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Maker Stories

This Just In-spiration: Meet Teri Stratford

October 19, 2015

Our makers never fail to motivate us, encourage our creativity, and fill us with inspiration. So, when a new design enters our assortment, we’re always excited to learn more about the people behind the product.

What gets an artist going and keeps them creating is certainly worth sharing, and every great connection starts with a simple introduction. Meet Teri Stratford, the artist behind our vibrant new botanical prints, A Visual Poem, Twilight, and Firefly Festival Fireworks.

Teri Stratford

When did you know you wanted to be an artist?

I always knew I was an artist so there never was a “when.”

What’s been the most exciting thing about becoming a professional artist?

The sheer joy of doing something that just makes me giggle with delight on a regular basis. Seeing people’s delightful reaction to my work and what miracle happens next!


What does your typical day in the studio look like?

I might research photos online for reference of animals such as horses, turtles, geese, cats, fish in different positions; underwater or mountain landscapes.  Go over orders to fill.  Do some printing to replenish my inventory.  Or, much more fun….go collect leaves in my yard or go for a walk with a backpack to fill up.  Or pull interesting leaves from my stash and play with arrangements on my illustration board and see what happens.

Is there a trinket, talisman, or other inspirational object you keep near? If so, what is it and what does it mean to you?

I have a puja in my studio, a place for meditation.  The room vibrates with spiritual energy, the source of joy and creativity.  I am happy in this room!


Imagine you just showed your work to a kindergartener for the first time. What do you think they would say?

“Wow…. Mom!  Look at this?  Can I take this home?  This is really cool… ” (I actually had this happen with a 7 year old boy!)

What quote or mantra keeps you motivated?
“I am the vibrational energy that creates WORLDS!!!  My creativity is endless….”

Firefly Festival Fireworks by Teri Stratford | UncommonGoods

See Teri's Collection | UncommonGoods

Maker Stories

Inside the Artist’s Studio with Meghan Ellie Smith

December 13, 2013

Meghan Ellie Smith

Clutter Castle is what Meghan calls her eccentric home studio, tucked away in the streets of Bushwick, Brooklyn. When I saw the odd, yet beautiful, string installation hanging from the ceiling, a collection of wooden instruments displayed on the wall, and a creepy plastic hand sitting on its own mini mantel, I fully understood how the Clutter Castle earned the honor of its name. But it’s funny, although I was like a kid in a candy shop in her vintage oasis — oohing and ahhing at every corner, I didn’t find it overwhelmingly chaotic. I felt as if the odds and ends of all the clutter were actually masterfully organized to push the use of imagination and a creative atmosphere. Which made perfect sense, because those were my exact thoughts about Meghan’s winning art piece, Chaos Mountain. The bright and earthy colors bleed into one another with no particular pattern, yet the shaped splices are meticulously placed. I love it. Perhaps the juxtaposition between the crashing watercolors and structured mountain reminds me a little of myself: a bit messy, a bit random, a bit chaotic, but in the end of the day, I know what I want to do and exactly where I want to go. “Not all who wander are lost,” a favorite quote by many free spirited individuals, resonates within the illustration of Chaos Mountain. Meghan Ellie Smith,a true free spirit herself, is not only the Queen of Clutter Castle, but officially wears the crown of our latest Art Contest. 

Continue Reading…

Maker Stories

Sarah’s “Deer Boy” Charmed Its Way To the Top

November 13, 2013

 7.1“I love Deer Boy. I want to hang him on my wall and pretend he is my boyfriend.” commented one of Sarah Constantino’s many admirers during the September Art Contest. This comment literally made me laugh out loud, partly because it was unexpected and partly because it was pretty much my feeling exactly. At first glance, Deer Boy is simply a bright and whimsical piece to hang in your bedroom for fun wall art decor. But when you take a second look, it starts to play with your eyes and you notice charming details that you perhaps didn’t notice at first: the double lips and ties, the wood-like back drop, the garland caught on his antlers. It’s one of those feel good pieces you could place anywhere in your household for that cozy touch. From her prints to her porcelain to her typography, Sarah’s overall work channels a child-like spirit that us adults sometimes forget we still have. Meet Sarah Constantino, our lastest Art Contest winner who fell in love with her husband through Twitter and mapped out her career choices while drawing unicorns  in her kindergarten class.

Deer Boy

What’s an uncommon fact about you and your hometown?
An uncommon fact about me… I fell in love with my husband in 140 characters on Twitter. (Okay, it took a bit more than that.) We met on Twitter, became friends, and after only meeting in real life for two weeks I decided to pick up my Iowa roots and move down to Florida. It was the craziest/best decision I’ve ever made. It’s been 3 years since I moved and I love my new hometown. An uncommon fact about Cape Coral that I found interesting is that this Gulf Coast city contains more canals than Venice, Italy!

Deer Boy is charming and playful. How did the idea of this design come about?
My husband and I had some holiday parties to attend. I kept noticing that the “wallflowers” of each party were the most interesting people to talk to at each event. As the night progressed things became a bit more surreal as well. I felt inspired when we got back home and I decided to break out the acrylics and paint. Deer Boy and Deer Girl were the end results. I normally don’t paint people, so this was an unusual subject for me.

When did you realize you wanted to be an artist?
I started drawing unicorns in kindergarten and I remember thinking that it was the only thing I wanted to do for the rest of my life. My goals have changed a bit since then, but the drive to create something every day is a strong one for me. I am a self-taught artist and have been able to make a living off drawing, painting, and creating art since I was 18. I used to design for an American craft furniture company and after about 10 years of that, and a lot of growing up,  I knew that I had it in me to go off on my own. Now I get to create whatever I feel like using whatever medium I want. Every. Single. Day. It fulfills that constant desire I have to make, make, make!

How did you celebrate when you learned you were our Design Challenge winner for the Art Contest?
I jumped up and down for awhile. And then I went back to painting. Anyone that knows me personally knows I work a lot. I plan on celebrating later this month with some interesting cocktails and good friends.
Sarah Constantino

Where do you find inspiration within your work space?
I have an inspiration board where I keep a lot of my favorite things (cards from family and friends, a photo of my mom as a little girl, artwork from other artists, color palettes, silly mementos) basically anything that recharges me and makes my eyeballs happy. I also love being able to look out the window and see the sunny Florida surroundings and the activity on the lake behind our house. So many birds! And sometimes a gator or two.

sewzinskitable1.1   studiowindow1

What are your most essential tools that you must have by your side while you design?
  Coffee. Very, very strong coffee. Paint, markers, pencils, and a giant eraser.

Where does down time fit into a day of being productive?
Well, to be honest, right now there isn’t a ton of down time. I’m busy with holiday orders from my Etsy shop and need to stay focused to get my creations out the door. It’s my favorite time of the year! When things are slower I like to wake up early and walk around the neighborhood. I take a break here and there to pet my two weirdo cats that keep me company during the day.

What are some new skills you are trying to acquire to perfect your craft? 
I’m working on hand illustrated typography. I just keep writing out words and phrases and finding a letter shape to express the full meaning of each word. I have several empty notebooks that are now filled with these scribbles.

How do you recharge your creativity?
While I’m creating I like to listen to podcasts, burn through a TV series on Netflix, or listen to books on tape. I go through obsessive stages with my entertainment. Right now I’m really into a few different books on the history of Ancient Rome, Russia, and Genghis Khan. A few months back it was every Game of Thrones book I could get my hands on. Give me a series in sci-fi, history, or fantasy and I am a happy camper.

Other than being an artist, what else do you do? 
I started my own business called SEWZINSKI and have been lucky enough to stay busy and productive with that. It’s my full-time everything. It started with embroidered wallets that were completely sewn and stitched by hand. It’s evolved into hand painted ceramics and upcycled home decor. It will change into something else in the future as well. Experimentation is how I learn best and  there’s still so many things I’d like to try.

Do you have any special projects or events that are in the works or that’s floating in your brain right now?
Yes. They are secrets. It’s always good to have secret projects.

What was the toughest lesson you learned as a freelance artist?
Not everyone will like you or your art. Some might like both. Some might like one or the other. It sounds simple, but building a tough skin and taking criticisim about your work can be difficult. It can also be hard to separate yourself from your work. Both those things are important and are still daily struggles for me.

What advice would you offer the you of 5 years ago?
Hey Sarah of 2008, it’s okay to take that risk and go off on your own. Stop being so scared of failure. It keeps you from succeeding!

Which artists do you look up to?
Andy Warhol was one of the first artists I really remember relating to when I was younger. I will always be in love with him. Right now I am really inspired by Ashley Goldberg’s art and career path. I’ve been following her work for awhile and I’d like to develop that beautiful  relationship with color and space she seems to have with my own style of work.

What are your top three sites you think are essential for an artist to bookmark? 
The Jealous Curator
, My Modern Met, and Brain Pickings.

What quote keeps you motivated?
 “Don’t think about making art, just get it done. Let everyone else decide if it’s good or bad, whether they love it or hate it. While they are deciding, make even more art.” -Andy Warhol The more art I create, the better artist I become. If I get too caught up in people’s opinions, or the details in the piece not being perfect, I could lose the chance to create something new with the time I’ve wasted worrying. Keep making, keep moving forward. It’s a great way to finely tune the skills needed and attain new skills to perfect through proliferation.


What advice can you offer anyone who are submitting their work to our Ongoing Art Contest?
Go for it. I submitted a piece that is a different subject from the bright colors and crazy animals and folk art that I normally paint. Take a chance and you could discover a whole new direction to take your work.


How To Make a Vegan Dream Catcher

October 30, 2013

I am pleased as punch to share my DIY dream catcher tutorial on UncommonGoods! I work for a public relations firm called Small Girls PR, and we recently threw a party for our client, She and Reverie. At the event we had a dream catcher craft station and provided the guests supplies and tips on how to make their own whimsical piece during the party! I’m a big fan of UncommonGoods, and wanted to share with their design community how easy it is to make one with just a few supplies. And just to add a cherry on top, knowing that UncommonGoods’ is very animal friendly, I created a fun vegan dream catcher tutorial! Below are photos and step-by-step directions for you to start making your own right at home!



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Remember, you can substitute the supplies with any other arts and crafts you may have lying around at home. For example, if you don’t have felt feathers, perhaps you can use tassels or jewelry pendents. And if you don’t have faux suede you can switch it out with bright ribbons or earthy hemp cords. Have fun with this project and be creative! Below are a few snap shots from the She and Reverie event with the guests having a little bit too much fun making these dream catchers. SheRev082413_PiOv_090 SheRev082413_PiOv_057 SheRev082413_PiOv_055 SheRev082413_PiOv_053 SheRev082413_PiOv_020

Inspired, but don’t quite have the time to build your own dream catcher? Check out UncommonGoods’ Dream Catcher Necklace.

Maker Stories

Allison’s “Babe” Takes the Win!

September 17, 2013


Allison and Canine Inspiration

If you follow us closely, most of you know that this summer we proudly launched our Ongoing Art Contest. This means instead of just awarding a winner once a year, we are crowning an independent artist winner and awarding $500 smack-a-roos and a chance to sign a vendor contract to join our UncommonGoods family every single month. The first winner from our Ongoing Art Contest was appointed to Caribbean resident, Allison Gray. We received amazing entries from through out the nation, yet it was Allison’s lovely “Babe” that caught our art judges’ attention. Allison’s eye for detail, use of mixed media, and sweet, creative design of her very own pup landed her into the winning spot.  In her interview, Allison mentions that “it wasn’t until I began expanding my media usage that I started veering away from strict realism and started redefining my limitations.” We’re more than ecstatic that Allison experimented out of her comfort zone, because as a result “Babe” was created and now will be officially a part of our artist gallery!

Meet Allison Gray, a fellow animal lover and our latest Art Contest winner.

Babe submit-a

Tell us an uncommon fact about yourself.

I have very vivid dreams.  They actually inspire a lot of my work.  I may not necessarily dream about a scene and then wake up and paint it, but the images and emotions that are remnants of my dreams can serve as the stepping stones or foundation of my craft.

I don’t know if the vividness of my dreams is a factor in my sleep pattern, but about 75% of the time, I start sleeping by violently waking up.  It’s called a myoclonic jerk  and of course everyone’s familiar with it—that sudden waking burst of panic preceded by a falling sensation.  What’s uncommon in this case is that it’s become routine.  I drift off, spasm awake and think, “Oh good, that’s done.  Now I can really get started on sleeping.”  And, without fail, I have these brilliant dreams, saturated with emotion and light.

(I hope I haven’t confused uncommon with odd.)

What different techniques do you use when creating your art?

I hate to pigeonhole myself when it comes to craft media.  For a long time, I only worked with oil paints and I only recreated realistic images.  With the difficulty of transporting necessary oils and thinners to continue my oil painting in Grenada, I opted to instead try a different medium.  So I began working with watercolors and from there, branched out further.  I began using charcoal, India ink, pen and pencil, and masking techniques.  I use bleach, salt and even coffee grounds for different textures and effects.

It wasn’t until I began expanding my media usage that I started veering away from strict realism and started redefining my limitations.  One of the first paintings I did in Grenada was of a local boy.  The painting was from a photograph I’d taken of him.  I already had the picture, so I knew I wanted something more than the photo could offer me.  So I filled my palette and painted him with every color that was missing from the photo.  When I finished, I knew I’d moved somewhere in my capacity as an artist.  And I’ve been moving in that same direction since.

In summary, I have and will continue to use whatever techniques I can to perpetually evolve my artwork and myself as an artist.

Colorful Boy Painting

Describe your daily life in Grenada.

Without an actual career, that varies from day to day.  I always try to allot myself a few hours a day to devote to a craft (painting, writing, knitting, photography, etc.).  The rest of the time is spread out over responsibilities and recreation.

Of course I’ve got domestic responsibilities.  With a medical student for a husband, all household chores sort of fall on me.  I’m not totally won over by the cleaning part of the duties, but I love to cook almost as much as I love to eat.  It’s hard to complain about having absolute control over the menu.

I run in the mornings.  Sometimes I go to the beach during the day and play Frisbee in the sea.  I might walk a couple miles to our favorite fruit stand and get our produce for the week from “Fireman,” our fruit vendor.  On Saturdays, we go on hashes.  (A hash is an all-terrain [mostly off-road] hike, followed by food and drinks and music, that draws hundreds of participants per week and takes place anywhere on the 132-square-mile island.)  Occasionally I’ll take a local bus into town and pick up fresh fish from the fish market.  I am an executive board member for St. George’s University Photography Club and perform duties as liaison for the organization.  On special occasions, we tour the island, go snorkeling, visit the forts or the cocoa plantation.  I spend a lot of time experimenting with my photography and looking for ways to intertwine it with my painting and other crafts.

Of course, sometimes, I just lounge around with my husband and watch movies with a little popcorn and wine.

Allison and Ivan beachside

It’s probably every artist’s dream to travel and live abroad, but does living in the Caribbean have its downfalls?

Absolutely it does, but most people don’t want to hear about it.  I live in the Caribbean; what business do I have complaining?  Even so, this life comes with its own set of difficulties and to reinforce that argument, I actually posted an essay on my blog about the pros and cons of being a married couple in the Caribbean, living on student loans, and following the twisted path to our goals.

In short, yes, life in the Caribbean has its downfalls, but the benefits—measured in memories and experiences—far outweigh the comparatively insignificant drawbacks.  (I’m writing this from the sandy shore of one of the most beautiful beaches in the world: La Sagesse.)

Grenada is A-OK2

Where exactly do you go to catch inspiration? 

I love running.  I run almost every day.  I’m not remarkably good at it.  The only records I have or ever will break are my own.  But that’s not particularly discouraging to me because it’s the act itself that I enjoy and the reward that I get. Specifically, I like going for longer runs (one hour plus).  And while I’m running, I have no obligations to pay attention to anything other than my own wandering mind (except perhaps not tripping).  That’s a golden time for me to come up with all sorts of ideas for my art.  And the only distractions I have are my mind’s own erratic imaginings.

I could probably have a similar experience if I just sat quietly in my apartment, but then I’m usually surrounded by reminders of all my obligations and responsibilities.  When I’m running, I’m both metaphorically and literally getting away from “it all” and with that sense of freedom comes a euphoric rush of creativity.

Studio Desk w Light

 What’s your all-time favorite quote that keeps you going?

Not including about everything Dr. Seuss ever said (how many genius simple truths did he make catchy with a little rhyme?), I’m quite fond of William Faulkner’s “You cannot swim for new horizons until you have courage to lose sight of the shore.”  Besides its apropos metaphor, Faulkner’s wisdom rings true in light of our ever-changing future.  Without the courage to leave everything behind, we never would have found ourselves living a surreal life in the Caribbean.

Faulkner Quote

When exactly did you discover your talent?

I can’t help but feel at least marginally narcissistic going on and on about my talent and my history leading up to the showcasing of my creations!  For a very long time, people have been commending me for my talent and while I can and have admitted (does that imply guilt?) that I have an artistic ability that not everyone has, it’s still humbling to come right out and say, “Well, hello, my name is Allison and I am a talented artist.”  No matter if I say that out loud or in my head, I always wind up finishing it in a snooty accent.

A popular quote by Pablo Picasso is “Every child is an artist.  The problem is how to remain an artist once he grows up.”  Children have this perishable fearlessness to create anything and then share it with everyone.  But at some point the fear of judgment and criticism makes an unwelcome and permanent guest of itself and we hide our creativity.

Maybe it was my peculiar creative courage that gave me the boldness to keep on drawing and painting and creating despite the crushing potential of failure.  Or maybe it was because I just didn’t like math class.  The truth is, I find solace in artistic expression and am bemusedly stunned every time someone comments on my apparent talent.  And when someone does, I think the most appropriate response is to give credit where credit is due.  (I never would have submitted my art to this contest if it weren’t for my friend, Cat.  I never would have thought to create a paper collage of my beloved dog if it weren’t for my friend, Patty.  I wouldn’t have had the heart to create this piece if Babe hadn’t had a foster home while we’re abroad, Lisa.

My direct response to this question—when exactly did you discover your talent: every time someone reminds me.

Grenada is A-OK3

Do you have any major projects you are working on now? 

I’m afraid I’m going to seem a little boring here, but no, I really don’t.  We live as minimalists for the most part and are living in a studio apartment.  Working within my means involves smaller projects that are inexpensive and can be tucked away at a moment’s notice.  I dream of someday when I can really plan larger-than-life projects.

Beas Submitx

Are there any particular artists you look up to?  What is it about their work that you like?

At the risk of sounding trite, I’m going to go ahead and say Bob Ross.  I know my work doesn’t exactly radiate the spirit of the amazingly gifted painter, but he did inspire me to pursue painting and to do so with an almost absurd amount of cheerfulness.  He’s part of the reason I began painting with oils and stuck with it for so long. It would be a blatant lie to suggest Bob Ross is the only artist who has inspired me and influenced my work.  Modern art, with its shifting genres and techniques, influences the decisions I make when searching for a new approach to a usual subject.  I don’t have a secret list of artists whose techniques I use as a paradigm when creating my own pieces, but draw from methods I’ve seen and admire.

What’s one thing you use/see every day that you couldn’t live without?

Well, if I’m being materialistic, it’d probably be a draw between the air conditioning or my morning coffee.  Probably the coffee, though. If I’m being crass, it would be sarcasm. If I’m being poetic, it would be love.  If I’m being optimistic, it would be humor. But if I’m being honest, it would be Supporter Extraordinaire and Husband, Ivan.  (Cue collective aw.)  There’s plenty I can go without, but I haven’t been without him for seventeen years and I don’t intend to start anytime soon.

Allison and Ivan climbing Grenada Mt.

What’s one piece of advice you could give to aspiring design challenge contestants, particularly our Art Contest?

Have the confidence in yourself that all of your supporting friends have.  Chances are, they’re right.

Babe the Pig Dog

Maker Stories

Meirav is Crowned the Art Contest Winner

September 12, 2013


Our Art Contests are my favorite design challenges to orchestrate because they attract the biggest range of diverse talent. Art gives each individual artist a chance to not illustrate their personality or thoughts with words, but also with brush strokes, color combinations, and image creation. With Meirav Gebler’s “Human Landscape: A Disappearing People,” it was more than just strokes, color, and image that spoke out to me. I connected with “A Disappearing People” beyond the painting itself, a message that left me in a bittersweet state; it opened up wounds that I didn’t even think existed anymore.  Maybe it’s not exactly what Meirav intended her art to do, but I do believe artists create work based on their personal ideas and emotions, knowing that their audience might capture something a little bit differently.  

Meirav is a young, spiritual artist who is based in Brooklyn and who has recently graduated from art and design school. She’s traveled to India and Israel and quickly fell into inspiration through “the colors and patterns, the smells of the streets, the market places, the people, and the food.” Her creative use of watercolors and gunpowder are the core of her masterpieces. At first glance it’s playful with your eyes, but the  dripping silhouettes stand behind a stronger idea that Meirav not only wanted to explore on her own, but share with you.

Meet Meirav Gebler, our latest Art Contest Winner. 

Q1. travel- india

After you graduated from Art & Design school, you spent half a year traveling. Can you tell us about that experience and how it’s affected you as an artist? 

Traveling was a wonderful adventure. I was in India for five weeks with my best friend and then spent a couple of months in Israel. India is such an amazing place. Everyday was an insane, crazy experience! Everything is so vibrant and stimulating—the colors and patterns,  the smells of the streets, the market places, the people, and the food! I brought travel paints and a sketchbook with me but since we were constantly on the move I found myself snapping more photos than sketching.

After India, I went to Israel for a couple of months to farm and spend time with friends—a huge contrast from the hustle of India. I did a drawing a day, which is a big deal for me since I am awful about keeping a sketchbook. I realized during these months how necessary it was to take the time to breathe, reflect and understand where I wanted my life to go post the college bubble.

 You’re currently setting up a studio in Brooklyn. Can you describe it?

I move into the Brooklyn space next week, so I’m still in the process of packing up my old studio (a makeshift studio in a corner of my parents’ house). I’m super psyched to have my own space for art again. So, as of now, the new space looks like an empty box, but soon enough it will be filled with my paints and everything else I’ve collected along the way for potential projects. I always have to have breathable space. I feel blocked when things start to pile up and become cluttered so I need to maintain a sense of open space. And I always have one of those fancy dark chocolate bars from Trader Joe’s lying around.

Q2b old studio

What inspired your Human Landscape series?

The series started as an exploration into an idea I’ve been grappling with over the past couple of years: how do we as physical beings, existing in a physical world elevate ourselves to a level of spiritual beings. I felt that the idea of a human landscape illustrated both an intimate personal context of the individual’s search yet illustrates the need to connect within the context of a larger universe as well. I find that coming to terms with my spirituality in such a materialistic physical world is an ongoing struggle, so this series is simply the beginning of that exploration.

a dissappearing people 

What materials do you use daily?

Watercolors, gunpowder, and my pens for illustration works.  Depending on the painting, I switch off between painting with paintbrushes or eye-droppers like the Dr. Ph Martin watercolors. Dr. Ph Martin’s are awesome because they’re super saturated, and I love the way they react to the gunpowder.  I mix the gunpowder with water to make it into a liquid-ey substance for painting. When I’m lacking inspiration I’ll burn the gunpowder and fuse it onto paper. It’s like an instant pick-me-up and the results are beautiful. (But really don’t go trying that at home!)

Q3 materials

 What is one of your favorite inspirational quotes?

“You open your hands and satisfy the needs of all living beings.” Psalm 145:16.  This quote grounds me, reminding me that ultimately things always have a way of working out.

Q5 quote

 Which artist gives you that motivational push that you need whenever you look at their work?

Cai Guo-Qiang’s fire drawings make me pretty giddy. To stand in front of them is pretty awe-inspiring (his works are huge!). But it’s not every day you can do that, so I find motivation just by visiting galleries or even artists’ tables at flea markets because it reminds me that artists are out there working it and I want to be one too.

Q3 materials

You say that you “paint to breathe.” Can you go into detail of what that exactly means to you?

There was a point a few years ago that I hit a creativity dead zone; I felt everything I was making was just awful, like I forgot how to draw. It was pretty bad that I felt like I forgot how to breathe. I was blocked because I thought each artwork needed to be a precious masterpiece (which they were far from!) so my art became stiff.  Soon after, I started working with gunpowder and fire, which reminded me that art is messy and unpredictable and that’s what makes it alive. I realized that to make art I needed to just go for it. Make something, anything and learn from my explorations and sometimes you get something worth saving. So I paint to breathe because painting is a constant reminder for why I live. Art inspires me to wake up every morning ready for whatever future explorations await me.

more mountains

Being an artist means living in a constant roller coaster of ups and downs, can you describe a moment when you were on cloud nine and then the next day experiencing the lowest low? (Or vice versa?)

I have a pretty laid-back attitude so I’m generally not one to experience extreme highs and lows, but it’s been a pretty crazy year. I spent half of it across the world living out of a little red suitcase, then spent my summer bopping all over the states and now I’m finally moving to Brooklyn. I’d say last week was pretty close to cloud nine when I found out I won the contest, found an apartment and a studio and a job all in one week—yea that was pretty crazy! But of course I still have the uncertainty that follows in all of these new changes, like making it as an artist.

painting- mountains

 How do you deal with life’s discouragements or negative vibes?

I try and avoid them! But seriously, when discouraging things happen I think it comes down to making the decision if you want to wallow in the negativity or find a way out of it. It’s about surrounding yourself with positive energy and thankfully I have an amazing support system of friends and family who are always there for the extra push.

Are you pursuing any special projects or joining any events?

Right now I’m just focusing on getting back into my large scale paintings and experimenting with new works.

forest fire

What’s one piece of advice you have for artists who would like to have their designs make it through to UncommonGoods’ design challenge semi-finals?

Just go for it. Trust your art, and the support of your friends and family will follow because they want to see you succeed. It also doesn’t hurt to blast every social media outlet available either!

studio_ materials

Why would you say your work differs from all the rest?

Oh gosh, that’s a tough one. My experience making art is still so young and I wouldn’t want to claim some aesthetic skill or perspective that’s totally groundbreaking.   But I think as individuals we all come along with our own unique set of life experiences and context and perspectives.  As an artist, I’m able to channel that perspective into visual experiences that communicate some aspect of who I am and where I come from.  My art is different because each work is an attempt to be honest about some reflection or observation that is ultimately my own.

colorful souls


Pinterest Art Contest: Exhibit It to Win $100

September 10, 2013


Not to toot our own horn, but we know we carry a pretty great collection of art by a pool of talented artists. And we want to keep building our art collections and promote independent artists as much as possible. From watercolors to pencil sketches to oil paintings, we are always in the hunt for new, vibrant, and creative designs.

Help us discover our next artist to join the UncommonGoods family by simply pinning your favorite artwork into our Pinterest Art Contest. You could win $100 to UncommonGoods and be the very reason why our next artist discovery signs a vendor contract with us!

Here are some of our favorite pins so far.

Mango Seed


Christina Rowe | Pinned by Happy Go Licky


Dalton M. Ghetti

Dalton M. Ghetti | Pinned by Nicole Hague 

Julene Wert

Julene Ewert | Pinned by Julene Ewert

su blackwell (2)

Su Blackwell | Pinned by Nicole Hague 



Chalermphol Haranchakkham of Huebuket| Pinned by Pinned by Happy Go Licky

Rebecca Green

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Maker Stories

Love Letters from Your Pet by Karen Jones

July 9, 2013

Usually when it comes to design challenges, we adhere to the rules. (Mostly because I’m a relentless stickler!) But every once and a while a submission comes along that makes you think twice. Our Art Contest is usually call for a digital rendering of a piece of art that we will reproduce and sell framed. However, Karen Jones entered a piece that wouldn’t fit that model. She entered her Love Letter Custom Pet Portraits that are oil paintings on a piece of steel of your beloved canine or feline, with a little note expressing their love to you. Since each piece is made to order, we wouldn’t be able to print and frame the paintings but the call was for art and that is exactly what Karen sent us. She also must have known we have a soft spot for our pets.

What is one uncommon fact about you?
I have a twin brother who is an artist also. On the surface we are not the same, he is a tall red headed cowboy and I am a short, high heeled, glitter loving city dweller. We were born artists and luckily enough had great art teachers when we were growing up in Arizona. We were in a lot of the same art classes in school which was fun because I always had a painting buddy. I still like to paint with other people around me, but that doesn’t happen anymore. I had to learn to love to be alone with my art. Now I look forward to being alone with just me and my art. Well, sort of alone. I paint with my dog, Ruby next to me.

When did you first realize you’re an artist?
Last week. Funny, but I think we as artist have an internal idea of what being an artist is. I was an artist to the outside world since kindergarten. Art was always fairly easy for me. Awards, lots of art classes, going to art school… none of those made me feel like I was an artist. Three years ago, I became a full time, money making artist. That didn’t even make me feel like an artist.

When I started painting from my heart and giving more of myself and accomplishing paintings that I felt were ‘hard to do’ or challenging and I did it… that’s when I realized I was an artist.

Where do you get inspiration for your art?
Everywhere. I try not to walk through life with too much singular focus. I am always looking around, letting things grab my attention. I look at other people art, that can often trigger an idea in myself. I love to travel, ideas often come to me while driving down the road. I look for things to spark my interest and then process them through the mill of my mind, letting the idea develop a little before making it real. I’ve started writing down ideas I have in the middle of the night but that doesn’t work. I wake up wondering what, ‘I’m human in pink chalk’ means.

Describe your artistic process.
On Sunday nights, I get my canvases for the week ready. I paint on steel, so I get my steel ready. I get the image drawn on, make sure I have a photo printed to work from and enough paint.

Then on Monday morning, after coffee, a little time on the internet and a load of laundry, I head to the studio in my house. I put a ’70s tv program like, ‘Hawaii Five-O’ on and start painting. Once I get started, I sort of go in a zone and before I know it, it’s 4pm and time to get on the treadmill and make dinner. To me setting up my environment so I am not distracted and able to go into the zone is key. My focus stays clear and singularly focused. Sometimes when I need more emotion in my painting, I put on loud love music or on Fridays, Disco.

Describe your work space.
Today my studio is my 1968 vintage Airstream. We love going places, so sometimes I’m lucky enough to be able to paint while on the road.

Normally, I paint in my studio at home. My house is very modern and open. My studio is on the second floor with a big oval window with a nice view and good light. My studio isn’t big and is oddly for an artist, very clean. The only things in my studio are my painting easel, my paint table, a table for the computer so I can watch ’70s tv and a big chair and ottoman for me to sit back and ponder over what I need to do the painting. Only the things I need, nothing more. It keeps my mind uncluttered.

And of course, my dog, Ruby. She stairs at me while I paint.

What advice would you give to another artist interested in entering one of our design challenges?
Enter. You never know unless you try. Use your already developed support group of friends, family and customers and ask them every day to vote for you. Use social media and don’t worry about bugging people. They want to support you, let them.

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