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studio

Maker Stories

Inside the Designer’s Studio with Jenny Krauss

November 8, 2012

A couple weeks ago, I had the opportunity to visit longtime UncommonGoods artist and former How To Make It panelist, Jenny Krauss in her new Manhattan studio. Jenny’s space is a combination between a warehouse and mission control, where she sends out her vision to artists in Peru who turn her ideas into reality. Her designing happens all over – at her desk, at home on the sofa – wherever she feels inspired. Her pieces are a combination between the traditional weaving techniques of the region in Peru that she employs and her modern visions of design.

I was there just in time to see her package up a shipment of her new Hand Embroidered Pillows to send to UncommonGoods in time for the holidays. Take a look inside of the work space of this incredibly talented designer and entrepreneur.

What are your most essential tools?
Pencil, paper, yarn charts, and laptop.

Where do you find inspiration within this space?
Inspiration comes from thinking and seeing; the space where that happens can be anywhere. This is an office, warehouse, and studio. I wouldn’t say the space inspires me. I do the work here.

Where does down time fit into a day in the studio?
It generally doesn’t. We work hard all day and only stop for lunch.

What was the toughest lesson you learned as a young designer starting a business?
Making and selling things is a lot harder than designing them.

What advice would you offer yourself 5 years ago?
Don’t give up.

How do you set goals for yourself?
Entrepreneurs are often people who need a challenge. I’m always thinking about how I can make the product and company better.

How and when do you decide to celebrate a victory?
I’m not a big celebrator. Maybe I should become one!

What quote keeps you motivated?
I heard this when I was a kid and have never forgotten it. “I cried because I had no shoes until I met a man who had no feet.” Since I work with impoverished women who live in remote areas without opportunity, I am grateful for everything.

What are some new skills you are trying to acquire to perfect your craft?
Instead of sending drawings to Peru to get samples made I wish I could make the samples myself. I’m not exactly making progress though.

How do you recharge your creativity?
I don’t get to be creative all that much. We introduce new product twice a year so I have to meet those deadlines. Most of my time is devoted to running a business, so when I have to think up new designs, I’m thrilled that I can sit down and draw. My dream is to be able to design full-time, but it doesn’t look like that will happen any time soon.

Where does collaboration come into play with your craft?
I’m always bouncing ideas off of Janet, my co-conspirator. She has a background in fashion and a great eye.

Maker Stories

Inside the Designer’s Studio with Dolan Geiman

June 4, 2012

With artists throughout the 50 states, being able to visit the studio of each designer is a valuable, but more often unlikely opportunity. However, sometimes an opportunity lends itself to step inside the mind of an artist without ever setting foot in their hometown. Dolan Geiman is a mixed media designer who marries found objects and iconic imagery in his pieces. He generously takes us on our first remote studio tour and shares his tools, tricks and inspirations through photos of his space and in his owns words.

What are your most essential tools for creating your art?
The tools I find most essential for creating my artwork are as follows, in this order:
apple pie, crisp warm days, cool nights, bluegrass and country music, a clear mind, and a vision of the finished project. Other tools are easier to obtain.

Where do you find inspiration within your workspace?
I keep artifacts around my studio that give me energy and creative power: a turtle shell, a cow skull, a box of fasteners my sister sent me from Prague, a collection of pine cones and bird nests, a box of civil war buttons and old watches. Things that have energy and I can plug into them like one might plug a Norelco into a bathroom socket.

Where does down time fit into a day in the studio?
Well, there is not a whole lot of downtime for me. I think it’s that way when you run your own business. A lot of peers tell me in in their wispy yoga voices “Ahh, you just have to make time for yourself.” Yeah, it ain’t that easy. So, I take time at the end of a few months of hard labor. I’m trying to eek out a few moments early in the morning to walk and look at birds. But for now, while the work is there, I will be there holding its hand or holding its head while it throws up.

What was the toughest lesson you learned as a young designer starting a business?
I never learned how to say “no” earlier in my career. It’s nice to say no. It helps you to stay sane. It’s hard if you are broke, but don’t ever let people take advantage of your creativity in that way.

What advice would you offer yourself 5 years ago?
Charge more for your services. And stop smoking cigarettes. And move to the country. And get a damn haircut.

How do you set goals for yourself?
I basically keep this little treasure chest in my head and on the front of the chest is a goal. When I complete the goal I get to open the treasure chest. It’s usually full of wine and beer and a few days of fly fishing in the mountains. I try to set goals that are attainable but very difficult. And I do weekly, monthly, and yearly goals.

How and when do you decide to celebrate a victory?
Well, I used to celebrate more but then I married my business partner and that put a damper on the celebrations… haha. I like to celebrate after I complete a successful project or a milestone in the business. I think I appreciate these things because I’m more of a stop-and-smell-the-roses kind of person. And it also helps mentally, and mental health is something I take very seriously. If you just keep doing these cool things and then don’t stop to look at what you’ve done and where you’ve been then five years goes by and you are just older and not any happier.

What quote keeps you motivated? What does that quote mean to you?
I have this quote that I say to myself which is like my mental tattoo – “make art or die” – because if I stop making art I will most likely die. Like a pancake without syrup. Useless and not making anyone happy.

What are some new skills you are trying to acquire to perfect your craft?
I am trying to learn more about woodworking and creating antiqued finishes. I rely on the spoken advice of my peers and colleagues for this. There are two nice woodworkers in the basement studio below my studio so I often pick their brains for advice.

How do you recharge your creativity?
I go fishing or hiking or camping or bird watching or anything in the woods for at least several days. I’m trying harder and harder to re-charge my creativity these days, since I feel like I am working harder and harder. I have had several mental breakdowns in the past five years, due mostly to the fact that I work way too much. But this is the burden of being a Libra blessed with creativity. It’s a blessing and a curse… and a curse. I find the best recharging happens when I am far from other people and just staring at something like a cloud or an ant or a cloud that is shaped like an ant. I often meditate in nature and will create an entire novel in my mind which I try to slowly erase until there is nothing but… nothing. Meditation is hard.

Where does collaboration come into play with your craft?
I am not really sure. I like to collaborate with other folks, but I think mostly the collaboration is more conversational. When I am around other artists that I enjoy, we often create nice mind energy conversations and the mood is good and so I feel like we are all collaborating on a conversation and it’s like we are pooling our positive energy into the physical space. It’s more of a Jungian thing. When you leave the space of being around good people, smart and interesting people, there is energy there and you can draw on that later. It’s a similar feeling to déjà-vu, perhaps a cousin of déjà-vu. But in reverse.


photos by Dolan Geiman, Eric Grimes, Chris Nightengale, David Schalliol, and Paul Zimmerman

Maker Stories

Inside the Designer’s Studio with Claudia Pearson

May 17, 2012


When the second floor of Claudia Pearson’s Brooklyn brownstone opened up, she knew it would be the perfect place to set up a studio. Claudia was using a corner of her family’s apartment to create illustrations for books, magazines and the merchandise she was creating. Space was getting tight as her two sons and business were growing so moving to the downstairs was an easy decision.

Claudia is the designer behind these graphic market totes*. She’s definitely not a new name around Brooklyn flea markets and I have admired her commercial work and illustrations for cooking magazines, so I was excited to visit her sunny studio and learn about her craft and her business.

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