eat and where their food comes from – everything I make has to carry information or encourage playfulness, not just look good. My degree in Sustainable Product Design made me realize that the key to a lot of good designs, products and services is communication. As a designer, I try to tell a good story – to make complicated things appear simple. Hopefully my designs embody a little of this thinking.

S: In terms of my commercial info graphic pieces, I think that the depth of research and detail involved in creating them makes them stand out from other products on the shelf. They just simply aren’t be economically viable for a high street brand or chain to churn out for their quarterly collection, as the hours of work put into them would be too much for a profit-driven business plan. I also believe that people enjoy the fact that they’re gaining knowledge and insight on a subject matter that they’re passionate about on product that looks appealing.

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

Lahla, are there any big projects or ideas you want to speak about?

L: There have been a lot of new developments this year – I’m very excited about the launch of my new ceramic collection. The Pot & Shovel collection includes three unique pieces. Pot & Shovel is flowerpot shaped bowl perfect for summer desserts or serving up an impressive soufflé, Eggpot & Shovel is to delight egg-lovers, and our Salt ‘n’ Pepper Pots  are for table-proud friends. I started hand making the miniature shovel teaspoons for the collection in my bathroom last November, borrowing my friends kiln and spending many sleepless nights getting up to check the temperature was right (at 4am).  Since then (and for an easier life) I now work with a family-run pottery in Stoke-On-Trent, the town where traditional English bone china is made. As you can imagine, they are experts in what they do!

A Tale of Two Studios: London | UncommonGoods

What’s always at an arm’s reach while you’re working?

L: A cup of tea and my wonderful Apple Magic Mouse.

S: My visual reference books. I’ve been collecting them since art school – nearly 20 years. They’re rather neglected these days though, what with the internet at hand.

A Tale of Two Studios: London | UncommonGoods

A Tale of Two Studios: London | UncommonGoods

Lahla, One of your favorite quotes is “The way to get started is to quit talking and begin doing.” What does this quote mean to you?

L: A few years ago, I was pondering what to do next, I couldn’t decided whether to start up The Food Guide now or wait, find a ‘proper’ job in the city or study first. A friend then told me to ‘just get started’ – she said I should start small and just see what happens, but just start. The Food Guide was born a week later. For any designer, it’s the ago old problem, nothing is ever finished or quite ready. The advice I’d give to anyone with the same dilemma is start, and learn the rest as you go.

A Tale of Two London Studios | UncommonGoods

A big thank you to Stuart and Lahla for meeting with me and making my London trip that much more special! I hope I’m able to see you sooner than later, knowing that New York is your second city of choice. Cheers!

A Tale of Two Studios: London | UncommonGoods

Stuart Gardiner Collection
Lahla Smart's Food Guide | UncommonGoods

Maker Stories

Inside the Artist’s Studio with Jeff Davis

May 6, 2014

Inside the Artist's Studio with Jeff Davis | UncommonGoods
I had been cruising around Philly listening to XPN for a couple days. Lou Reed had just passed away. It was a very appropriate time to visit Jeff Davis in the Vinylux studio, a business created in celebration of everyone’s favorite music.

Jeff began collecting vintage records in 2002 to re-purpose into home decor and fashion accessories, the production of which looks similar to most of what I have seen in other studios: work tables, hand-tools, storage space. However, over time, Jeff realized there were machines and tools he required for his designs that did not exist — a vacuum to clean vinyl splinters, a machine to melt a record into a smooth bowl in a matter of seconds — so he took to creating them himself. Most artists show off their finished products, but in Jeff’s case some of his most impressive designs are his machines.

It wasn’t a surprise that a trip to Jeff’s studio would be incredibly exciting for me — all that vinyl and someone to talk to about my favorite albums — but it was a surprise to learn about the business savvy of one of our oldest vendors, to meet an entrepreneur who cares deeply for the safety of his employees, and see such an exciting company sprouting from a city I called home for so many years. Meet Jeff Davis, small business owner, expert at reincarnating old vinyl, and, in my opinion, example of what it means to be living the dream.

Inside the Artist's Studio with Jeff Davis | UncommonGoods
Inside the Artist's Studio with Jeff Davis | UncommonGoodsWhat are your most essential tools?
My hands, trim router, machines I have built to aid in the fabrication of our products.

Where do you find inspiration within this space?
Having the task of creating products from records limits my scope, but also pushes me to innovate and consider the material in a very thorough way.

Inside the Artist's Studio with Jeff Davis | UncommonGoodsInside the Artist's Studio with Jeff Davis | UncommonGoodsWhere does down time fit into a day in the studio?
Lunch, walking the dog, listening to records (but honestly, there is not much down time)

What was the toughest lesson you learned as a young designer starting a business?
Running a business is the business of the business. Designing, making, creating, etc. is part of the picture, but running your own business is not about being a good designer–a whole different set of skills and information is needed to start, run, and sustain a business.

How and when do you decide to celebrate a victory?
Every day there are small victories–getting big orders out, coming up with a great new product. We celebrate with food.
And music!

Inside the Artist's Studio with Jeff Davis | UncommonGoodsInside the Artist's Studio with Jeff Davis | UncommonGoodsWhat quote keeps you motivated?
“Maybe there’s just two extra pieces”–this is a quote from an episode of the Amazing Race that stuck with Jeff. There was a couple completing a statue as one of their challenges. They made a statue that looked complete but there were extra pieces. One teammate tried to figure out how they were incorporated into the statue, while the other just offered the advice that perhaps there were extra pieces to throw them off. It has offered Jeff a reminder to try to see things from another perspective and not be thrown off by what is handed to you.

What advice would you offer the you of 5 years ago?
Hire someone to do the books, make the sales calls, and organize the admin side of things.

Inside the Artist's Studio with Jeff Davis | UncommonGoodsHow do you set goals for yourself?
I try to have new product for every trade show (2x year) and for important catalogs (like the UncommonGoods holiday book).

What are some new skills you are trying to acquire to perfect your craft?
I am looking into purchasing a CNC router. It is a computer-controlled cutting tool that will make us very agile and aid in the design and production process.
UPDATE from Jeff: I have purchased the CNC router! It is really helpful in the aid of designing new products, a truly time-saving, mind-expanding tool. Woo hoo!

Inside the Artist's Studio with Jeff Davis | UncommonGoodsInside the Artist's Studio with Jeff Davis | UncommonGoodsHow do you recharge your creativity?
I read a lot, and try to synthesize the ideas and information I encounter into something meaningful.

Where does collaboration come into play with your craft?
I meet with other designers and makers to discuss craft, business, design, etc. I also work closely with the guys who work in my studio, and we figure out a lot of things together–how to make a product, new design ideas, etc.

Jeff Davis Collection | UncommonGoods

Maker Stories

Inside the Artist’s Studio with Ana Talukder

April 7, 2014

Inside the Artist Studio with Ana Talukder Simpson | UncommonGoodsHere at UncommonGoods, we work with amazing vendors who constantly wow us with their creativity, artistry, and love of their craft. We don’t always get to meet the artists with whom we work; often relationships are forged through email and over the phone. Recently I was lucky enough to travel from our Brooklyn headquarters to Seattle to visit the studio of Ana Talukder , the super talented designer behind our beloved Latitude/Longitude jewelry collection.

Arriving at the studio, I was greeted with a big hug by Ana, and was immediately charmed by her bubbly and vivacious presence. I could not wait to see her studio and it was just as I imagined from hearing her description of it over the phone–a spacious and bright room with walls awash in her favorite color: purple. Her studio is a happy place, with touches of her personality everywhere–a purple peg board with small metal buckets to keep her organized, a board of inspirational quotes, and my personal favorite: an indoor window box of pansies (in purple of course!).

Ana and I looked at her new designs and talked about her process. I was wowed by how prolific she is, and how many new ideas she is constantly hatching. It was a great afternoon together and time flew by! Meet Ana and welcome to her colorful and inspirational world!

Inside the Artist Studio with Ana Talukder Simpson | UncommonGoodsWhat are your most essential tools?
Get ready for the cheese alert: A positive attitude!!! Oh, and coffee, which helps with the positive attitude.

What was the toughest lesson you learned as a young designer starting a business?
People that you know and love are going to look at you like you sit around your kitchen table stringing beads all day. Until they see you in a magazine (or 10 all at once – that’ll shut them up real fast).

Inside the Artist Studio with Ana Talukder Simpson | UncommonGoodsInside the Artist Studio with Ana Talukder Simpson | UncommonGoodsWhat advice would you offer yourself 5 years ago?
Don’t ever, ever, ever underestimate yourself (and don’t whine).

How do you set goals for yourself?
I’m really goal-oriented. I like to make lists and to check stuff off lists and feel all accomplished by doing so.

How and when do you decide to celebrate a victory?
There are a lot of “happy dance-offs” in the studio. When we’ve met an impossible deadline, created a prototype that we’re in love with, or met a desired revenue goal… there is going to be a dance off. And we eat a lot of victory pho.

Inside the Artist Studio with Ana Talukder Simpson | UncommonGoodsInside the Artist's Studio with Ana Talukder Simpson | UncommonGoodsWhat quote keeps you motivated?
You always have to be looking to be better, you always have to be working at being better, and you always have to put all your heart in it. Otherwise, what’s the point?

Inside the Artist Studio with Ana Talukder Simpson | UncommonGoodsWhat are some new skills you are trying to acquire to perfect your craft?
I’m working on a new collection that goes back to my first love: quotes. Jewelry with quotes on it has been done several different ways, so I’m working on coming up with some fresh ways to present text–which is requiring me to really move out of my comfort zone and explore new mediums and techniques. I learn best by doing and experimenting, so I’m just gathering materials, drawing a ton of sketches, and creating as much as possible.

How do you recharge your creativity?
I get the heck out of the studio. Far, far away from it. When I’m in a creative slump, I don’t go into the studio for a few days and after just a bit of time, I really, really need to get back in so I can create again.

Nyna, Ana's Production ManagerWhere does collaboration come into play with your craft?
I used to not collaborate, or even discuss my ideas with anyone. My very first employee, my production manager, Nyna, has been the GREATEST sounding board ever. It’s amazing how much more creative I can be with her added creative energy.

I also have two pretty amazing kids (11 & 8) who come into the studio with all sorts of opinions and suggestions–mostly opinions–and I’m married to an entrepreneur, as well, who always has great (and blunt) business advice and is probably my biggest cheerleader, so that helps a ton!

Katara the Studio CatKatara the Studio Cat

Ana Talukder Collection | UncommonGoods