We gave our reclaimed, recycled, and upcycled goods the infographic treatment!
Design by Nikki DeSautelle
We gave our reclaimed, recycled, and upcycled goods the infographic treatment!
Design by Nikki DeSautelle
I had been cruising around Philly listening to XPN for a couple days. Lou Reed had just passed away. It was a very appropriate time to visit Jeff Davis in the Vinylux studio, a business created in celebration of everyone’s favorite music.
Jeff began collecting vintage records in 2002 to re-purpose into home decor and fashion accessories, the production of which looks similar to most of what I have seen in other studios: work tables, hand-tools, storage space. However, over time, Jeff realized there were machines and tools he required for his designs that did not exist — a vacuum to clean vinyl splinters, a machine to melt a record into a smooth bowl in a matter of seconds — so he took to creating them himself. Most artists show off their finished products, but in Jeff’s case some of his most impressive designs are his machines.
It wasn’t a surprise that a trip to Jeff’s studio would be incredibly exciting for me — all that vinyl and someone to talk to about my favorite albums — but it was a surprise to learn about the business savvy of one of our oldest vendors, to meet an entrepreneur who cares deeply for the safety of his employees, and see such an exciting company sprouting from a city I called home for so many years. Meet Jeff Davis, small business owner, expert at reincarnating old vinyl, and, in my opinion, example of what it means to be living the dream.
What are your most essential tools?
My hands, trim router, machines I have built to aid in the fabrication of our products.
Where do you find inspiration within this space?
Having the task of creating products from records limits my scope, but also pushes me to innovate and consider the material in a very thorough way.
Where does down time fit into a day in the studio?
Lunch, walking the dog, listening to records (but honestly, there is not much down time)
What was the toughest lesson you learned as a young designer starting a business?
Running a business is the business of the business. Designing, making, creating, etc. is part of the picture, but running your own business is not about being a good designer–a whole different set of skills and information is needed to start, run, and sustain a business.
How and when do you decide to celebrate a victory?
Every day there are small victories–getting big orders out, coming up with a great new product. We celebrate with food.
What quote keeps you motivated?
“Maybe there’s just two extra pieces”–this is a quote from an episode of the Amazing Race that stuck with Jeff. There was a couple completing a statue as one of their challenges. They made a statue that looked complete but there were extra pieces. One teammate tried to figure out how they were incorporated into the statue, while the other just offered the advice that perhaps there were extra pieces to throw them off. It has offered Jeff a reminder to try to see things from another perspective and not be thrown off by what is handed to you.
What advice would you offer the you of 5 years ago?
Hire someone to do the books, make the sales calls, and organize the admin side of things.
How do you set goals for yourself?
I try to have new product for every trade show (2x year) and for important catalogs (like the UncommonGoods holiday book).
What are some new skills you are trying to acquire to perfect your craft?
I am looking into purchasing a CNC router. It is a computer-controlled cutting tool that will make us very agile and aid in the design and production process.
UPDATE from Jeff: I have purchased the CNC router! It is really helpful in the aid of designing new products, a truly time-saving, mind-expanding tool. Woo hoo!
How do you recharge your creativity?
I read a lot, and try to synthesize the ideas and information I encounter into something meaningful.
Where does collaboration come into play with your craft?
I meet with other designers and makers to discuss craft, business, design, etc. I also work closely with the guys who work in my studio, and we figure out a lot of things together–how to make a product, new design ideas, etc.
Earlier this month, our Upcycling Design Challenge judges met at UncommonGoods headquarters, some in person and others via Skype, to pick a winner from the top five voted designs. After and hour of discussing five unique designs made of reclaimed materials, the judges decided Susan Harbourt’s Forget Me Not Necklace made of recycled copper was the best choice to join our collection of upcycled goods. Meet Susan and help us welcome her to the UncommonGoods artist family.
How did you first get into designing?
As fate would have it, my husband had an amazing opportunity to move half way across the county. This meant leaving my engineering career behind and beginning what I thought was a new chapter in my life, little did I realize it was actually a whole new book!
We moved to Illinois and purchased a large Edwardian Era home out in the country that had not been maintained since the 1950s. It was a lovely home full of grace and charm and was in need of reviving. One fateful night, I was helping my husband update the original electrical system installed during the 1930s as a part of the Rural Electrification Act. Scattered all over the floor were piles of lovely aged copper wire that we had just removed from the walls of the old house. In an absent-minded gesture, to pass the time while waiting for the next instruction on how to help, I picked up a few scraps and wove them into a bracelet. A spark was ignited and a new passion was born in that very moment. Little did I know how much that moment would redefine the rest of my life.
What was the inspiration for the Forget Me Not Necklace?
The inspiration for my Forget-Me-Not line of jewelry actually stems from a mishap that occurred on the first Valentine’s Day my husband (then boyfriend) celebrated 20 years ago. He tried so hard to be romantic and surprise me by buying a special bouquet of flowers that were to be delivered to my dorm room. The flowers arrived, but they were three days late. He was so traumatized from that single event that he swore off buying flowers forever, so he switched to buying me jewelry instead. Now that I make jewelry, my husband no longer enjoys buying it for me. I do miss getting flowers and jewelry as gifts, so I had to do something about it! So I must admit, I designed the Forget-Me-Not jewelry line to fulfill my desire to receive flowers and jewelry again.
What is your favorite upcycling tip?
Don’t let what something was limit your mind to what something can become…
What do you enjoy about designing with materials that would otherwise be discarded?
I enjoy showing others, through my art, that there is more than one way to view the world around them and to not take things for granted because of how they seem at first or the labels placed upon them. It’s like a metaphor for life that applies both to objects and for relationships.
Is designing a full-time job or a hobby?
My official full-time job is being mommy to two very creative and inquisitive little boys. Designing jewelry started out as an accidental hobby for me. It then became something that allowed me to earn enough money to pay for the occasional babysitter and date night with the hubby. After a few years of teetering on that edge of hobby versus business I decided it was time to commit to taking my passion to the next level. I have spent the past year redefining and refining my business and vision. It is amazing to look at where I am now versus a few years ago. I am proud to tell people that I am now a full time work-at-home entrepreneur and mom!
Describe your work space.
My studio is a work space dream come true! It is a large well lit space that I set up with a great flow that allows me to be organized, efficient, creative and productive. As you enter there is an office area and bookcase full of books and items to inspire me. From there it continues into my material storage and metal prep area that is filled with some amazing tools with great history. I have a large chest of drawers that once housed geological samples in a museum at the University of Illinois and there is a variety of large industrial tools that are from the 1940s. Beside that area I have my soldering and metal forming stations followed by the area where I do my finishing and assembly work. The last stop in my studio is my shipping station that makes me feel like every day is a holiday – it’s full of ribbons and boxes and items I made that are ready to start their journey out into the world and begin their new life with someone new.
The thing I love most about my studio is that I have a well-stocked creative play area set up where both of my boys can explore their artistic minds along side of me as I work. I enjoy watching them have the freedom to create and express their individuality. My husband also has a wonderful metal and wood shop set up on the other side of the wall which has a large window in it so we can feel more like we are working together.
What challenges do you face as an artist who designs with reclaimed materials?
The big challenge that I face [is running] out of my unique materials. Fortunately for me, I have a lot of copper wire that I removed from my house. I feel like I have hardly put a dent into it. I have also found that once people realize that I like to create with reclaimed materials, they become very generous in bringing over there project scraps. That is how I came across the copper roofing materials I have started to incorporate into my work.
The other big challenge I have with my work is that some people just don’t get it. I feel that I often have to educate people about the significance of using recycled and reclaimed materials. There are always the people that feel that copper is a low end metal and don’t understand why I don’t work with gold and other designer metals. Not that I am opposed to using the other metals, and at times I do use them, it is just that I love my old copper wire!
What advice would you offer someone interested in entering an UncommonGoods Design Challenge?
The best piece of advice I can offer someone interested in entering an UncommonGoods Design Challenge is to find your own voice and perspective first and have confidence in it. It does not have to be exotic and elaborate; it just has to be uniquely yours and fresh.
Read full contest rules and submit your designs on the Upcycling Design Challenge website.
Our friends at Green 3, Jim and Sandy Martin, have helped us add some fantastic uncommon goods to our assortment. From adorable babywear like the gnome babysuit and hat and matching blanket, to the perfect-for-a-breezy-spring-day reclaimed t-shirt scarves, to the summer-friendly update on the popular recycled sweater skirt, the recycled bridesmaid dress skirt, the Martins know eco-friendly fashion.
Jim works closely with our product development team to create unique clothing and accessories exclusive to UncommonGoods, like the bridesmaid dress skirt and the comfy, casual recycled dress shirt robe. We love that these products come from recycled materials, and many are even created with the help of organizations working with disabled adults.
“My wife Sandy started the company,” he told us. “She grew up on a farm in Michigan and saw firsthand the negative implications on the farmer’s health when they are exposed to chemical pesticides on a daily basis. She felt strongly that her company would focus on sustainable fibers that caused the least damage possible to the environment.”
Causing less damage to the environment means using organic cotton, like that in Green 3’s babysuits, and reusing materials when possible.
Sometimes those materials, like the sweaters used to make recycled sweater scarves, come from thrift stores. Others are leftovers from apparel manufacturers. “We actually look at what types of fabrics are available to us, and then design into the fabric,” Jim explained. “Certain fabrics lend themselves to specific applications and steer us into new product categories.”
Once the fabric is in hand each piece is inspected individually to insure it meets aesthetic and quality standards. Thrift store items are washed before being deconstructed and prepared for cutting and sewing, so even though the garment created may be made from secondhand materials, it’s as good as new.
The processes of selecting, inspecting, and preparing fabrics and creating the final products are all done in the United States. “Sandy and I had both been in the corporate apparel industry for over 20 years. During that time we watched a steady flow of jobs going overseas,” said Jim. “We just felt strongly that we could do it here and bring a few jobs back. What we’re finding is that we’re not the only ones that feel this way. More and more like minded companies are partnering, and quickly it is becoming more than just a few jobs. In our community alone we employ 20 people. But our network of partners employs thousands.”
One partner helping Green three create handmade upcycled products for uncommon goods is Aspiro, a non-profit organization offering job training and career options to cognitively disabled adults in Green Bay, Wisc. “We contacted Aspiro after learning of them through a news report,” Jim said. “Their facility has been doing cut and sew work for years and they have a highly skilled labor force. When we toured the facility and saw the pride and passion of the workers, and how this opportunity for independence positively impacted their lives, we knew wanted to support the initiative any way we could.”
By partnering with Green 3 and other apparel manufactures, the skilled sewers at Aspiro earn fair wages and are given opportunities for independent living.
Thanks to these dedicated workers, secondhand and leftover fabrics, and the imaginations of Jim, Sandy, and the talented designers at Green 3, we’re always seeing updated products and trendy upcycled fashions. Which Green 3 design do you love most?